Shrek 2 (Original title)
Date: 2004 (Copyright)Country: USADirector: Andrew Adamson, Kelly Asbury, Conrad Vernon
Production company billing: ©2004. DreamWorks LLC DreamWorks Pictures presents a PDI/DreamWorks production Distributed by DreamWorks Distribution LLC In Colour Prints by Technicolor Dolby Digital/DTS/SDDS MPAA: 40780
Synopsis: In this sequel, Shrek and Princess Fiona return from their honeymoon to discover an invitation to visit Fiona's parents. They set off with Donkey, unaware that the king, Fiona's father, had his own plans for his daughter's future...
Genres: Animation, Comedy
Title: 10 years of DVDAuthor: CROOK, Simon, DE SEMLYEN, Nick Article type: ArticleLanguage: English
Description: Special feature celebrating the impact of the DVD over the past ten years. Includes top tens for: 'making of' extras, alternative versions, Easter eggs, biggest DVD heroes, deleted scenes, top sellers and films most wanted on DVD.
In: Screen International n1543 7 Apr 2006 Page: 19
Title: Stone Age vs Ice AgeAuthor: KAY, Jeremy Article type: NoteLanguage: English
Description: Briefly details the North American box-office performance of BASIC INSTINCT 2, ICE AGE 2: THE MELTDOWN and BRICK at their release. Plus a table giving opening weekend and total gross revenues of all-time animated openings.
In: ScriptWriter n20 January 2005 Pages: 63-65
Title: Completely Generic Ideas?Author: MUGLESTON, Robert Article type: ArticleLanguage: English
Description: Article arguing that animated feature films are increasingly relying on the visual impact of their animation at the expense of a good script, and comparing the level of writing in TOY STORY with the SHREK films.
In: Screen International vSpec. nOscars The Talent 2004 Pages: 22-23
Title: Bursting out of animated boxAuthor: HUNT, Nick Article type: InterviewLanguage: English
Description: In the run-up to the 2004 Academy Awards, three directors talk about the challenges of bringing animation to the screen: Brad Bird's The INCREDIBLES, Andrew Adamson's SHREK 2, Robert Zemeckis' The POLAR EXPRESS.
In: Music from the Movies n45/46 2005 Page: 110
Title: Film Music Review: New FilmsAuthor: NEEDS, Jason Article type: Soundtrack ReviewLanguage: English
In: Music from the Movies n44 2005 Page: 4
Title: The Aviator ineligible for OscarAuthor: CARLSSON, Mikael Article type: NoteLanguage: English
Description: On how the scores for The AVIATOR, RAY, COLLATERAL, SHREK 2 and MILLION DOLLAR BABY were disqualified from being nomina- ted for an Oscar because of a rule change about the amount of original score in relation to pre-existing music.
In: Screen International vSpec. nOscars The Films 2004 Page: [whole issue]
Title: And the Oscar goes to...Author: HALLIGAN, Fionnuala Article type: ArticleLanguage: English
Description: A look at the contenders for the 2004 Academy Awards
In: Cinefantastique v36 n3 Jun/Jul 2004 Pages: 16-17
Title: Anatomy lesson: ogre upgradeAuthor: WILLIAMS, David E. Article type: ArticleLanguage: English
Description: DreamWorks animators build a better Shrek for SHREK 2.
In: Premiere v17 n9 June 2004 Page: 22
Title: PreviewsArticle type: PreviewLanguage: English
In: Screen International n1472 15 Oct 2004 Page: 12,14
Title: Stars from above and below the lineAuthor: KAY, Jeremy Article type: PreviewLanguage: English
Description: Profiles the winners at the 7th Hollywood Film Festival ahead of the ceremony.
In: Premiere n328 June 2004 Pages: 36-37
Title: Cahier critiqueAuthor: NARBONNE, Christophe Article type: CreditsLanguage: French
In: Premiere v18 n3 November 2004 Page: 99
Title: Home guideAuthor: S.B. Article type: DVD ReviewLanguage: English
In: Sight and Sound v14 n8 August 2004 Pages: 64-66
Title: ReviewsAuthor: LEYLAND, Matthew Article type: CreditsLanguage: English
In: Film Review n648 September 2004 Page: 139
Title: SHREK 2Author: CAMERON-WILSON, James Article type: Soundtrack ReviewLanguage: English
In: Screen International n1454 28 May 2004 Page: 29
Title: ReviewsAuthor: OPPENHEIMER, Jean Article type: CreditsLanguage: English
In: Screen International n1454 28 May 2004 Page: 3
Title: This week's top stories: green stuff eruptsArticle type: NoteLanguage: English
Description: SHREK 2 took $125.3m at the box office in the US in its first five days.
