The Day after Tomorrow (Original title)
Date: 2004 (Copyright)Country: USADirector: Roland Emmerich
Production company billing: ©2004. Twentieth Century Fox Film Corporation (in all territories except Brazil, Italy, Korea, Japan and Spain) ©2004. TCF Hungary Film Rights Exploitation Limited Liabaility Company/ Twentieth Century Fox Film Corporation (in Brazil, Italy, Korea, Japan and Spain) Twentieth Century Fox presents a Centropolis Entertainment, Lions Gate, Mark Gordon Company production A Roland Emmerich film Produced and released by Twentieth Century Fox Dolby Stereo/DTS/SDDS Colour/Prints by DeLuxe 2.35:1 [Super 35] MPAA: 40177 author: Twentieth Century Fox Film Corporation Suggested in part by the book "The Coming Global Superstorm" by Art Bell & Whitley Strieber
Synopsis: Disaster adventure. Global warming has caused large sections of the Arctic to melt into the sea, resulting in a catastrophic change in the world's weather systems. When New York is flooded, and then frozen, a pocket of survivors take refuge in the Central Library, burning books to stay alive. As the whole of the northern hemisphere succumbs to ice age conditions, scientist Jack Hall attempts to rescue his son, trapped in New York.
Genre: Action and Adventure
Releases
Date: 2004not specifiedRelease type: unknownFormat: Super-35 - Colour - DeLuxe - Sound - Dolby Stereo SR / DTS (sound) / SDDSRuntime: 124 mins Length: 11153 FeetDialogue (original): English
Title: Science? Fiction!Author: THOMAS, William Article type: ArticleLanguage: English
Description: Humourous article comparing the bad science of Hollywood science-fiction films with the actual laws of physics.
In: New review of film and television studies v5 n2 August 2007 Pages: 211-229
Title: The planet at the end of the world: 'event' cinema and...Author: BRANSTON, Gill Article type: ArticleLanguage: English
Description: "...the representation of climate change". Describes The DAY AFTER TOMORROW as one of the first "issue event blockbuster s" to tackle climate change, and how seeing the film as such helps our understanding of the film and its politics.
In: CineAction! n70 2006 Pages: 66-69
Title: "What you see is happening right now.": Thermageddon and a..Author: MILLER, Blair Article type: ArticleLanguage: English
Description: "...Search for Tomorrow". Looks at The DAY AFTER TOMORROW and global warming.
In: Berlin Film Festival Catalogue v55th 2005 Pages: 88-89
Title: [Berlin Film Festival Catalogue - v55th 2005: no known title]Article type: CreditsLanguage: German
Description: Credits include production/sales contact details.
In: Sight and Sound v15 n1 January 2005 Page: 75
Title: The Day after TomorrowAuthor: ML Article type: DVD ReviewLanguage: English
In: Premiere v17 n9 June 2004 Page: 22
Title: PreviewsArticle type: PreviewLanguage: English
In: Sight and Sound v14 n7 July 2004 Page: 46,48
Title: ReviewsAuthor: NEWMAN, Kim Article type: CreditsLanguage: English
In: Premiere n328 June 2004 Page: 38
Title: Cahier critiqueAuthor: DELORME, Gérard Article type: CreditsLanguage: French
In: Film-Echo/Filmwoche n12 20 Mar 2004 Page: 10
Title: Es gibt leider Grund, sich zu fürchtenAuthor: VÖLKER, Reinhard Article type: InterviewLanguage: German
Description: Interview with producer Mark Gordon who discusses the production of The DAY AFTER TOMORROW.
In: Film-Echo/Filmwoche n12 20 Mar 2004 Page: 10+11
Title: Es gibt leider Grund[...]/Ich habe diesmal mehr zu sagenAuthor: VÖLKER, Reinhard Article type: InterviewLanguage: German
Description: Interviews with director Roland Emmerich and producer Mark Gordon who discuss the production of The DAY AFTER TOMORROW.
