Dunkirk (Original title)
Dates: 2017 (Copyright), 19 July 2017 (Release)Countries: USA, United KingdomA film by/Directed by: Christopher Nolan
Synopsis: During the early years of the Second World War, Allied forces retreat from the European mainland via the coast near Dunkirk. They are slowly evacuated using a range of marine vessels but the bombardment of the enemy provides a nerve-shattering and dangerous obstacle to escape. The story is told in three sections, with the event viewed in each through the different perspective of participants on land, in the air, and at sea.
Genre: War
Subjects: World War II, Dunkirk, Spitfires
Releases
Date: 19 July 2017Country: USARelease type: TheatricalFormat: Digital Cinema Package (DCP) - Colour - Sound - Dolby DigitalAspect ratio: 2.20:1Runtime: 106 mins Dialogue (original): EnglishDistributor: Warner Bros.
Date: 19 July 2017Country: USARelease type: TheatricalFormat: 35mm Film - Colour - Sound - Dolby DigitalAspect ratio: 2.35:1Runtime: 106 mins Dialogue (original): EnglishDistributor: Warner Bros.
Date: 19 July 2017Country: USARelease type: TheatricalFormat: Digital Cinema Package (DCP) - Colour - Sound - Dolby DigitalRuntime: 106 mins Dialogue (original): EnglishDistributor: Warner Bros.
Date: 21 July 2017Country: United KingdomRelease type: TheatricalFormat: 70mm Film - Colour - Sound - Dolby DigitalAspect ratio: 2.20:1Runtime: 106 mins 58 secs - Dialogue (original): EnglishDistributor: Warner Bros. Pictures International (UK)
Date: 21 July 2017Country: United KingdomRelease type: TheatricalFormat: Digital Cinema Package (DCP) - Colour - Sound - Dolby DigitalAspect ratio: 2.20:1Runtime: 106 mins 28 secs - Dialogue (original): EnglishDistributor: Warner Bros. Pictures International (UK)
Date: 21 July 2017Country: United KingdomRelease type: TheatricalFormat: 35mm Film - Colour - Sound - Dolby DigitalAspect ratio: 2.35:1Runtime: 106 mins 28 secs - Dialogue (original): EnglishDistributor: Warner Bros. Pictures International (UK)
Date: 21 July 2017Country: United KingdomRelease type: TheatricalFormat: 70mm Film - Colour - Sound - Dolby DigitalAspect ratio: 2.20:1Runtime: 106 mins 58 secs - Dialogue (original): EnglishDistributor: Warner Bros. Pictures International (UK)
Date: 21 July 2017Country: United KingdomRelease type: TheatricalFormat: Digital Cinema Package (DCP) - Colour - Sound - Dolby DigitalRuntime: 106 mins 58 secs - Dialogue (original): EnglishDistributor: Warner Bros. Pictures International (UK)
Dates: 2017 (Copyright), 19 July 2017 (Release)Countries: USA, United KingdomA film by/Directed by: Christopher Nolan
Synopsis: During the early years of the Second World War, Allied forces retreat from the European mainland via the coast near Dunkirk. They are slowly evacuated using a range of marine vessels but the bombardment of the enemy provides a nerve-shattering and dangerous obstacle to escape. The story is told in three sections, with the event viewed in each through the different perspective of participants on land, in the air, and at sea.
Genre: War
Subjects: World War II, Dunkirk, Spitfires
Releases
Date: 19 July 2017Country: USARelease type: TheatricalFormat: Digital Cinema Package (DCP) - Colour - Sound - Dolby DigitalAspect ratio: 2.20:1Runtime: 106 mins Dialogue (original): EnglishDistributor: Warner Bros.
Date: 19 July 2017Country: USARelease type: TheatricalFormat: 35mm Film - Colour - Sound - Dolby DigitalAspect ratio: 2.35:1Runtime: 106 mins Dialogue (original): EnglishDistributor: Warner Bros.
Date: 19 July 2017Country: USARelease type: TheatricalFormat: Digital Cinema Package (DCP) - Colour - Sound - Dolby DigitalRuntime: 106 mins Dialogue (original): EnglishDistributor: Warner Bros.
