The Year of Our Lord 1980 (Original title)Red Riding[12/03/2009] (Archive title)
Dates: 2009 (Copyright), 12 March 2009 (Television)Country: United KingdomDirector: James Marsh
Synopsis: Second part of series selected for the dark, gripping content adapted from David Peace's novels.
Subjects: Crime, Police, Corruption
Series title:
TV Transmissions
Date: 12 March 2009Broadcast channel: Channel FourCountry: United KingdomTransmission time: 21:00-22:55Runtime: 92 mins Network - Language: English - Colour - Sound - Dolby Digital
Date: 12 March 2009not specified
Date: 2022Broadcast company: BFIPlayerCountry: United KingdomStreaming Region - Dialogue (original): English - Colour - Sound
Dates: 2009 (Copyright), 12 March 2009 (Television)Country: United KingdomDirector: James Marsh
Synopsis: Second part of series selected for the dark, gripping content adapted from David Peace's novels.
Subjects: Crime, Police, Corruption
Series title:
TV Transmissions
Date: 12 March 2009Broadcast channel: Channel FourCountry: United KingdomTransmission time: 21:00-22:55Runtime: 92 mins Network - Language: English - Colour - Sound - Dolby Digital
Date: 12 March 2009not specified
Date: 2022Broadcast company: BFIPlayerCountry: United KingdomStreaming Region - Dialogue (original): English - Colour - Sound
Credits
(157)
©: Red Riding 1980, Production: Revolution Films, Presents: Channel Four, [Presented] In association with: Screen Yorkshire, [Presented] In association with: Lip Sync Productions, Revolution Films, Developed with the support of: Channel Four, Supported by: Screen Yorkshire Production Fund, Tax Credit Funding by: Royal Bank of Scotland, Executive Producer: Liza Marshall, Executive Producer: Hugo Heppell, Executive Producer: Norman Merry, Producer: Andrew Eaton, Producer: Anita Overland, Producer: Wendy Brazington, Co-producer: Kate Ogborn, Co-producer: Jamie Nuttgens, Line Producer: Celia Duval, Revolution Films (Head of Television): Josh Hyams, Revolution Films (Head of Production): Ruth Breslaw, Revolution Films (Asst to Andrew Eaton): Clem Blakemore, Revolution Films (Production Assistant): Joon Goh, Channel 4 (Head of Development, Drama): Robert Wulff-Cochrane, Channel 4 (Assistant): Claire Marshall, Channel 4 (Production): Rebecca O'Connor, Bronywyn McConville, Channel 4 (Business Affairs): Ailsa Bruce, Lysa Sprindzuikate, Screen Yorks (Crew/Freelance Devpt Mngr): Nicky Ball, Screen Yorks (Produc'n Liaison Manager): Jim Richardson, Screen Yorks (Production Co-ordinator): Will Massa, LipSync Productions: John Diamond, Norman Merry, Unit Manager: Jane Burgess, Unit Manager: Jonathan Davies, Nardia Hall, Production Co-ordinator: Nadia Jaynes, Production Accountant: Laurence Parker, Assistant Accountant: Dave Bowen, Richard Wood, Accounts Trainee: Nick Hodson, Location Manager: Anna Lee, Location Manager: Charlie Thompson, Location Trainee: Sam Simon, Post-production Supervisor: Louise Seymour, Production Assistant: Oliver Cockerham, Production Trainee: Harvey Ascott, Archive Researcher: Liz Fay, Joe Forrest, Researcher: Hayley Williams, Researcher: Eva Yates, Assistant Director (1st): Martin Curry, Assistant Director (Crowd 2nd): Julie Heskin, Assistant Director (3rd): Sarah Mooney, Assistant Director (Trainee): Emily James, Script Supervisor: Jemima Thomas, Casting: Nina Gold, Casting Associate: Robert Sterne, Writer: Tony Grisoni, Based on the novel by: David Peace, Director of Photography: Igor Martinovic, Focus Puller: Ludovic Littee, Loader: Ben Appleton, Camera Trainee: Robert Gardner, Gaffer: Eddie Knight, Best Boy: Ben Knight, Electrician: Dave Fowler, Genny Operator: Neil Cook, Grip: Mark Jones, Grip Trainee: Chris Hewitt, Videotape Supervisor: Rick White, Stills Photographer: Phil Fisk, Visual