In: American Cinematographer v85 n6 June 2004 Pages: 44-46,49-53
Title: Masters of DisasterAuthor: MAGID, Ron Article type: ArticleLanguage: English
Description: Cinematographer Ueli Steiger discusses his work on the film The DAY AFTER TOMORROW, including many of the technical challenges involved.
In: American Cinematographer v85 n6 June 2004 Pages: 48-49
Title: Whipping Up Bad WeatherAuthor: MAGID, Ron Article type: ArticleLanguage: English
Description: On how CGI was used to create the various extreme weather effects used in The DAY AFTER TOMORROW.
In: Film-Echo/Filmwoche n19 8 May 2004 Page: 35
Title: Markt: filmkritikenAuthor: DOCKHORN, Katharina Article type: CreditsLanguage: German
In: TV Guide v52 n21 23 May 2004 Pages: 46-47
Title: Sela Ward keeps her coolAuthor: HENSLEY, Dennis Article type: Short ArticleLanguage: English
Description: Short article about Sela Ward and her appearance in THE DAY AFTER TOMORROW.
In: Screen International n1455 4 Jun 2004 Pages: 10-13
Title: Production: analysis: editing: in the cutAuthor: KAY, Jeremy Article type: ArticleLanguage: English
Description: A report on changes in technology and increasing commercial pressures on editors. Includes comments by David Brenner, editor on The DAY AFTER TOMORROW.
In: Film Review n645 Summer 2004 Pages: 48-49
Title: Jake Gyllenhaal: it's the end of the world as we know itAuthor: MILLAR, John Article type: InterviewLanguage: English
Description: Interview with Jake Gyllenhaal who discusses why he was happy to star in an action movie, The DAY AFTER TOMORROW.
In: StarBurst n316 November 2004 Page: 100
Title: DVD ReviewsAuthor: RICHARDSON, David Article type: DVD ReviewLanguage: English
In: Screen International n1454 28 May 2004 Page: 29
Title: ReviewsAuthor: GOODRIDGE, Mike Article type: CreditsLanguage: English
In: Playback 30 Aug 2004 Page: 1,6
Title: Service shoots rock the boxAuthor: DAVIDSON, Sean Article type: ArticleLanguage: English
Description: Analysis of the major summer releases in Canada, some of them had a significant footage shot or post-production done in the country, including The DAY AFTER TOMORROW.
In: Film Review n645 Summer 2004 Pages: 96-97
Title: New moviesAuthor: MILLAR, John Article type: CreditsLanguage: English
In: Premiere v17 n6 March 2004 Page: 36,38
Title: First lookAuthor: HAUSER, Brooke Article type: Prod. ReportLanguage: English
In: Playback 2 Aug 2004 Page: 19
Title: Post quarterly: Canucks help post summer blockbustersAuthor: DILLON, Mark Article type: CreditsLanguage: English
In: Creation July 2004 Pages: 24-25
Title: Weather gone wild.Article type: ArticleLanguage: English
Description: Article in which members of the special effects team from Dreamscape talk about the creation of effects for the film THE DAY AFTER TOMORROW.
In: Empire n176 February 2004 Pages: 73-82
Title: The ten biggest films of 2004Author: HEWITT, Chris Article type: PreviewLanguage: English
Description: Previews of ten movies due out in 2004 including Roland Emmerich's The DAY AFTER TOMORROW.
In: StarBurst n312 July 2004 Pages: 34-35
Title: Whipping up a stormAuthor: GERARD, Simon J. Article type: InterviewLanguage: English
Description: Jeffrey Nachmanoff talks about writing The DAY AFTER TOMORROW.
In: StarBurst n312 July 2004 Pages: 64-65
Title: New moviesAuthor: JONES, Alan Article type: ReviewLanguage: English
In: Music from the Movies n43 2004 Pages: 16-20
Title: Harald Kloser and Roland Emmerich: Visions of a Future...Author: KOPPL, Rudy Article type: InterviewLanguage: English
Description: "...Lost: The Day After Tomorrow". Interviews with composer Harald Kloser and director, Roland Emmerich about their work together on The DAY AFTER TOMORROW.