In: Cannes Film Festival Catalogue v57th May 12-23, 2004 Pages: 40-41
Title: [Cannes Film Festival Catalogue - v57th May 12-23, 2004: no known title]Article type: CreditsLanguage: French
Description: Credits include production/distributor/sales contact details Brief script excerpt.
In: Film Review vSpec. n55 Yearbook 2005 Page: 153
Title: Shrek 2Author: JONES, Alan Article type: CreditsLanguage: English
In: StarBurst n313 August 2004 Page: 80
Title: Reviews: new moviesAuthor: JONES, Alan Article type: ReviewLanguage: English
In: Empire n186 December 2004 Page: 166
Title: SHREK 2Author: O'HARA, HelenArticle type: DVD ReviewLanguage: English
In: Empire n181 July 2004 Page: 82
Title: The summer preview Jul 04Article type: PreviewLanguage: English
In: Empire n182 August 2004 Pages: 24-25
Title: Now showingAuthor: ERRIGO, Angie Article type: CreditsLanguage: English
In: Empire n182 August 2004 Page: 51
Title: Intermission: this month you really can't miss Puss-in-BootsArticle type: ArticleLanguage: English
Description: On the success of the Puss-in-Boots character in SHREK 2, including comments by Antonio Banderas who voiced the animation.
In: Film Review n646 July 2004 Pages: 68-72
Title: Green issuesAuthor: GROVE, David Article type: ArticleLanguage: English
Description: Feature on the making of SHREK 2 including interviews with director Andrew Adamson and with Mike Myers and Antonio Banderas.
In: Film Review n646 July 2004 Page: 95
Title: New moviesAuthor: JONES, Alan Article type: CreditsLanguage: English
In: Premiere v17 n8 May 2004 Page: 54
Title: The ultimate summer movie previewAuthor: BORGESON, Kelly [et al...] Article type: PreviewLanguage: English
In: Film-Echo/Filmwoche n24 12 Jun 2004 Page: 33
Title: Markt: filmkritikenAuthor: KLEBER, Reinhard Article type: CreditsLanguage: German
In: Cinema Business n7 September 2004 Page: 3
Title: Shrek sequel boosted July's admissions to record 18.4mArticle type: Short ArticleLanguage: English
Description: News that cinema admissions in the UK were increased by 49% on the previous years figures, and that the opening weekend for SHREK 2 was the biggest ever in the UK.
Author: LACASSAGNE, Aurélie Pages: xi, 190 p.
Title: Shrek 2
Author: ADAMSON, Andrew Pages: 102 p.
Title: Shrek: from the swamp to the screen
Author: HOPKINS, John Pages: 175 p.
Title: Turning the page: children's literature in performance and the media
Author: COLLINS, Fiona M. Pages: 297 p.
Date: 2004 (Copyright)Country: USADirector: Andrew Adamson, Kelly Asbury, Conrad Vernon
Production company billing: ©2004. DreamWorks LLC DreamWorks Pictures presents a PDI/DreamWorks production Distributed by DreamWorks Distribution LLC In Colour Prints by Technicolor Dolby Digital/DTS/SDDS MPAA: 40780
Synopsis: In this sequel, Shrek and Princess Fiona return from their honeymoon to discover an invitation to visit Fiona's parents. They set off with Donkey, unaware that the king, Fiona's father, had his own plans for his daughter's future...
