Derailed (Original title)
Dates: 2005 (Copyright), 03 February 2006 (Release)Countries: United Kingdom, USADirected by: Mikael Håfström
Synopsis: Thriller. Commercials director Charles meets business executive Lucinda on the train into Chicago one morning when he forgets his wallet and she offers to pay for his ticket. Though both are married, they start having an affair, but when they book into a hotel one night, they find themselves on the wrong side of an obsessive and violent criminal.
Genre: Thriller
Releases
Date: 11 November 2005Country: USARelease type: unknownFormat: Super-35 - Colour - DeLuxe - Sound - Dolby Digital / DTS (sound) / SDDSRuntime: 107 mins Dialogue (original): English
Title: DerailedAuthor: LEYLAND, Matthew Article type: CreditsLanguage: English
In: Film Review n667 March 2006 Page: 94
Title: DerailedAuthor: BRETT, Anwar Article type: ReviewLanguage: English
In: Screen Finance v19 n20 1 Nov 2006 Pages: 4-5
Title: One third of films looking for cinema releaseAuthor: ADLER, Tim Article type: NoteLanguage: English
Description: Report on the percentage of British films still unreleased t wo years after production. Tables show release patterns for UK production (1984-2004); unreleased films for 2004; and th eatrical release patterns for 2004 films, including takings
In: Empire n206 August 2006 Page: 132
Title: At Home/New to DVD: DerailedAuthor: ERRIGO, Angie Article type: DVD ReviewLanguage: English
In: Film Review n672 July 2006 Page: 144
Title: DerailedAuthor: BAUGHAN, Nikki Article type: DVD ReviewLanguage: English
In: Empire n201 March 2006 Page: 51
Title: In Cinemas: DerailedAuthor: SMITH, Anna Article type: ReviewLanguage: English
In: Variety 7 Nov 2005 Page: 22
Title: Film reviewsAuthor: CHANG, Justin Article type: CreditsLanguage: English
In: Empire n197 November 2005 Page: 73
Title: 54 Films For Your Consideration: 24. DerailedArticle type: PreviewLanguage: English
Description: A listing of fifty-four films that will be released during the winter and may stand a chance of winning during the awa- rds season in 2006.
In: Premiere v19 n1 September 2005 Page: 80
Title: Fall movie preview: DERAILEDArticle type: PreviewLanguage: English
In: Screen International n1523 11 Nov 2005 Page: 27
Title: DerailedAuthor: HAZELTON, John Article type: CreditsLanguage: English
In: British Cinematographer n15 August 2005 Pages: 5-6
Title: Digital Back-Projection.Author: DUNTON, Lester Article type: ArticleLanguage: English
Description: Article looking at the innovative use of digital back- projection techniques used in filming for DERAILED.
In: The Hollywood Reporter v387 n9 28 Dec 2004 Page: 22
Title: Production ChartsArticle type: CreditsLanguage: English
In: Screen Finance v17 n20 3 Nov 2004 Page: 3,6
Title: November production investment falls by 22%Author: ADLER, Tim Article type: Prod. DetailsLanguage: English
Description: Brief production details of seven projects involving UK producers which started shooting in November with a combined budget of [pound]43.9 million. The previous month's invest- ment total was 22% down on November 2003.
Dates: 2005 (Copyright), 03 February 2006 (Release)Countries: United Kingdom, USADirected by: Mikael Håfström
Synopsis: Thriller. Commercials director Charles meets business executive Lucinda on the train into Chicago one morning when he forgets his wallet and she offers to pay for his ticket. Though both are married, they start having an affair, but when they book into a hotel one night, they find themselves on the wrong side of an obsessive and violent criminal.