In: Music from the Movies n43 2004 Page: 18
Title: Thomas WankerArticle type: Short ArticleLanguage: English
Description: Composer Thomas Wanker discusses his work on The DAY AFTER TOMORROW.
In: Music from the Movies n43 2004 Pages: 55-56
Title: Film Music Review: New FilmsAuthor: CHAMPION, Daniel Article type: Soundtrack ReviewLanguage: English
Description: Soundtrack review for The DAY AFTER TOMORROW.
In: Empire n178 April 2004 Pages: 14-15
Title: Coming soon: tomorrow's movies todayArticle type: PreviewLanguage: English
In: Empire n181 July 2004 Pages: 20-21
Title: Now showingAuthor: KENNEDY, Colin Article type: CreditsLanguage: English
In: Cinefex n98 July 2004 Pages: 70-93,126
Title: Freeze framesAuthor: DUNCAN, Jody Article type: ArticleLanguage: English
Description: Details of the almost complete reliance on digital effects for The DAY AFTER TOMORROW, particularly looking at the creation of ice and snow, tornadoes, water, wolves. Comments by Roland Emmerich, Karen Goulekas, Colin Strause and others
In: Le Film Francais n3036 19 Mar 2004 Page: 8
Title: UFD en attente de lendemains qui chantentAuthor: LECLERC, Fabrice Article type: ArticleLanguage: French
Description: Details of the marketing campaign in France for Roland Emmerich's The DAY AFTER TOMORROW.
In: Cinefantastique v36 n4 Aug/Sep 2004 Page: 58
Title: In review: film in briefAuthor: GOTTWALD, Mark Article type: ReviewLanguage: English
In: Film Review vSpec. n52 Spiderman Page: 103
Title: ReviewsAuthor: MILLAR, John Article type: CreditsLanguage: English
In: Premiere v17 n8 May 2004 Page: 55
Title: The ultimate summer movie previewAuthor: BORGESON, Kelly [et al...] Article type: PreviewLanguage: English
In: Premiere v17 n8 May 2004 Pages: 64-65
Title: Emmy RossumAuthor: HAUSER, Brooke Article type: ArticleLanguage: English
Description: A profile of actress Emmy Rossum, referring to her role as Laura Chapman in The DAY AFTER TOMORROW (2004).
In: Empire n180 June 2004 Pages: 87-92
Title: Storm warningAuthor: Nathan, IanArticle type: ArticleLanguage: English
Description: Feature on Roland Emmerich's The DAY AFTER TOMORROW including comments on the making of the film by Emmerich, Mark Gordon, Dennis Quaid and Jake Gyllenhaal.
Author: FEIL, Ken Pages: xxix, 233 p.
Date: 2004 (Copyright)Country: USADirector: Roland Emmerich
Production company billing: ©2004. Twentieth Century Fox Film Corporation (in all territories except Brazil, Italy, Korea, Japan and Spain) ©2004. TCF Hungary Film Rights Exploitation Limited Liabaility Company/ Twentieth Century Fox Film Corporation (in Brazil, Italy, Korea, Japan and Spain) Twentieth Century Fox presents a Centropolis Entertainment, Lions Gate, Mark Gordon Company production A Roland Emmerich film Produced and released by Twentieth Century Fox Dolby Stereo/DTS/SDDS Colour/Prints by DeLuxe 2.35:1 [Super 35] MPAA: 40177 author: Twentieth Century Fox Film Corporation Suggested in part by the book "The Coming Global Superstorm" by Art Bell & Whitley Strieber
Synopsis: Disaster adventure. Global warming has caused large sections of the Arctic to melt into the sea, resulting in a catastrophic change in the world's weather systems. When New York is flooded, and then frozen, a pocket of survivors take refuge in the Central Library, burning books to stay alive. As the whole of the northern hemisphere succumbs to ice age conditions, scientist Jack Hall attempts to rescue his son, trapped in New York.