Genres: Animation, Comedy
Credits
(508)
©: DreamWorks LLC, Production Company: PDI/DreamWorks, Presented by: DreamWorks Pictures, Distributed by: DreamWorks Distribution LLC, Executive Producer: Jeffrey Katzenberg, Produced by: Aron Warner, Produced by: David Lipman, John H. Williams, PDI (Head of Studio): Patti Burke, PDI (Head of Production): Teresa Cheng, PDI (Special Projects): Richard Chuang, PDI (Director of Character Development): Beth Hofer, PDI (Studio Operations): Patty Bonfilio, PDI (Production Executive): Paul Hettler, Denise Minter, Senior Production Manager: Denise Nolan Cascino, Production Manager: Kristen D. Chidel, Additional Production Management: Triva Von Klark, Production Engineering (Manager): John Crawbuck, Production Supervisor (Art Department): Stacey Vandermeer-hennen, Production Supervisor (Char Techcl Drtn): Claudia Southmartin, Production Supervisor (Modelling): Tonia Pizzato, Andrea Stoops, Production Supervisor (Surfacing): Andre de O. Araujo, Production Supervisor (Layout): Carol Conti Norton, Production Supervisor (Animation): Tony Cosanella, Production Supervisor (Animation): Jennifer Dahlman, Philip R. Garrett, Production Supervisor (Lighting): Jennifer Freeman, Production Supervisor (Lighting): Stacy F. Rentel, Jenna Grigg Thomas, Production Supervisor (Effects): Michael Garner, Production Supervisor (Cloth'g&Final'g): Holly Edwards, Production Supervisor (Editorial): Laura Lockwood, Julie M. Mcdonald, Production Supervisor (R&D Technology): John Colt, Central Production Co-ordinator: Robyn Mesher, Production Co-ordinator (Story): Kelly Cooney, Production Co-ordinator (Art Department): Liz Borges-Herzog, Production Co-ordinator (Character Tc D): Sunny Ye, Production Co-ordinator (Modelling): Angela Ensele, Production Co-ordinator (Layout): Fadi Basem Kandah, Production Co-ordinator (Surfacing): Alison Fedrick, Production Co-ordinator (Animation): Susan Erokan, Production Co-ordinator (Lighting): Kelly M. Jéan, Production Co-ordinator (Lighting): Hannibal P. Odisho, Jenny Wolfe-Binder, Production Co-ordinator (Effects): Wendy S. Berry, Jana Spotts, Production Co-ordinator (Editorial): Gabrielle Siegel, Virginia Wilson, Production Co-ordinator (Studio Resourc): Marlon Montgomery, Laura Watts, Production Controller: Gary Wohlleben, Lead Technical Director: Jeff Beall, Technical Director (Surfacing): Mark A. Kauffman, Technical Director (Layout): Marty Sixkiller, Technical Director (Animation): Matt Authement, Technical Director (Animation): York N. Schueller, Allen Stetson, Technical Director (Lighting): Steve R.J. Bell, Technical Director (Lighting): Mark A. Decker, Technical Director (Lighting): Tony Mitzelfelt, Robyn Rindge, Technical Director (Effects): Amy Mcdonald Sandjideh, Taylor Shaw, Technical Director (Matte Painting): Justin Onstine, Additional Technical Support (Layout): Samantha Michel, Additional Technical Support (Lighting): Sheryl Aterrado, Additional Technical Support (Lighting): Roberto A. Calvo, Additional Technical Support (Lighting): Michael H. Lee, Christina Yen, Post-production Executive: James Beshears, Post-production Supervisor: Andrew Birch, Post-production Co-ordinator: Wayne Hellinger, Creative Consultant: Ted Elliott, Terry Rossio, Animation Technology (Head o/Technology): Andy Hendrickson, Animation Technology (Head o/Anim Softw): Nick Foster, Animation Technology (Production Managr): Jerome Solomon, R&D Department Manager: Sanjay Das, R&D Manager: Lisa Marie Lamb, Systems Manager: Mike Kiernan, Studio Resources Manager: Ed Granlund, Studio Resources Supervisor: Juli Gumbiner, Production Support (Effects): Meredith M. Gill, Production Assistant (Production): Nick Fumia, Allison L. Mussell Hurd, Production Assistant (Story): Steve Zegans, Production Assistant (Art Department): Sarah Maria Goodwin, Travis Koller, Production Assistant (Layout): Brad Kane, Production Assistant (Animation): Chris Milano, Aaron Stewart, Production Assistant (Editorial): Felicia Sanchez, Assistant to the Directors: Alina