Johnny Mnemonic (Original title)
Date: 1995 (Copyright)Country: CanadaDirected by: Robert Longo
Production company billing: ©1995. ANM [1991] XXXIII Limited Partnership Presented by Peter Hoffman an Alliance production a Robert Longo film [end] Colour and Prints by Film House Dolby SR/SDDS MPAA: 33529 [1.85:1]
Synopsis: In the dystopian future Johnny Mnemonic works as a courier, carrying information in a micro-chip loaded into his head. His latest implant is too much for his brain's capacity and Johnny must download as soon as possible. The information turns out to be of crucial importance to the future of the human race and a number of people are after Johnny to get it.
Genres: Crime, Science Fiction, Thriller
Releases
Date: 26 May 1995Country: USARelease type: unknownFormat: 35mm Film - Colour - Film House color - Sound - Dolby SR / SDDSRuntime: 96 mins Language: English
Date: 09 February 1996Country: United KingdomRelease type: unknownFormat: 35mm Film - Colour - Film House color - Sound - Dolby SR / SDDSRuntime: 96 mins Length: 8681 FeetLanguage: English
Date: 1995 (Copyright)Country: CanadaDirected by: Robert Longo
Production company billing: ©1995. ANM [1991] XXXIII Limited Partnership Presented by Peter Hoffman an Alliance production a Robert Longo film [end] Colour and Prints by Film House Dolby SR/SDDS MPAA: 33529 [1.85:1]
Synopsis: In the dystopian future Johnny Mnemonic works as a courier, carrying information in a micro-chip loaded into his head. His latest implant is too much for his brain's capacity and Johnny must download as soon as possible. The information turns out to be of crucial importance to the future of the human race and a number of people are after Johnny to get it.
Genres: Crime, Science Fiction, Thriller
Releases
Date: 26 May 1995Country: USARelease type: unknownFormat: 35mm Film - Colour - Film House color - Sound - Dolby SR / SDDSRuntime: 96 mins Language: English
Date: 09 February 1996Country: United KingdomRelease type: unknownFormat: 35mm Film - Colour - Film House color - Sound - Dolby SR / SDDSRuntime: 96 mins Length: 8681 FeetLanguage: English
Credits
(152)
©: ANM [1991] XXXIII Limited Partnership, Production Company: Alliance, Presented by: Peter Hoffman, Executive Producer: Robert Lantos, Executive Producer: B.J. Rack, Executive Producer: Victoria Hamburg, Executive Producer: Staffan Ahrenberg, Supervising Producer: Jean Desormeaux, Produced by: Don Carmody, Production Executive: Jeffrey Klein, Production Executive: Lynwood Spinks, Cindy Morton, Unit Production Manager: Pierre Laberge, Production Manager: Ian McDougall, Production Office Co-ordinator: Melody Comrie, Production Accountant: Kimberley Robyn, Unit Manager: Bernard Vincent, Location Manager: Fred Kamping, Location Manager: Stefan Pleszczynski, Nick Barker, Post-production Supervisor: Gregor Hutchison, Michael Jewison, Post-production Co-ordinator: Nicolette Beasley, 2nd Unit Director: Victor Armstrong, 1st Assistant Director: Michael Zenon, Reid Dunlop, 2nd Assistant Director: Charles Lewin Webb, 3rd Assistant Director: Greg Zenon, Leslie Grierson, Script Supervisor: Susanna David, Mary Canty, Casting by: John Buchan, Montreal Casting: Elite, Vera Miller, Casting Associate: Julia Tait, Extras Casting: Scott Mansfield, Screenplay by: William Gibson, Based on the short story by: William Gibson, Director of Photography: François Protat, Camera Operator: David Crone, Louis de Ernsted, 1st Assistant Camera: Christopher Raucamp, Roger Finlay, 2nd Assistant Camera: Mike Sinyi, Kevin Michael Leblanc, Chief Lighting Technician: Jean Courteau, Bryan Forde, Key Grip: Bob Daprato, Key Grip: Matthew Pill, Yvon Boudrias, Still Photographer: Takashi Seida, Special Visual Effects by: Fantasy II Film Effects, Visual Effects Supervisor: Gene Warren Jr, Visual Effects Producer: Leslie Huntley, Model Shop Supervisor: Michael Joyce, Pyrotechnic Supervisor: Joe Viskocil, Optical Supervisor: Betzy Bromberg, Roto Supervisor: Bret Mixon, Cyberspace Sequence Designed and