Genre: Action and Adventure
Releases
Date: 2004not specifiedRelease type: unknownFormat: Super-35 - Colour - DeLuxe - Sound - Dolby Stereo SR / DTS (sound) / SDDSRuntime: 124 mins Length: 11153 FeetDialogue (original): English
Credits
(381)
©(all territories): Twentieth Century Fox Film Corporation, ©(Brazil, Italy, Korea, Japan & Spain): TCF Hungary Film Rights Exploitation Limited Liability Company, Production Company: Centropolis Entertainment, Production Company: Lions Gate Films, Production Company: Mark Gordon, Produced/Released by: Twentieth Century Fox, Executive Producer: Ute Emmerich, Executive Producer: Kelly Van Horn, Executive Producer: Stephanie Germain, Produced by: Mark Gordon, Roland Emmerich, Co-producer: Thomas M. Hammel, Associate Producer: Kim H. Winther, Associate Producer: Lawrence Inglee, Exec i/Charge of Production, Centropolis: Vanessa R. Jordan, Unit Production Manager: Kelly Van Horn, Unit Production Manager: Thomas M. Hammel, Unit Production Manager (El Paso Unit): Joe Dishner, Unit Production Manager (NY Unit): Jane Raab, Unit Manager: Jim Kontos, Unit Manager (Splinter Unit): Alain Bernard, Paul Boutin, Production Manager (Canada): Christina Kontos, Production Manager (Splinter Unit): Daniel Auclair, Production Manager (Ciudad Juárez Unit): Héctor E. López, Production Supervisor (Washington DC Un): Alison Sherman, Production Co-ordinator: Danielle Boucher, Production Co-ordinator (LA Unit): Lisa Kearsley, Production Co-ordinator (El Paso Unit): Shanti Delsarte, Leigh Ann Wilbourn, Production Co-ordinator (NY Unit): Lizz Grant, Production Co-ordinator (Washin DC Unit): Ginny Galloway, Production Office Co-ord (C. Juárez Unt): Gloria 'Pekas' Lozano, MX Production Liaison (C. Juárez Unit): Eleanor Vera, Location Manager: Céline Daignault, Location Manager (LA Unit): Kenneth E. Fix, Location Manager (Ciudad Juárez Unit): Lily Flaschner, Location Manager (NY Unit): Carla Raij, Location Manager (NY Unit 2nd Unit): Steven Weisberg, Location Manager (Washington DC Unit): Peggy Pridemore, Post-production Supervisor: Jeffrey Harlacker, Post-production Co-ordinator: David McKimmie, Preview Engineer: Lee Tucker, 2nd Unit Director (Splinter Unit): Anna Foerster, Assistant Director (1st): Kim H. Winther, Assistant Director (2nd): David Footman, Erik Ajduk, Assistant Director (2nd 2nd): Angèle Gagnon, Assistant Director (3rd): Jacinthe Noreau, Paul Drouin, Assistant Director (Additional 3rd): Gabriel Teller, Nadine Brassard, Assistant Director (Splinter Unit 1st): Matt Jemus, Assistant Director (Splinter Unit 2nd): Auree Tommi Lepage, Assistant Director (LA Unit 2nd): Paul F. Bernard, Assistant Director (LA Unit 2nd 2nd): Brandon Lambdin, Ronan O'Connor, Assistant Director (El Paso Unit 2nd): Lars P. Winther, David Footman, Assistant Director (El Paso Unit 2n 2nd): Peter J. Dowd Jr, Gregory G. Hale, Assistant Director (C. Juárez Unit 1st): Miguel Lima, Assistant Director (C. Juárez Unit 2nd): Efren del Moral, Assistant Director (NY Unit 2nd): Paul Bernard, Script Supervisor: Kim Berner, Script Supervisor (Splinter Unit): Sophie Boyer, Casting: April Webster, Casting (US Associate): Scott David, Casting (Canadian): Andrea Kenyon, Randi Wells, Casting (ADR Voice): L.A. MadDogs, Screenplay: Roland