Effects by: LipSync Post, LipSync Post (Head of Visual Effects): Stefan Drury, LipSync Post (Lead Compositor): Angela Rose, LipSync Post (Visual FX Co-ordinator): Samantha Tracey, Special Effects Supervisor: Ian Rowley, Special Effects Technician: Rob Rowley, Editor: Jinx Godfrey, Assistant Editor: Aidan O'Brien, Trainee Assistant Editor: Matthew Bate, Production Designer: Tomas Burton, Art Director: Sami Khan, Assistant Art Director: Daryn Mclaughlin, Standby Art Director: Graham Ward, Art Department Assistant: Colette Ferguson, Art Department Trainee: Debbie Harman, Production Buyer: Clare Andrage, Assistant Production Buyer: Kaye Kent, Property Master: Simon Drew, Dressing Props: Mike Bartlett, Dressing Props: Jim Gray, Rod Whiting, Standby Props: Duane Marshall, Trainee Standby Props: Tim Gibson, Construction Manager: Tony O'Hara, Carpenter: Colin Relph, Cyril Jackson, Painter: Andy Armstrong, Painter: Andy Laybatts, Arthur Orwin, Costume Designer: Charlotte Walter, Costume Supervisor: Hannah Walter, Costume Standby: Doina Raducut Fanica, Hair/Make-up Designer: Lesley Lamont-Fisher, Hair/Make-up Artist: Nicola Mount, Hair/Make-up Assistant: Nadine Al-Samarraie, Prosthetics: Paul Hyett, End Titles: Howard Watkins, End Titles Created by: LipSync Post, Main Titles Design: Superfad, Digital Grading/Sound & Visual FX by: LipSync Post, LipSync Post (Producer): Shuna Frood, LipSync Post (Colourist): Lee Clappison, LipSync Post (Assistant Colourist): Scott Goulding, LipSync Post (DI Supervisor): James Clarke, LipSync Post (Senior D-Lab Operator): Aileen McIntosh, LipSync Post (D-Lab Operator): Daniel Tomlinson, LipSync Post (D-Lab Operator): Chris Bentley, Alberto Buron, Laboratory: Leeds Film Lab North, Music: Dickon Hinchliffe, Drums by: Alistair Macaulay, Conducted by: Steve Sidwell, Orchestration by: Dickon Hinchliffe, Music Supervisor: Ian Neil, Orchestral Contractor: Lucy Wilkins, Music Recorded at: Abbey Road Studios, Music Recorded by: Peter Cobbin, Music Mixed at: Eastcote Productions, Music Mixed by: Philip Bagenal, Sound Recordist: John Pearson, Sound Maintenance: Dan Dewsnap, Sound Trainee: Chris Devlin, Re-recording Mixer: Steve Haynes, Sound Assistant: Rachel Carberry, Supervising Sound Editor: Paul Davies, Assistant Sound Editor: Sean Hannah, Dialogue Editor: Kallis Sharamis, Sound Effects Editor: Jack Gillies, ADR Editor: Kallis Sharamis, Foley Artist: Rowena Wilkinson, Foley Artist: Sue Harding, Foley Recordist: Robert Brazier, Foley: Ian Wilkinson, Stunt Co-ordinator: Stuart St. Paul, Stunt Performer: Dave Anders, Stunt Performer: Will Willoughby, Stunt Performer: Sean Adames, Matt Da Silva, Health/Safety Officer: Jim Ranyard, Voice/Dialect Coach: Sandra Butterworth, Armourer: Mark Shelley, Publicist: Premier PR, EPK: Rupert Rand, Filmed at: Leeds Independent Studios
Cast
(31)
Paddy Considine (Peter Hunter), Jim Carter (Harold Angus), Warren Clarke (Bill Molloy), Sean Harris (Bob Craven), David Morrissey (Maurice Jobson), Peter Mullan (Martin Laws), Maxine Peake (Helen Marshall), Tony Pitts (John Nolan), Lesley Sharp (Joan Hunter), David Calder (Sir John Marsden), Ron Cook (Clement Smith), Julia Ford (Elizabeth Hall), James Fox (Philip Evans), Joseph Mawle (The Ripper), Nicholas Woodeson (Michael Warren), Eddie Marsan (Jack Whitehead), Tony Mooney (Tommy Douglas), Shaun Dooley (Dick Alderman), Ken Oxtoby (hotel receptionist), John Barber (police officer 1), Robert Sheehan (BJ), Kelly Freemantle (Clare Strachan), Michelle Holmes (Sharon Douglas), Charlotte James (Karen Douglas), Chris Walker (Jim Prentice), Tim Beasley (journalist 1), Katharine Vasey (Steph), Robert Angell (journalist 2), Robert Hudson (duty officer), James Weaver (Sgt John Chain), Andrew Garfield (Eddie Dunford)