Produced by: Sony Pictures Imageworks, Designer/Visual Effects Supervisor: John Nelson, Visual Effects Producer: George Merkert, Visual Effects Co-ordinator: Cat Chapman, Visual Effects Co-ordinator: Ryan Berg, Anthony Ceccomancini, Executive Producer: Bill Birrell, Computer Graphics Department Head: Frank Foster, Digital Dream Sequence: Braid Media Arts, Rendering Support for Digital Dream Sequence Provided by: Alias Research Incorporated, Inc. Silicon Graphics, Video Graphics/Upload Sequence Conversion: John Gajdecki Visual Effects, Data Upload Sequence by: Inc. C.O.R.E Digital Pictures, Special Effects Supervisor: Rory Cutler, Special Effects: Mario Dumont, Graphics Consultant: Elis Lam, Animation Supervisor/Designer: Kyle Menzies, Edited by: Ronald Sanders, Associate Editor: Michael Rea, 1st Assistant Editor: Pete Watson, 2nd Assistant Editor: Joe Lafontaine, Assistant Editor: Gary Fluxgold, Assistant Editor: Richard Harkness, Assistant Editor: Tom Costain, Giorgio De Vincenzo, Additional Assistant Editor: Jacqueline Carmody, Editorial Consultant: Michael Duthie, Production Designer: Nilo Rodis-Jamero, Visual Consultant: Syd Mead, Art Director: Dennis Davenport, 1st Assistant Art Director: Ian Hall, Andrew Stearn, 2nd Assistant Art Director: Kim Karon, Set Decorator: Enrico Campana, Set Decorator: Michèle Nolet, Richard Tassé, Set Dresser: Mike Franklin, Draughtsperson: Michael Shocrylas, Key Scenic Artist: Tim Murton, Scenic Artist: Brad Francis, Ian Nelmes, Property Master: Daniel Bradette, Props: Gus Meunier, Construction Supervisor: Bill Harmon, Construction Co-ordinator: Dave Pollock, Costume Designer: Olga Dimitrov, Assistant Costume Designer: Ruth Secord, Wardrobe Master: Christopher Hargadon, Wardrobe Mistress: Gayle Franklin, Sylvie Clement, Key Make-up Artist: Linda Gill, Prosthetics & Animatronics: FX Smith Inc., Additional Special Effects Make-up: Larry Hamlin, Michael Burnett, Tattoos: Fred Blau, Key Hairstylist: Jennifer Bower, Titles and Opticals by: Cinema Research Corporation, Opticals by: Film Effects, Colour Timer: Ricardo Olivero, Negative Cutter: Francont Films, Colour and Prints by: Film House, Music by: Brad Fiedel, Conductor: Shirley Walker, Orchestrations: Brad Fiedel, Shirley Walker, Music Supervisor: Anita Camarata, Music Editor: Allan K. Rosen, Patty Von Arx, Sound Designer: Douglas Murray, Sound Mixer: Doug Ganton, Boom Operator: Reynald Trudel, Re-recording Mixer: Paul Massey, Re-recording Mixer: Chris David, Bill W. Benton, Supervising Sound Editor: Patrick Dodd, Sound Editor: Jay Boekelheide, Sound Editor: Mark Jan Wlodarkiewicz, Sound Editor: David Williams, Sound Editor: Jeremy J. Gordon, Mark A. Lanza, Dialogue Editor: Mark Levinson, ADR Editor: Michael Werth, ADR Editor: Michael Dandy, Hugh Waddell, Foley Artist: Andy Malcolm, Jim Gore, Foley Recordist: Tony Van Den Akker, Foley Editor: Malcolm Fife, Stunt Co-ordinator: Dwayne McLean, Victor Armstrong, Special Weapons Design: Peter Colpitts, Unit Publicist: Wendi Laski, Lenses and Panaflex Camera by: Panavision
Cast
(36)
Keanu Reeves (Johnny), Dolph Lundgren (Street Preacher), Takeshi (Takahashi), Ice-T (J-Bone), Dina Meyer (Jane), Udo Kier (Ralfi), Denis Akiyama (Shinji), Henry Rollins (Spider), Tracy Tweed (Pretty), Don Francks (Hooky), Barbara Sukowa (Anna K), Falconer Abraham (Yomamma), Diego Chambers (Henson), Sherry Miller (Takahashi's secretary), Arthur Eng, Von Flores (Viet), Victoria Tengelis (Pharmakom receptionist), Warren Sulatycky (Yakuza operator), Celina Wu (Mikiyo), Gene Mack (Laslo), Jamie Elman (Toad), Simon Sinn (man in hotel lobby), Caitlin Carmody, Erin Carmody (twin in hotel lobby), Doug O'Keefe (Pharmakom security), Marlow Vella (Lotek kid), Howard Szafer (Strike), Paul Brogren (Stump), Arthi Sambasivan (nurse), Silvio Oliviero (Stick), Coyote Shivers (Buddy), Lynne Adams (rocket launcher Yakuza), Mike Shearer (Yakuza partner), Susan Tsagkaris (opera singer), Christopher Comrie (Beijing riot newscaster), Robin Crosby (girl in hotel room)