Emmerich, Screenplay: Jeffrey Nachmanoff, Story by: Roland Emmerich, Suggested in part by the book by: Art Bell, Whitley Strieber, Director of Photography: Ueli Steiger, 2nd Unit/Model Unit D of Photo (LA Unit): Anna Foerster, Camera Operator: Billy O'Drobinak, Camera Operator (Splinter Unit A): Gary Camp, Camera Operator (Splinter Unit B): Robert Guertin, Camera Operator (El Paso Unit C): Anette Haellmigk, Camera Operator (El Paso Unit D): Thomas Yatsko, Camera Operator (El Paso Unit E): Martin Schaer, Camera Operator (NY Unit C): Tom Weston, Camera Operator (Washington DC Unit): Dave Insley, B Camera/Steadicam Operator: François Archambault, Gary Camp, Spacecam Operator (NY Unit): Phil Pastuhov, Spacecam Technician (NY Unit): Masahiro Onodera, Wescam System Provided by: Wescam USA Inc, Wescam Technician: Steve Winslow, Michael Hildebrant, Wescam Co-ordinator: Jake Capistron, Video Assist: Julie Garceau, Video Assist (Splinter Unit): Karine Simard, Video Assist (LA Unit): Dave Deever, Video Assist (NY Unit): Joe Trammell, Daniel Salk, Video Assist (Washington DC Unit): Rich Klompus, William Rusty Gardner, 24 Playback: Andrew Lapierre, M.T.L. Video, 24 Playback Technician: Yann Mongrain, Video Playback: Schematic, Creative Lead: Dale Herigstad, 24 Frame Playback Technician (LA Unit): Roy Meyer, Video DP (El Paso Unit): Rick Walker, Video Playback Co-ordinator (LA Unit): Doug Degrazzio, Video Playback (El Paso Unit): Eric Roberts, Video Cameraman (El Paso Unit): Chris Swann, Microwave Video Operator (NY Unit): Dennis Green, Still Photographer: Kerry Hayes, Still Photographer (LA Unit): Ron Phillips, Still Photographer (NY Unit): Eric Liebowitz, Visual Effects Supervisor: Karen E. Goulekas, Visual Effects Producer: Mike Chambers, Visual Effects Editor: Peter S. Elliot, Visual Effects Co-ordinator: Laurel Schneider, Previsualization Lead: Joshua Kolden, Previsualization Artist: Bill Campbell, Previsualization Artist: David Chow, Previsualization Artist: Curtis Edwards, Previsualization Artist: Daniel Fort, Previsualization Artist: Corey Heis, Previsualization Artist: Michael Hobbs, Previsualization Artist: Michael Leung, Previsualization Artist: Gregory 'Nic' Nicholson, Previsualization Artist: Michael Ramirez, Sylvain Ledoux, Special Visual Effects /Animation: Industrial Light & Magic, Visual Effects by: Hydraulx, Visual Effects/Animation by: The Orphanage LLC, Special Visual Effects/Digital Animation: Digital Domain, Visual Effects by: Tweak Films, Visual Effects Created at: yU+co., Visual Effects by: Zoic Studios Inc., Visual Effects by: Ring of Fire Studios, Dreamscape Imagery Inc, Visual effects supervisor (Hydraulx): Colin Strause, Special Effects Supervisor: Neil Corbould, Special Effects Canadian Supervisor: Louis Craig, Assistant Special Effects Supervisor: David Brighton, Clive Beard, Special Effects Senior Technician: David Watkins, Special Effects Lead Technician: Simon Quinn, [Special Effects] Technician: Gaspar Brabant, Jean-François Patenaude, [Special Effects] Workshop Supervisor: Steve Cullane, [Special Effects] Workshop Lead Snr Tech: Peter White, [Special Effects] Workshop Lead Snr Tech: Ray Ferguson, Alan Young, Special Effects Workshop Senior Technicn: Pierre Laforest, Special Effects Workshop