Phelan, Casting by: Leslee Feldman, Casting Associate: Christi Soper, Casting Assistant: Celeste Leger, Casting (ADR Voice): Mickie Mcgowan, L.A. MadDogs, Screenplay: Andrew Adamson, Screenplay: Joe Stillman, Screenplay: J. David Stem, Screenplay: David N. Weiss, Based upon the book by: William Steig, Story by: Andrew Adamson, Head of Story: Chris Miller, Story/Editorial Supervisor: Latifa Ouaou, Story Artist: Cody Cameron, Story Artist: Walt Dohrn, Story Artist: Steven E. Gordon, Story Artist: Hamish Grieve, Story Artist: Mark O'hare, Story Artist: Bob Persichetti, Story Artist: Rob Porter, Story Artist: David P. Smith, Story Artist: John Stevenson, Catherine Yuh Rader, Additional Dialogue: Cody Cameron, Additional Dialogue: Walt Dohrn, Additional Dialogue: Chris Miller, Additional Dialogue: David P. Smith, Conrad Vernon, Story Consultant: Ted Tally, Video Transfer Co-ordinator: Chris Hoetger, Videographer: Nelson Lee, Visual Effects Supervisor: Ken Bielenberg, Co-visual Effects Supervisor: Philippe Gluckman, Matte Painting Technical Supervisor: Michael Collery, Matte Painter: Tony Halawa, Matte Painter: Henrik Holmberg, Noah Klocek, Matte Painting Paint/Fix Completion: Hank Grebe, Matte Painting Paint/Fix Completion: Eli Rod, Matte Painting Paint/Fix Completion: Hayyim Sanchez, Matte Painting Paint/Fix Completion: Amber Stewart, Carrie Vanetten, Model Maker: Facundo Rabaudi, Modelling (Department Supervisor): Jeff Hayes, Modelling (Lead): Bill Stahl, Modeller: Brian Deans-Rowe, Modeller: John Koren Dodelson, Modeller: Pasha Ivanov, Modeller: Steve Mcgrath, Modeller: Charlie Ramos, Modeller: James Stewart, Modeller: Joshua West, Benjamin Williams, Supervising Animator: Raman Hui, Supervising Animator: Tim Cheung, James Baxter, Directing Animator: Chung Chan, Directing Animator: Paul Chung, Directing Animator: Donnachada Daly, Directing Animator: Anthony Hodgson, Trey Thomas, Character Design: Tom Hester, Character Technical Dir (Co-supervisor): Lawrence D. Cutler, Lucia Modesto, Character Technical Dir (Department Mgr): Patty Kaku, Character TD: Zsoka Barkacs, Character TD: Terran Boylan, Character TD: Gilbert Davoud, Character TD: Daniel Dawson, Character TD: Peter Farson, Character TD: Milana Huang, Character TD: Sandy Kao, Character TD: Quintin King, Character TD: Shawn Lewis, Character TD: Penny Leyton, Character TD: Mariette Marinus, Character TD: Rob O'Neill, Character TD: Stephan Osterburg, Character TD: Luca Prasso, Character TD: Nico Scapel, Character TD: Dug Stanat, Character TD: Todd Taylor, Character TD: Rob Vogt, Character TD: Dick Walsh, Character TD: Marc Wilhite, Emre Yilmaz, Surfacing Lead: David Doepp, Surfacer: Claudia A. Candia, Surfacer: Edward Deren, Surfacer: Aaron Florez, Surfacer: Sam Gebhardt, Surfacer: Kenneth Hébert, Surfacer: Tomijann Nabors, Surfacer: Lance Powell, Surfacer: Sabrina M. Riegel, Surfacer: Steffen Sommer, Surfacer: Jennifer Stephenson Newlin, Surfacer: John Wake, Gentaro Yamamoto, Animator: Linda Bel, Animator: Jeremy Bernstein, Animator: Wolf-Rüdiger Bloss, Animator: Patrick Bonneau, Animator: David Burgess, Animator: Darrin Butts, Animator: Jaime Castañeda, Animator: Kenny Chung, Animator: Melanie CØrdan, Animator: Nick Craven, Animator: Cassidy Curtis, Animator: Lou Dellarosa, Animator: Robert Espanto Domingo, Animator: Randy Dormans, Animator: Raffaella Filipponi, Animator: Emile Ghorayeb, Animator: Antony Gray, Animator: Mariko Hoshi, Animator: James R. Hull, Animator: Ethan Hurd, Animator: Manu Ittina, Animator: Jeffrey K. Joe, Animator: Morgan Kelly, Animator: Richard Sang Uoon Kim, Animator: Heather Knight, Animator: Kevin Koch, Animator: Marek Kochout, Animator: Serguei Kouchnerov, Animator: Eric Lessard, Animator: Sean Mahoney, Animator: Sean Mclaughlin, Animator: Bill E. Miller, Animator: Ken Morrissey, Animator: Luci Napier, Animator: Enrique Navarrete Gil, Animator: Julie Nelson, Animator: Kevin O'Hara, Animator: Van Phan, Animator: Mark Pudleiner, Animator: Pres Romanillos, Animator: Carlos Rosas, Animator: Trish Schutz-krause, Animator: Kevan Shorey, Animator: Jason Spencer-Galsworthy, Animator: David Spivack, Animator: Sean Springer, Animator: Thomas Paul Thesen, Animator: Don Venhaus, Animator: Dan Wagner, Animator: Chris Wahl, Robert J. Weaver, Animator (In Memoriam): Edip Agi, Animator (Clothing & Finaling): Stephen F. Dobbs, Animator (Clothing & Finaling): Monika Erande, Animator (Clothing & Finaling): Oliver Finkelde, Animator (Clothing & Finaling): Nathan Fok, Animator (Clothing & Finaling): Lee Graft, Animator (Clothing & Finaling): Tim Keenan, Animator (Clothing & Finaling): Kavita Khosla, Animator (Clothing & Finaling): Robert Kosai, Animator (Clothing & Finaling): P.K. Livingston Jr, Animator (Clothing & Finaling): Damon Riesberg, Animator (Clothing & Finaling): Kevin Vassey, Animator (Clothing & Finaling): Sean White, Animator (Clothing & Finaling): Kalim Winata, Ken Yao, Lighting Sequence Supervisor: Michael Day, Lighting Sequence Supervisor: Susan Hayden, Lighting Sequence Supervisor: Janet Lavin, Lighting Sequence Supervisor: Jin Chang Liou, Milton E. Rodríguez-Ríos, Lead Lighter: Ken Ball, Lead Lighter: Chanda Cummings, Lead Lighter: Philippe Denis, Lead Lighter: Annmarie Koenig, Lead Lighter: Barbara Ann Meyers, Lead Lighter: Stephanie Mulqueen, Lead Lighter: Ronman Yiu Yan Ng, Lead Lighter: Young Joo Paik Cheung, Lead Lighter: Joe Palrang, Lead Lighter: Vanitha Rangaraju-ramanan, Lead Lighter: Geri Smith, Wayne Stables, Lighter: Stephen Bailey, Lighter: Alan Chen, Lighter: Adam Chin, Lighter: Ye Won Cho, Lighter: Brian Danker, Lighter: Ben Fischler, Lighter: Jeff Kasunic, Lighter: Shanna Chang Lim, Lighter: Kiki Lippman, Lighter: Jimmy Maidens, Lighter: Andrew McPhillips, Lighter: Marc Miller, Lighter: Cristian G. Moras, Lighter: Yuko Okumura, Lighter: Gabriel Portnof, Lighter: Ben Radcliffe, Lighter: Matthew George Rampias, Lighter: Frank Ritlop, Lighter: Jung Jin Song, Lighter: Peter Szewczyk, Lighter: Nathania Vishnevsky, Lighter: Craig Welsh, Brian Cordan Young, Additional Lighting: Amy Christensen, Additional Lighting: Eric Fernandes, Additional Lighting: Laura Grieve, Additional Lighting: Sherry Hsieh, Additional Lighting: Michael J. Manza, Additional Lighting: Gaku Nakatani, Additional Lighting: Michael Necci, Additional Lighting: Marc Toscano, Additional Lighting: Pablo Valle, Additional Lighting: Craig Wentworth, Douglas Yoshida, Head of Effects: Arnauld Lamorlette, Effects Lead: David Allen, Effects Lead: Juan J. Buhler, Effects Lead: Jonathan Gibbs, Effects Lead: Seth Lippman, Effects Lead: Scott B. Peterson, Scott Singer, Effects: François Antoine, Effects: Matt Baer, Effects: Markus Burki, Effects: David Caeiro Cebrián, Effects: Alain De Hoe, Effects: Rick Glumac, Effects: Randall Hammond, Effects: David Hart, Effects: Greg Hart, Effects: Matt Hightower, Effects: Lewis Kofsky, Effects: Andre Leblanc, Effects: Patricia Pawlak, Effects: Konstantin Promokhov, Effects: Martin Rowley, Effects: Martin Usiak, Effects: Jason Waltman, Effects: Andy Wheeler, Albert Yu, Additional Effects: Antony Field, Additional Effects: David Lipton, Additional Effects: Mark Manfrey, Additional Effects: William Opdyke, Additional Effects: Ellen Poon, Additional Effects: Mahesh Ramasubramanian, Additional Effects: Krzystof Rost, Joanne Thiel, Additional Production Support (Art Dept): Darci Zalvin, Clothing & Finaling (Clothing Lead): Bill Seneshen, Clothing & Finaling (Finaling Lead): Kevin Rodgers, Clothing & Finaling (Co-ordinator): Chris Bunney, Artistic/Tech'l Development (Director): Rachel Falk, Artistic/Tech'l Development (Co-ordinat): Ellen Connell, Sara Peck, Layout Supervisor: Bob Whitehill, Layout Consultant: Simon J. Smith, Rough Layout: Matt Aspbury, Rough Layout: John Braunreuther, Rough Layout: James Buckhouse, Rough Layout: Nol Le Meyer, Rough Layout: Gerald Mcaleece Iii, Rough Layout: David Patrick Valera, Nick Walker, Final Layout: Todd Heapy, Final Layout: Amy Rae Jones, Final Layout: Kaishin Kam, Final Layout: David Murphy, Final