Date: 21 July 2017Country: United KingdomRelease type: TheatricalFormat: 70mm Film - Colour - Sound - Dolby DigitalAspect ratio: 2.20:1Runtime: 106 mins 58 secs - Dialogue (original): EnglishDistributor: Warner Bros. Pictures International (UK)
Date: 21 July 2017Country: United KingdomRelease type: TheatricalFormat: Digital Cinema Package (DCP) - Colour - Sound - Dolby DigitalAspect ratio: 2.20:1Runtime: 106 mins 28 secs - Dialogue (original): EnglishDistributor: Warner Bros. Pictures International (UK)
Date: 21 July 2017Country: United KingdomRelease type: TheatricalFormat: 35mm Film - Colour - Sound - Dolby DigitalAspect ratio: 2.35:1Runtime: 106 mins 28 secs - Dialogue (original): EnglishDistributor: Warner Bros. Pictures International (UK)
Date: 21 July 2017Country: United KingdomRelease type: TheatricalFormat: 70mm Film - Colour - Sound - Dolby DigitalAspect ratio: 2.20:1Runtime: 106 mins 58 secs - Dialogue (original): EnglishDistributor: Warner Bros. Pictures International (UK)
Date: 21 July 2017Country: United KingdomRelease type: TheatricalFormat: Digital Cinema Package (DCP) - Colour - Sound - Dolby DigitalRuntime: 106 mins 58 secs - Dialogue (original): EnglishDistributor: Warner Bros. Pictures International (UK)
Credits
(325)
©: Warner Bros. Entertainment Inc., ©: RatPac-Dune Entertainment, A Syncopy production: Syncopy, Production Company: Communauté Urbaine de Dunkerque, With the support of: The Netherlands Film Production Incentive, In association with: RatPac-Dune Entertainment, Presents: Warner Bros. Pictures, This film benefited from the: French Tax Rebate for International Production, Production Services (France): Peninsula Film, Production Services (Netherlands): Kaap Holland Film, Executive Producer: Jake Myers, Produced by: Emma Thomas, Produced by: Christopher Nolan, Line Producer (France): John Bernard, Line Producer (Netherlands): Erwin Godschalk, Associate Producer: Andy Thompson, Associate Producer (Netherlands): Maarten Swart, Unit Production Manager: David Witz, Unit Production Manager (France): Christine Raspillère, Unit Production Manager: Chris Brock, Unit Production Manager (Netherlands): Nicky Tüske, Production Supervisor (Europe): Daniel-Konrad Cooper, Production Supervisor (US): Page Rosenberg-Marvin, Production Co-ordinator: Karen Ramirez, Assistant Production Co-ordinator: Kristin Vela, Production Co-ordinator: Ségolène Lagny, Production Co-ordinator: Jonathan Scott, Production Co-ordinator: Samuel Sharpe, Production Co-ordinator: Saskia van der Tass, Financial Controller: Guy Barker, Production Accountant: Natalie Moore, Production Accountant: Jennifer Asaro, Production Accountant (France Unit): Susan Chika Anisiobi, Emmanuelle Balestrieri, Production Accountant (UK Unit): Holly Asquith, Production Accountant (Netherlands Unit): Ron Eshuijs, 1st Assistant Accountant: Anna Belaro-Rodriguez, 1st Assistant Accountant (France Unit): Valérie Farthouat, 1st Assistant Accountant (UK Unit): Louise Green, Payroll Accountant: Debi West, Payroll Accountant (UK Unit): Karen Walker, Unit Manager: Patrick Noordzij, Supervising Location Manager: Ben Piltz, Location Manager: Arnaud Kaiser, Location Manager: Mandy Sharpe, Location Manager: Paul Tomlinson, Location Manager: Thijs Bolle, Location Manager: Douglas Dresser, Assistant Location Manager: Niall O'Shea, Assistant Location Manager: Benjamin Hendriks, Post-production Supervisor: Christopher Dowell, Supervisor, Post-production (IMAX post): Christian Straub, Post-production Co-ordinator: Hannah Haidar, Assistant to Mr Nolan & Ms Thomas: Colleen