Senior Technicn: Georges Chartrand, Special Effects Workshop Senior Technicn: Jacques Belair, Special Effects Workshop Senior Technicn: Jean Letendre, Mario Dumont, Special Effects Workshop Lead Technician: Colin Umpelby, Jamie Murrell, Special Effects Workshop Technician: Hugo Vallée, Special Effects Workshop Technician: Maxime Dumont, Special Effects Workshop Technician: André Fortin, Special Effects Workshop Technician: André Laforest, Special Effects Workshop Technician: Lorne Dosogne, Vincent Marion, Special Effects Welder: Marc-André Côté, Special Effects Administrator: Corina Rosca, Special Effects Buyer: Francis Marleau, Manex Efrem, Special Effects (LA Unit Co-ordinator): Al Broussard, Special Effects (LA Unit Technician): Tom Resada, Special Effects (LA Unit Technician): Hans Metz, Special Effects (LA Unit Technician): Richard L. Hill, Special Effects (LA Unit Technician): John S. Baker, Special Effects (LA Unit Technician): John Hagey, Arnold Verbiesen, Special Effects (El Paso Unit Foreman): David Wood, Special Effects (El Paso Unit Technic'n): John S. Baker, Special Effects (El Paso Unit Technic'n): Mark Koivu, Special Effects (El Paso Unit Technic'n): Bill Greene, Special Effects (El Paso Unit Technic'n): Tom Resada, Special Effects (El Paso Unit Technic'n): Jose C. Barba, Special Effects (El Paso Unit Technic'n): Juan Chacon, Special Effects (El Paso Unit Technic'n): Louis C. Manning, Special Effects (El Paso Unit Technic'n): John M. Ridgway, Special Effects (El Paso Unit Technic'n): Bart A. Tibbets, Special Effects (El Paso Unit Technic'n): Dave Valero, Special Effects (El Paso Unit Technic'n): Scott White, Special Effects (El Paso Unit Technic'n): Frank Guillen, Special Effects (El Paso Unit Technic'n): Mark A. Kline, Special Effects (El Paso Unit Technic'n): David Smith, Michael M. Welch, Snow Business (El Paso Unit): Gregory Tippie, Derrell 'Shawn' Roberts, Snow [Special] Effects Floor Supervisor: Martin Mclaughlin, Snow [Special] Senior Technician: David Thomas, Snow [Special] Technician: Del Reed, Snow [Special] Technician: Michael Steinbacher, Snow [Special] Technician: Stephen Shelley, Snow [Special] Technician: Normand Gobeille, Snow [Special] Technician: Marc C. Bienvenu, Snow [Special] Technician: Christian Rivest, Snow [Special] Technician: Jamie Hilloca, Snow [Special] Technician: Christopher Aslin, Snow [Special] Technician: Marcus Rait, Snow [Special] Technician: Christian Longpré, Snow [Special] Technician: David Levesque, Snow [Special] Technician: Gilles St. Amand, Snow [Special] Technician: Tim Lidstone, Snow [Special] Technician: Tony Kenny, Pierre L'heureux, Miniature Consultant: Joachim Grueninger, Graphic Designer: Isabelle Côté, Graphic Artist: Jean-Daniel Frenette, Paskal Bélanger, News Broadcasts by: Plinyminor, [Video] Graphics Producer: Tavin Marin Titus, Erin Williams, [Video] Graphics Designer: Colette Arimoto, Film Editor: David Brenner, Additional Editor: Peter S. Elliot, Michael McCusker, Production Designer: Barry Chusid, Supervising Art Director: Tom Reta, Claude Paré, Art Director: Martin Gendron, Art Director: Michèle Laliberté, Art Director: Réal Proulx, Art Director: Marc Bonin, Art Director (Splinter Unit): Jean-Francois Campeau, Set Decorator: Victor J. Zolfo, Set