Genre: Thriller
Releases
Date: 11 November 2005Country: USARelease type: unknownFormat: Super-35 - Colour - DeLuxe - Sound - Dolby Digital / DTS (sound) / SDDSRuntime: 107 mins Dialogue (original): English
Credits
(145)
©/Produced in association with: Patalex V Productions Limited, Production Company: di Bonaventura Pictures, Presented by: The Weinstein Company, Miramax Films, [Production Company]: Derailed Productions, Executive Producer: Harvey Weinstein, Executive Producer: Bob Weinstein, Executive Producer: Jonathan Gordon, Produced by: Lorenzo di Bonaventura, Co-producer: Mark Cooper, Associate Producer: Jeremy Steckler, Production Executive: Gina Gardini, Executive in Charge of Physical Prdctn: Tim Clawson, Jake Myers, Executive in Charge of Post-production: Linda Borgeson, Jennifer Lane, Executive in Charge of Business Affairs: Barry Littman, Exec in/Ch of Casting/Creative Affairs: Kelly Carmichael, Unit Production Manager: Rachel Neale, Unit Production Manager (Chicago Unit): Demetra Diamantopoulos, Unit Manager: David Seaton, Production Co-ordinator: Adele Steward, Production Co-ordinator (Chicago Unit): Margaret J. Orlando, Financial Controller: Guy Barker, Production Accountant (Chicago Unit): Wade Hagen, Location Manager: David Pinnington, Location Manager (Chicago Unit): Mark Mamalakis, Post-production: Kelly Dennis, Post-production Co-ordinator: Hannah Godwin, Assistant Director (1st): Sean Cameron Guest, Assistant Director (2nd): James Haven, Assistant Director (3rd): Scott Bunce, Assistant Director (Chicago Unit 2nd): T. Coe, Assistant Director (Chicago Unt 2nd 2nd): Traci Lewis, Script Supervisor: Susanna Lenton, Casting: Avy Kaufman, Casting (UK): Carrie Hilton, Casting (US Associate): Elizabeth Greenberg, Casting (Voice): Louis Elman, L.A. MadDogs, Screenplay: Stuart Beattie, Based on the novel by: James Siegel, Director of Photography: Peter Biziou, 2nd Unit Director of Photography: Peter Hannan, DV Cam Unit Director of Photography: Paul Barton, Camera Operator: Mike Proudfoot, Camera Operator (2nd Unit/2nd Camera UK): David Morgan, Philip Sindall, Camera Operator (DV Cam Unit): Derek Walker, B Camera Operator (Chicago Unit): George Kohut, Steadicam Operator: Peter Cavaciuti, Steadicam Operator (Chicago Unit): William Nielsen Jr, Focus Puller: Robert Dibble, Focus Puller (2nd Unit/2nd Camera UK): Rawdon Hayne, Focus Puller (2nd Unit/2nd Camera UK): Spencer Murray, Focus Puller (2nd Unit/2nd Camera UK): Miles Proudfoot, Chunky Richmond, A Camera (Chicago Unit 1st Asst): Peter Kuttner, B Camera (Chicago Unit 1st Asst): Paul Demart, Clapper Loader: Chaz Lyons, A Camera (Chicago Unit 2nd Asst): Makiko Carlson, B Camera (Chicago Unit 2nd Asst): Dan Schroer, Gaffer: Peter Bloor, Gaffer (Chicago Unit): Tony Lullo, Chicago Unit Key Grip: Mike Lewis, Still Photographer: Linda Gamble, Bill Kaye, Stills Photographer (Chicago Unit): Chuck Hodes, Visual Effects Supervisor: Lester Dunton, Visual Effects Plate Supervisor: Olaf Wendt, Visual FX Prodctn Suprvsr (Chicago Unit): Stephanie Moore, Digital Effects: Men-from-Mars, Special Effects: United Special Effects, Untd SFX (Special Effects Supervisor): Stuart Brisdon, Untd SFX (Lead Senior Technician): Mark Haddenham, Untd SFX (Special Effects Technician): Steve Benelisha, Untd SFX (Special Effects Technician): Terry Palmer, Untd SFX (Special Effects Technician): Nigel Wilkinson, Anne-Marie Walters, Special Effects Co-ordintr (Chicago Unt): Don Parsons, Special Effects (Chicago Unit): Frank Krenmuller, John Rigden, Graphic Designer: Laura Dishington, Editor: Peter Boyle, Production Designer: Andrew Laws, Supervising Art Director: Mark Raggett, On-set Art Director: Rhian Nicholas, Art Director (Chicago Unit): Craig Jackson, Set Designer (Chicago Unit): Kerry Sanders, Set Decorator: Marina Morris, Set Decorator (Chicago Unit): Daniel Clancy, [Art Department] Researcher: Laura Dishington, Scenic Artist: Robert Dugdale, Howard Weaver, Storyboard Artist: Temple Clark, Property Master: Gordon Fitzgerald, Prop Master (Chicago Unit): Billy Dambra, Construction Manager: Colin Fraser, Construction Co-ordinator (Chicago Unit): John P. Kenny Iii, Costume Designer: Natalie Ward, Costume Supervisor (Chicago Unit): Eileen McCahill, Key Costumer (Chicago Unit): Jennifer Jobst, Wardrobe Supervisor: Liza Bracey, Make-up/Hair Designer: Dorka Nieradzik, Make-up/Hair Artist: Carmel Jackson, Jenny Sharpe, Make-up Artist to Ms Aniston: Jean Black, Make-up Artist (Chicago Unit): Chelo Ontiveros, Hairstylist to Ms [Jennifer] Aniston: Kay Georgiou, Hairstylist to Xzibit: Tina 'Diamond' Brown, Hairstylist (Chicago Unit): Mary E. Buono, Title Design: Olaf Wendt, End Titles: Cine Image, Cameras Supplied by: Joe Dunton Cameras, Grader (Technicolor): Phil Ashton, Music: Edward Shearmur, Music Performed by: The London Metropolitan Orchestra, [Music] Conducted by: Edward Shearmur, [Music] Orchestrated by: Edward Shearmur, Executive in Charge of Music: Randy Spendlove, Music Editor: Gerard McCann, Music Editor: Daryl Kell, Orchestra Recorded/Mixed by: Stephen P. Mclaughlin, Production Sound Mixer: John Midgley, Boom Operator: June Prinz, Boom Operator (Chicago Unit): Blair Scheller, Third Sound: Steve Hancock, Re-recording Mixer: Tim Cavagin, Steve Single, Supervising Sound Editor: Nigel Mills, Dialogue Editor: Philip Alton, ADR Mixer: Mark Lafbery, ADR Editor: Philip Alton, Foley Artist: Jack Stew, Foley Artist: Felicity Cottrell, Foley Mixer: Mark Lafbery, Foley Editor: Grahame Peters, UK Stunt Co-ordinator: Glenn Marks, US Stunt Co-ordinator: Rick Lefevour, Armourer: Nick Jeffries, Unit Publicist: Linda Gamble, Bill Kaye, Unit Publicist (Chicago Unit): Stuart Wolf, Filmed at: Elstree Studios
Cast
(31)
Clive Owen (Charles Schine), Jennifer Aniston (Lucinda Harris), Vincent Cassel (LaRoche), Melissa George (Deanna Schine), Giancarlo Esposito (Detective Church), David Morrissey (Sam Griffin), Georgina Chapman (Candy), Denis O'Hare (Jerry the lawyer), Tom Conti (Eliot Firth), Addison Timlin (Amy Schine), Xzibit (Dexter), Rza (Winston Boyko), Sandra Bee (train conductor), William Armstrong (accountant), Rachael Blake (Susan Davis), Richard Leaf (night clerk Ray), Catherine McCord (Avery Price receptionist), David Oyelowo (patrol officer), Claire Lubert (bank teller), Jennifer Joan Taylor (real estate agent), Sam Douglas (homicide detective), Ortis Deley (lake hotel police officer), Danny McCarthy (correctional officer hank), Ryan Romain (correctional officer 2), Chiké Okonkwo (paramedic), James Crisman (prison guard 1), Marcus Holton (prison guard 2), Leo McCoy (prison guard 3), Roberto Rangel (prison guard 4), Ronald Tanner (man in prison laundry), Dozer (Bernie the dog)
Articles held in BFI Reuben Library
(13)
In: Sight and Sound v16 n2 February 2006 Page: 51Title: DerailedAuthor: LEYLAND, Matthew Article type: CreditsLanguage: English
In: Film Review n667 March 2006 Page: 94
Title: DerailedAuthor: BRETT, Anwar Article type: ReviewLanguage: English
In: Screen Finance v19 n20 1 Nov 2006 Pages: 4-5
Title: One third of films looking for cinema releaseAuthor: ADLER, Tim Article type: NoteLanguage: English
Description: Report on the percentage of British films still unreleased t wo years after production. Tables show release patterns for UK production (1984-2004); unreleased films for 2004; and th eatrical release patterns for 2004 films, including takings
In: Empire n206 August 2006 Page: 132
Title: At Home/New to DVD: DerailedAuthor: ERRIGO, Angie Article type: DVD ReviewLanguage: English
In: Film Review n672 July 2006 Page: 144
Title: DerailedAuthor: BAUGHAN, Nikki Article type: DVD ReviewLanguage: English
In: Empire n201 March 2006 Page: 51
Title: In Cinemas: DerailedAuthor: SMITH, Anna Article type: ReviewLanguage: English
In: Variety 7 Nov 2005 Page: 22
Title: Film reviewsAuthor: CHANG, Justin Article type: CreditsLanguage: English
In: Empire n197 November 2005 Page: 73
Title: 54 Films For Your Consideration: 24. DerailedArticle type: PreviewLanguage: English
Description: A listing of fifty-four films that will be released during the winter and may stand a chance of winning during the awa- rds season in 2006.
In: Premiere v19 n1 September 2005 Page: 80
Title: Fall movie preview: DERAILEDArticle type: PreviewLanguage: English
In: Screen International n1523 11 Nov 2005 Page: 27
Title: DerailedAuthor: HAZELTON, John Article type: CreditsLanguage: English
In: British Cinematographer n15 August 2005 Pages: 5-6
Title: Digital Back-Projection.Author: DUNTON, Lester Article type: ArticleLanguage: English
Description: Article looking at the innovative use of digital back- projection techniques used in filming for DERAILED.
In: The Hollywood Reporter v387 n9 28 Dec 2004 Page: 22
Title: Production ChartsArticle type: CreditsLanguage: English
In: Screen Finance v17 n20 3 Nov 2004 Page: 3,6
Title: November production investment falls by 22%Author: ADLER, Tim Article type: Prod. DetailsLanguage: English
Description: Brief production details of seven projects involving UK producers which started shooting in November with a combined budget of [pound]43.9 million. The previous month's invest- ment total was 22% down on November 2003.