Young, Assistant to Mr Myers: Nick Degan, Production Secretary: Erick Lee Stroy, IMAX Camera Technician: Scott C. Smith, First Assistant Director: Nilo Otero, First Assistant Director (France): William Pruss, First Assistant Director (Netherlands): William Quarles van Ufford, Second Assistant Director: Eric Lasko, Second Assistant Director: Nicolas Baldino, Second Assistant Director: Alexis Chelli, Clément Comet, Crowd 2nd Assistant Director: Candida Marlowe, 2nd Second Assistant Director: Alina Gatti, 3rd Assistant Director: Toby Spanton, Third Assistant Director: Cora Aarnoutse, Tony van der Veer, Assistant to Mr Nolan: Bastien Solignac, Script Supervisor: Steven R. Gehrke, Casting by: John Papsidera, Toby Whale, Extras Casting: Catherine Déserbais, Extras Casting: Geneviéve Acian, Extras Casting: Dennis Luyf, Extras Casting: Dixie Webster-Davis, Written by: Christopher Nolan, Director of Photography: Hoyte van Hoytema, Aerial Director of Photography: Hans Bjerno, Chief Lighting Technician: Helmut Prein, B Camera Operator: Henry Tirl, C Camera Operator: Hugues Espinasse, Steadicam: Henry Tirl, 1st Assistant A Camera: Bob Hall, 1st Assistant B Camera: Steve Wong, 1st Assistant C Camera: Denis Garnier, 1st Assistant C Camera: Malek Krimed, 2nd Assistant Camera: Jonathan Clark, 2nd Assistant Camera: Antoine Charveriat, 2nd Assistant A Camera: Dan Schroer, 2nd Assistant B Camera: Milan Janicin, 2nd Assistant C Camera: Jérémy Mauroy, Rigging Gaffer: Olivier Rodriguez, Best Boy: Andy Hopkins, Best Boy: Janneke Hogenboom, Rigging Best Boy: Olivier Sargatal, Key Grip: Ryan Monro, Key Grip: Cyril Kuhnholtz, Key Grip: Antoine Petiet, Key Grip: Herb Ault, Best Boy Grip: Christian Martinello, Still Photographer: Melinda Sue Gordon, Visual Effects Supervisor: Andrew Jackson, Visual Effects Producer: Mike Chambers, Visual Effects Production Supervisor: Katie Stetson, Visual Effects Co-ordinator: Jeff Winkle, Visual Effects Co-ordinator: Jeff Reeves, Visual Effects Co-ordinator: Nick Ghizas, Visual Effects Director of Photography: Mark Weingartner, Visual Effects Camera: Andrew Borham, Visual Effects by: Double Negative, Visual Effects Supervisor (Double Negative): Andrew Lockley, Visual Effects Producer (Double Negative): Matt Plummer, Visual Effects Associate Producer (Double Negative): Joseph Lloyd Pack, Jenny Basen, Special Effects Supervisor: Scott Fisher, Special Effects Supervisor: Paul Corbould, Special Effects Supervisor (France Unit): Charles-Axel Vollard, Special Effects Supervisor (Netherlands Unit): Arthur van Oest, Special Effects Assistant Supervisor: Ian Corbould, Special Effects HOD (France Unit): Grégoire Delage, Special Effects Workshop Supervisor (UK Unit): Jason Leinster, Anthony Edwards, Edited by: Lee Smith, Associate Editor: John Lee, Assistant Editor: William Fletcher, Assistant Editor: Scott Wesley Ross, Assistant Editor: Paula Suhy, 1st Assistant Editor: Eric A. Lewy, 1st Assistant Editor: Laura Rindner, Visual Effects Editor: Steve Miller, Visual Effects Editor: Derrick Mitchell, Visual Effects Assistant Editor: Daniel Arkin, Visual Effects Assistant Editor: Shawn Broes, Visual Effects Assistant Editor: Andrew Blustain, Mary Walter, Production Designer: Nathan Crowley, Supervising Art Director: Kevin Ishioka, Supervising Art Director: Eggert Ketilsson, Supervising Art Director: Toby Britton, Art Director: Erik Osusky, Art Director: Ben Nowicki, Art Director: Stéphane Cressend, Art Director: Oliver Goodier, Assistant Art Director: Jenne Lee, Assistant Art Director: Gilles Graziano, Assistant Art Director: Alice