Layout: Brian Newlin, Final Layout: David Nix, Final Layout: David Otte, Final Layout: Keith Reicher, Final Layout: Richard Shiba, Heather Davis Wang, Rough CG Set Builder (Layout): Robert Rossoff, Additional Layout: Jan Carlée, Editor: Michael Andrews, Editor: Sim Evan-Jones, Second Editor: Michelle Belforte Hauser, Production Designer: Guillaume Aretos, Art Director: Steve Pilcher, Set Designer: Craig Edelblut, Set Designer: Paul Westacott, Additional Set Design: Chris Aguirre, Douglas Pierce, Production Illustrator: Yuri Bartoli, Production Illustrator: Kory S. Heinzen, Production Illustrator: Ruben Hickman, Production Illustrator: Yoriko Ito, Production Illustrator: Shannon Jeffries, Production Illustrator: Robert Mackenzie, Production Illustrator: Erwin Madrid, Production Illustrator: Huy Nguyen, Production Illustrator: Alexandre Puvilland, Production Illustrator: Christian Schellewald, Production Illustrator: Henrik Tamm, Production Illustrator: James Wood Wilson, Production Illustrator: Julia Woolf, Production Illustrator: Peter Zaslav, Additional Storyboard Artist (Story): Dalton Grant Jr, Additional Storyboard Artist (Story): Raman Hui, Additional Storyboard Artist (Story): Rob Koo, Additional Storyboard Artist (Story): Piet Kroon, Additional Storyboard Artist (Story): David Lux, Additional Storyboard Artist (Story): Mike Mitchell, Additional Storyboard Artist (Story): Jeff Snow, Simon Wells, Sculptor: Dennis Gordon, Sculptor: Tim Lawrence, Charles Rivera, Costume Design: Isis Mussenden, End Titles: David Morehead, Film/Colour Supervisor: Kyle D. Pascucci, Film/Colour Technician: Baron C. Northrop, Colour Timer: Terry Claborn, Post Technology (Manager): Barbara Ford, Post Technology (Lead Film Technician): John M. Hanashiro, Post Technology (Colour Calibrat'n Tech): Kristopher Campbell, Post Technology (Co-ordinator): Ann Dial Mcmillan, Music by: Harry Gregson-Williams, Additional Music by: Stephen Barton, James Mckee Smith, Original Themes from 'Shrek' by: Harry Gregson-Williams, John Powell, Choir: Metro Voices, Choir Master: Jenny O'Grady, Solo Vocals by: Lisbeth Scott, Harpsichord Performed by: Robert King, Orchestra Leader: Gavyn Wright, Music Supervisor: Chris Douridas, Music Executive: Sunny Park, London Orchestral Contractor: Isobel Griffiths, Music Co-ordinator: Julie Keel, Executive Soundtrack Producer: Michael Ostin, Music Editor: Mark Jan Wlodarkiewicz, Score Recorded by: Nick Wollage, Score Recorded at: London Air Lyndhurst, Score Mixed by: Alan Meyerson, Score Mixed at: Inc. Remote Control Productions, Sound Designer: Randy Thom, Additional Sound Design: David C. Hughes, Assistant Sound Designer: Will Files, Sound Mixing: Andy Nelson, Anna Behlmer, Post-production Facilities: Twentieth Century Fox Studios, Recordist: Robert Renga, Craig Heath, Re-recording Mixer: Denis St. Amand, LA Studios Recording Engineer: Carlos Sotolongo, Larry Winer, Supervising Sound Editor: Dennis Leonard, Assistant Supervising Sound Editor: Stuart McCowan, Post-production Sound Services provid by: Skywalker Sound, Sound Effects Editor: André Fenley, Sound Effects Editor: J.R. Grubbs, Sound Effects Editor: Scott Guitteau, Assistant Sound Effects Editor: Coya Elliott, ADR (Group): Newell Alexander, ADR (Group): Tom Amundsen, ADR (Group): Steve Apostolina, ADR (Group): Kelly Asbury, ADR (Group): Bob Bergen, ADR (Group): Terry Brannon, ADR (Group): Rodger Bumpass, ADR (Group): Mitch Carter, ADR (Group): Robert Clotworthy, ADR (Group): David Cowgill, ADR (Group): Jennifer Darling, ADR (Group): Debi Derryberry, ADR (Group): Paul Eiding, ADR (Group): Iake Eissinmann, ADR (Group): Bill Farmer, ADR (Group): Bridget Hoffman, ADR (Group): Sherry Lynn, ADR (Group): Danny Mann, ADR (Group): Mickie Mcgowan, ADR (Group): Chris Miller, ADR (Group): Edie Mirman, ADR (Group): Laraine Newman, ADR (Group): Paul Pape, ADR (Group): Jan Rabson, ADR (Group): Marcelo Tubert, ADR (Group): Conrad Vernon, Jim Ward, ADR (20th Century Fox Recordist): David Lucarelli, ADR (20th Century Fox