Decorating Co-ordinator (LA Unit): Katrissa 'Kat' Peterson, Supervising Art Department Co-ordinator: Doris Simard, Art Department Co-ordinator: Viviane Vallée, Gaétan Marsolais, Art Department Co-ordinator (LA Unit): Nancy A. King, Draughtswoman: Céline Lampron, Draughtswoman: Nathalie Lortie, Draughtswoman: Charlotte Rouleau, Draughtswoman: Anita Gulens, Caroline Alder, Draughtsman: Guy Pigeon, Draughtsman: Frédéric Amblard, Draughtsman: Simon Trempre, Draughtsman: Alex Touikan, Draughtsman: Vincent Gingras-Liberali, Louis-René Landry, Concept Illustrator: Trong-Kim Nguyen, Illustrator: Michael Meier, Head Scenic Artist: Alain Giguère, Property Master: Claire Alary, Property Master (LA Unit): Scott Maginnis, Property Master (El Paso Unit): Glenn Forbes, Property Master (Ciudad Juárez Unit): Celso Peña, Property Master (NY Unit): Sabrina Wright, Property Master (Washington DC Unit): Kinnereth Ellentuck, On-set Property Master: Denis Hamel, On-set Property Master (Splinter Unit): Etienne Proulx, Costume Designer: Renée April, Costume Supervisor (El Paso Unit): Kenn Smiley, Costume Supervisor (Ciudad Juárez Unit): Ismael Jardón, Costume Supervisor (NY Unit): Fionnuala Lynch, Costume Supervisor (Washington DC Unit): Deb Dalton, Wardrobe Supervisor: Lyse Pomerleau, Assistant [Wardrobe] Supervisor: Stéphane Laroche, Key Make-up Artist: Kathryn Casault, Key Make-up Artist (NY Unit): Sharon Ilson, Key Make-up (LA Unit): Elisabeth Fry, Make-up Artist: Julie Casault, Make-up Artist (El Paso Unit): Al Varela, Make-up (Washington DC Unit): Annabelle Macneal, Special Effects Make-up: Maestro Studio F/X, Maestro (SPFX Make-up Supervisor): Adrien Morot, Maestro (SPFX Make-up Co-ordinator): Sylvania Yau, Maestro (SPFX Make-up Painter): C.J. Goldman, Maestro (SPFX Make-up Hairwork): Jonathan Lavallée, Maestro (SPFX Make-up Sculptor): Bruno Gatien, Maestro (SPFX Make-up Frozen FX): Martin Jutras, Maestro (SPFX Make-up Moldmaker): George Tucci, Maestro (SPFX Make-up Animatronics): Ronny Gosselin, Ryan Storm, Maestro (SPFX Make-up Fabrication): Judith Bosquet, Key Hairstylist: Réjean Forget, Key Hairstylist (LA Unit): Janis Clark, Key Hairstylist (El Paso Unit): Kathryn Powell, Key Hairstylist (NY Unit): Sandra Deblasio, Hairstylist: Martin Lapointe, Hair (Washington DC Unit): Lydia Ben Simmon-Benaïm, Additional Hair/Make-up (El Paso Unit): Tamyra Davis, Additional Hair/Make-up (El Paso Unit): Linda Gutierrez, Anthony Rosales, Main Titles: The Picture Mill, End Titles: Scarlet Letters, Colour Timer: Chris Regan, Digital Optical Effects: Custom Film Effects, Digital Intermediate by: EFilm, Film Laboratory/Video Transfer: Technicolor Creative Services (Montréal), Music: Harald Kloser, Score Co-composed by: Thomas Wanker, Score Vocals by: Carmel Echols, Score Conducted by: Blake Neely, Principal Orchestrator: Bill Boston, Orchestrations by: Frank Bennett, Orchestrations by: Benoit Grey, Orchestrations by: Larry Kenton, Orchestrations by: Jon Kull, Orchestrations by: Don Nemitz, Orchestrations by: Pat Russ, Ceiri Torjussen, Orchestra Contractor: Ross deroche, Music Editor: Emanuele Arnone, [Music] Recorded/Mixed by: Armin Steiner, Additional Percussion Recorded by: Dan Blessinger, Sequence Programming: Thomas Schobel, Music