Leconte, Assistant Art Director: Charlotte Greene-Gonnot, Art Department Co-ordinator: Anne Tobin, Art Department Co-ordinator: Loïc Chavanon, Set Designer: Andrew Birdzell, Set Designer: Luis Hoyos, Set Designer: Martha Johnston, Set Designer: Carine Demongueres, Set Designer: Mary Saisselin, Supervising Set Decorator: Gary Fettis, Set Decorator: Emmanuel Délis, Set Decorator: Niamh Coluter, Leadman: Brett Smith, Leadman: Edward Protiva, Set Dresser: Mathias Canard, Set Dresser: Octavio Tapia, Set Dresser: Jean-Louis Dias, Set Dresser: Erwan Tilly, Set Dresser: Stéphanie Arnaud, Set Dresser: Kim Miles, Set Dresser: Gary Twine, Set Dresser: Noel Cowell, Set Dresser: Robin van Eijk, Set Dresser: Marc Gastkemper, Set Dresser: Jay Smith, Set Dresser: JR Vasquez, Set Dresser: Scott Bailey, On-set Dresser: Tom Callincos, Graphic Designer: Phillis Lehmer, Graphic Designer: Amanda Riffo, Illustrator: Richard Bennett, Scenic Artist: David Packard, Buyer: Sara Gardner Gail, Production Buyer: Zoe Smith, Property Master: Drew Petrotta, Property Master: Chris Cull, Construction Co-ordinator: Joseph Ondrejko, Costume Designer: Jeffrey Kurland, Assistant Costume Designer: Sara O'Donnell, Costume Supervisor: John Casey, Costume Supervisor: Patricia Colin, Key Costumer: Krista Guggia, Key Military Costumer: Tracey Millar, Military Costumer: Mark Almond, Costumer: Billy Prichard, Key Costumer: Olivier Ligen, Set Costumer: Aurélie Dolbeau, Emmanuelle Pastre, Costumer: Lilian Wadilie, Set Costumer: Patrick O'Driscoll, Costumer: Cesha Ventre, Make-up Department Head: Luisa Abel, Crowd Make-up Supervisor: Nicola Buck, Jessica Brooks, Key Make-up Artist: Jay Wejebe, Make-up Artist: Kimberly Felix, Hair Stylist Department Head: Patricia Dehaney, Key Hair Stylist: Cheryl Daniels, Crowd Key Hair Stylist: Laura Morse, Crowd Hair Supervisor: Lois McIntosh, Joe Hopker, Titles by: Scarlet Letters, Laboratory Services by: FotoKem, Lab General Manager: Bill Roskilly, Project Supervisor: Andrew Oran, Dailies Timer: Kristen Zimmerman, 65mm Lab Manager: Jeff Heacock, 65mm Technical Supervisor: Vince Roth, 65mm Optical Printer Operator: Frank Escobar, 65mm Negative Splicer: Ron Juarez, Digital Cinema Producer: Jason Pelham, Supervising Digital Cinema Colourist: Walter Volpatto, Digital Cinema Editor: Bob Fredrickson, I/O Supervisor: David Rosenthal, Lead 65mm Scanning Operator: Les Meek, 65mm Lab Co-ordinator: Tony Magallanes, Colour Timer: Dan Muscarella, Negative Cutter: Simone Appleby, Prints by: FotoKem, Music by: Hans Zimmer, Additional Music by: Satnum Singh Ramgotra, Additional Music by: Andy Page, Andrew Kawaczynski, Bass Soloist: Nico Abondolo, Electric and Acoustic Cello Soloist: Tina Guo, Cello Soloist: Steve Erdody, Violin Soloist: Ben Powell, Viola, Violin, Hardanger Fiddle Soloist: Michael Levine, Trumpet Soloist: Jon Lewis, Johnny Britt, Exotic Instruments Soloist: Chas Smith, Synth Programming: Hans Zimmer, Orchestra Leader: Perry Montague-Mason, Orchestra Conducted by: Gavin Greenaway, Ben Wallfisch, Supervising Orchestrator: Bruce Fowler, Orchestrator: Walt Fowler, Orchestrator: Suzette Moriarty, Orchestrator: Carl Rydlund, Orchestrator: Jeremy Levy, David Krystal, Score Co-ordinator: Shalini Singh, Score Produced by: Lorne Balfe, Music Production Services: Steven Kofsky, Sequencer Programming: Steve Mazzaro, Technical Score Engineer: Chuck Choi, Stephanie McNally, Music Editor: Ryan Rubin, Supervising Music Editor: Alex Gibson, Score Recorded by: Geoff Foster, Assistant Engineer: John Witt Chapman, Forest Christenson, Score Recorded at: Lyndhurst Hall, Air Studios, Score Mixed by: Alan Meyerson, ProTools: Laurence Anslow, Score Mixed at: Inc. Remote Control Productions, Sound Designer: Richard King, Boom Operator: Tom Caton, Boom Operator: Tim Surrey, Boom Operator: Dominic Happé, Boom Operator: Larry Commans, Re-recording Mixer: Gregg Landaker, Re-recording Mixer: Gary A. Rizzo, Sound Mixer: Mark Weingarten, Supervising Sound Editor: Richard King, 1st Assistant Sound Editor: Andrew Bock, Dialogue Editor: Hugo Weng, Sound Effects Recording Mixer: Eilam Hoffman, Sound Effects Recording Mixer: Max Lachmann, Sound Effects Recording Mixer: Mats Lundgren, Sound Effects Recording Mixer: Bernard Löhr, Sound Effects Recording Mixer: John Paul Fasal, Sound Effects Recording Mixer: Eric Potter, Sound Effects Recording Mixer: Ken Johnson, Peter Albrechtsen, Sound Effects Editor: Michael W. Mitchell, Sound Effects Editor: Randy Torres, ADR Supervisor: David Bach, ADR Mixer: Thomas J. O'Connell, ADR Mixer: Jason Oliver, ADR Mixer: Andy Stallabrass, Mix Technician: Unsun Song, Mix Stage Engineer: Tony Pilkington, Ryan Murphy, ADR Editor: Russell Farmarco, Foley Supervisor: Michael Dressel, Foley Artist: John Roesch, Foley Artist: Shelley Roden, Foley Artist: Scott Curtis, Foley Artist: Scott Curtis, Aerial Ground Co-ordinator: Phil Pickford, Aerial Co-ordinator: David Paris, Flight Co-ordinator: Allie Ermel, Marine Co-ordinator: Neil Andrea, Stunt Co-ordinator: Tom Struthers, Assistant Stunt Co-ordinator: RJ Casey, Assistant Stunt Co-ordinator: Mark Fichera, Assistant Stunt Co-ordinator: Sean Morrissey, Assistant Stunt Co-ordinator: Mark Rayner, David M Schultz, Historical Consultant: Joshua Levine, Armourer: Christophe Maratier, Armourer: Jean-Claude Lecoq, Armourer: Tommy Dunne, Armourer: Cees Witte, Transportation Captain: Nicolas Baudry, Transportation Captain: Dean Moran, Travel Co-ordinator: Natalie Borlaug, Géraldine Serafini, Transportation Co-ordinator: Maxime Couteret, Travel Co-ordinator: Gary Kett, Caroline Houghton, Transportation Co-ordinator: Denny Caira, Camera and Lenses by: Panavision, IMAX, Special Thanks to: Michael Caine
Cast
(48)
Fionn Whitehead (Tommy), Tom Glynn-Carney (Peter Dawson), Jack Lowden (Collins), Harry Styles (Alex), Aneurin Barnard (Gibson), James D'Arcy (Colonel Winnant), Barry Keoghan (George Mills), Kenneth Branagh (Commander Bolton), Cillian Murphy (shivering soldier), Mark Rylance (Mr Dawson), Tom Hardy (Farrier), Damien Bonnard (French soldier), Lee Armstrong (grenadier), James Bloor (irate soldier), Luke Thompson (warrant officer), Michel Biel (French soldier 2), Constantin Balsan (French soldier 3), Billy Howle (petty officer), Mikey Collins (soldier), Callum Blake (stretcher bearer), Dean Ridge (soldier at the gap), Bobby Lockwood (able seaman), Will Attenborough (second lieutenant), Tom Nolan (lieutenant), Matthew Marsh (rear admiral), Adam Long (sub-lieutenant), Miranda Nolan (nurse), Bradley Hall (sailor), Jack Cutmore-Scott (lifeboat soldier 1), Brett Lorenzini (lifeboat soldier 2), Michael Fox (engineer), Brian Vernel (highlander 1), Elliott Tittensor (highlander 2), Kevin Guthrie (highlander 3), Harry Richardson (private), Jochum Ten Haaf (Dutch seaman), Johnny Gibbon (junior naval officer), Richard Sanderson (Heinkel spotter), Kim Hartman (stewardess), Calam Lynch (Deal sailor), Charley Palmer Rothwell (corporal), Tom Gill (furious soldier), John Nolan (blind man), Bill Milner (lone private), Jack Riddiford (soldier at RN launch), Harry Collett (boy), Eric Richard (man at railway window), Michael Caine (RAF radio voice)