Engineer): Derek Casari, ADR (20th Century Fox Mixer): Charleen Richards-steeves, ADR Editor: Marilyn McCoppen, ADR Editor: Ewa Sztompke-oatfield, Foley Artist: Ellen Heuer, Foley Artist: Dennie Thorpe, Foley Artist: Jana Vance, Foley Recordist: Travis Crenshaw, Foley Mixer: Frank Merel, Foley Editor: Jonathan Null, Foley Editor: E. Larry Oatfield, In Memory of (1907-2003): William Steig, Special Thanks: Todd Homme, Special Thanks: Jennifer Rubin, Special Thanks: Derek Chan, Special Thanks: Jane Hartwell, Special Thanks: Ed Leonard, Special Thanks: James A. Mainard, Special Thanks: Dennis Park, Special Thanks: Kate Swanborg, Special Thanks: Lance Young, Hans Zimmer
Cast
(29)
Mike Myers (voice of Shrek), Eddie Murphy (voice of Donkey), Cameron Diaz (voice of Princess Fiona), Julie Andrews (voice of Queen Lillian of Far, Far Away), Antonio Banderas (voice of Puss In Boots), John Cleese (voice of King Harold of Far, Far Away), Rupert Everett (voice of Prince Charming), Jennifer Saunders (voice of Fairy Godmother), Aron Warner (voice of Wolf), Kelly Asbury (voice of page/elf/nobleman), Kelly Asbury (voice of nobleman's son), Cody Cameron (voice of Pinocchio/three pigs), Conrad Vernon (voice of Gingerbread Man/Cedric), Conrad Vernon (voice of announcer/muffin man/Mongo), Christopher Knights (voice of blind mouse), David P. Smith (voice of herald/man with box), Mark Moseley (voice of mirror/dresser), Kelly Cooney (voice of fast food clerk), Wendy Bilanski (voice of bar frog), Larry King (voice of ugly stepsister), Guillaume Aretos (voice of receptionist), Chris Miller (voice of Humphries/magic mirror), Latifa Ouaou (voice of doll/Jill), Alina Phelan (voice of maiden 1/generic female 2), Erika Thomas (voice of maiden 2), Joan Rivers (voice of Joan Rivers), Andrew Adamson (voice of captain of the guards), Jonathan Ross (voice of ugly stepsister [UK version]), Kate Thornton (voice of awards interviewer [UK version])
Articles held in BFI Reuben Library
(28)
In: Empire n231 September 2008 Pages: 113-123Title: 10 years of DVDAuthor: CROOK, Simon, DE SEMLYEN, Nick Article type: ArticleLanguage: English
Description: Special feature celebrating the impact of the DVD over the past ten years. Includes top tens for: 'making of' extras, alternative versions, Easter eggs, biggest DVD heroes, deleted scenes, top sellers and films most wanted on DVD.
In: Screen International n1543 7 Apr 2006 Page: 19
Title: Stone Age vs Ice AgeAuthor: KAY, Jeremy Article type: NoteLanguage: English
Description: Briefly details the North American box-office performance of BASIC INSTINCT 2, ICE AGE 2: THE MELTDOWN and BRICK at their release. Plus a table giving opening weekend and total gross revenues of all-time animated openings.
In: ScriptWriter n20 January 2005 Pages: 63-65
Title: Completely Generic Ideas?Author: MUGLESTON, Robert Article type: ArticleLanguage: English
Description: Article arguing that animated feature films are increasingly relying on the visual impact of their animation at the expense of a good script, and comparing the level of writing in TOY STORY with the SHREK films.
In: Screen International vSpec. nOscars The Talent 2004 Pages: 22-23
Title: Bursting out of animated boxAuthor: HUNT, Nick Article type: InterviewLanguage: English
Description: In the run-up to the 2004 Academy Awards, three directors talk about the challenges of bringing animation to the screen: Brad Bird's The INCREDIBLES, Andrew Adamson's SHREK 2, Robert Zemeckis' The POLAR EXPRESS.
In: Music from the Movies n45/46 2005 Page: 110
Title: Film Music Review: New FilmsAuthor: NEEDS, Jason Article type: Soundtrack ReviewLanguage: English
In: Music from the Movies n44 2005 Page: 4
Title: The Aviator ineligible for OscarAuthor: CARLSSON, Mikael Article type: NoteLanguage: English
Description: On how the scores for The AVIATOR, RAY, COLLATERAL, SHREK 2 and MILLION DOLLAR BABY were disqualified from being nomina- ted for an Oscar because of a rule change about the amount of original score in relation to pre-existing music.
In: Screen International vSpec. nOscars The Films 2004 Page: [whole issue]
Title: And the Oscar goes to...Author: HALLIGAN, Fionnuala Article type: ArticleLanguage: English
Description: A look at the contenders for the 2004 Academy Awards
In: Cinefantastique v36 n3 Jun/Jul 2004 Pages: 16-17
Title: Anatomy lesson: ogre upgradeAuthor: WILLIAMS, David E. Article type: ArticleLanguage: English
Description: DreamWorks animators build a better Shrek for SHREK 2.
In: Premiere v17 n9 June 2004 Page: 22
Title: PreviewsArticle type: PreviewLanguage: English
In: Screen International n1472 15 Oct 2004 Page: 12,14
Title: Stars from above and below the lineAuthor: KAY, Jeremy Article type: PreviewLanguage: English
Description: Profiles the winners at the 7th Hollywood Film Festival ahead of the ceremony.
In: Premiere n328 June 2004 Pages: 36-37
Title: Cahier critiqueAuthor: NARBONNE, Christophe Article type: CreditsLanguage: French
In: Premiere v18 n3 November 2004 Page: 99
Title: Home guideAuthor: S.B. Article type: DVD ReviewLanguage: English
In: Sight and Sound v14 n8 August 2004 Pages: 64-66
Title: ReviewsAuthor: LEYLAND, Matthew Article type: CreditsLanguage: English
In: Film Review n648 September 2004 Page: 139
Title: SHREK 2Author: CAMERON-WILSON, James Article type: Soundtrack ReviewLanguage: English
In: Screen International n1454 28 May 2004 Page: 29
Title: ReviewsAuthor: OPPENHEIMER, Jean Article type: CreditsLanguage: English
In: Screen International n1454 28 May 2004 Page: 3
Title: This week's top stories: green stuff eruptsArticle type: NoteLanguage: English
Description: SHREK 2 took $125.3m at the box office in the US in its first five days.
In: Cannes Film Festival Catalogue v57th May 12-23, 2004 Pages: 40-41
Title: [Cannes Film Festival Catalogue - v57th May 12-23, 2004: no known title]Article type: CreditsLanguage: French
Description: Credits include production/distributor/sales contact details Brief script excerpt.
In: Film Review vSpec. n55 Yearbook 2005 Page: 153
Title: Shrek 2Author: JONES, Alan Article type: CreditsLanguage: English
In: StarBurst n313 August 2004 Page: 80
Title: Reviews: new moviesAuthor: JONES, Alan Article type: ReviewLanguage: English
In: Empire n186 December 2004 Page: 166
Title: SHREK 2Author: O'HARA, HelenArticle type: DVD ReviewLanguage: English
In: Empire n181 July 2004 Page: 82
Title: The summer preview Jul 04Article type: PreviewLanguage: English
In: Empire n182 August 2004 Pages: 24-25
Title: Now showingAuthor: ERRIGO, Angie Article type: CreditsLanguage: English
In: Empire n182 August 2004 Page: 51
Title: Intermission: this month you really can't miss Puss-in-BootsArticle type: ArticleLanguage: English
Description: On the success of the Puss-in-Boots character in SHREK 2, including comments by Antonio Banderas who voiced the animation.
In: Film Review n646 July 2004 Pages: 68-72
Title: Green issuesAuthor: GROVE, David Article type: ArticleLanguage: English
Description: Feature on the making of SHREK 2 including interviews with director Andrew Adamson and with Mike Myers and Antonio Banderas.
In: Film Review n646 July 2004 Page: 95
Title: New moviesAuthor: JONES, Alan Article type: CreditsLanguage: English
In: Premiere v17 n8 May 2004 Page: 54
Title: The ultimate summer movie previewAuthor: BORGESON, Kelly [et al...] Article type: PreviewLanguage: English
In: Film-Echo/Filmwoche n24 12 Jun 2004 Page: 33
Title: Markt: filmkritikenAuthor: KLEBER, Reinhard Article type: CreditsLanguage: German
In: Cinema Business n7 September 2004 Page: 3
Title: Shrek sequel boosted July's admissions to record 18.4mArticle type: Short ArticleLanguage: English
Description: News that cinema admissions in the UK were increased by 49% on the previous years figures, and that the opening weekend for SHREK 2 was the biggest ever in the UK.
Books held in BFI Reuben Library
(4)
Title: Investigating Shrek: power, identity, and ideologyAuthor: LACASSAGNE, Aurélie Pages: xi, 190 p.
Title: Shrek 2
Author: ADAMSON, Andrew Pages: 102 p.
Title: Shrek: from the swamp to the screen
Author: HOPKINS, John Pages: 175 p.
Title: Turning the page: children's literature in performance and the media
Author: COLLINS, Fiona M. Pages: 297 p.