Technician: Dino Hermann, Midi Transcription: Benoit Grey, Score Recorded at: Newman Scoring Stage, Newman Scoring Stage (Recordist): John Rodd, Newman Scoring Stage (Engineer): Bill Talbott, Newman Scoring Stage (Stage Manager): Tom Steel, Damon Tedesco, Score Mixed at: Signet Soundelux (Los Angeles), Signet Sound (Digital Recordist): Larry Mah, Snd Designer (Ice Flow/Flood/Tidal Wave): Alan Rankin, Snd Designer (LA Tornado & Destruction): Michael Kamper, Snd Designer (Wind/Thunder/Superfreeze): Ann Scibelli, Snd Designer (Vehicles/Animals): Randy Kelley, Snd Designer (Superfreeze): Harry Cohen, Production Sound Mixer: Don Cohen, Sound Mixer (Splinter Unit): Gabor Vadnay, Sound Mixer (LA Unit): Robert Gravenor, Sound Mixer (El Paso Unit): David O. Daniel, Sound Mixer (NY Unit): William Sarokin, Boom Person: Thierry Hoffmann, Boom Operator (Splinter Unit): Quentin de Bayser, Boom Operator (LA Unit): Timothy Patrick Salmon, Boom Operator (El Paso Unit): Chris Frazee, Boom Operator (NY Unit): Kevin Meehan, Sound Mixing: Paul Massey, D.M. Hemphill, Additional Audio: Per Hallberg, Mark Ormandy, Recordist: Tim Gomillion, Dennis Rogers, Recording Engineer: Tim McColm, Additional Mixing: Jim Bolt, Supervising Sound Editor: Mark Stoeckinger, Supervising Sound Editor: Larry Kemp, Crowds/Walla Editor: Kerry Dean Williams, Dialogue Editor: Daniel S. Irwin, Dialogue Editor: James Matheny, ADR (Co-ordinator): Anthony Gore, ADR Recordist: David Lucarelli, ADR (Engineer): Derek Casari, ADR Mixer: Charleen Richards-steeves, ADR Mixer: Damon Tedesco, ADR Editor: Daniel S. Irwin, ADR Editor: James Matheny, Foley Artist: Alicia Stevenson, Foley Artist: Dawn Fintor, Foley (Engineer): Derek Casari, Foley Mixer: David Betancourt, Supervising Foley Editor: Glenn T. Morgan, Foley Editor: Robert Behr, Foley Editor: Craig Jaeger, Stunt Co-ordinator (LA/El Paso): Charlie Brewer, Assistant Stunt Co-ordinator (El Paso): Kevin C. Scott, Stunt Rigger: Marco Bianco, Research Consultant: Jennifer Bydwell, Military Consultant: Capt. David Kennedy Usn Ret., Medical Consultant: Alan Azuelos M.d., Inc. Briahealth, Department of Defense Project Officer: Major J. Todd Breasseale, Dept of Defense Military Technical Advsr: Major J. Todd Breasseale, Office of the Special Asst for Ent Media: Phil Strub, Greenhouse Gas Emmissions Neutralized by: Future Forests, Animal Co-ordinator: Raymond Ducasse, Animal Co-ordinator's Assistant: Josée Juteau, Wolf Trainer: Mark Dumas, Unit Publicist: Joe Everett
Cast
(105)
Dennis Quaid (Jack Hall), Jake Gyllenhaal (Sam Hall), Ian Holm (Professor Terry Rapson), Emmy Rossum (Laura Chapman), Sela Ward (Doctor Lucy Hall), Dash Mihok (Jason Evans), Kenneth Welsh (Vice President Becker), Jay O. Sanders (Frank Harris), Austin Nichols (J.D.), Perry King (President Blake), Nestor Serrano (Gomez), Adrian Lester (Simon), Sheila McCarthy (Judith), Arjay Smith (Brian Parks), Glenn Plummer (Luther), Tamlyn Tomita (Janet Tokada), Sasha Roiz (Parker), Nassim Sharara (Saudi delegate), Carl Alacchi (Venezuelan delegate), Michael A. Samah (Saudi translator), Robin Wilcock (Tony), Jason Blicker (Paul), Kenneth Moskow (Bob), Tim Hamaguchi (Taka), Richard McMillan (Dennis), Sylvain Landry (science officer), Chris Britton (Vorsteen), Vlasta Vrana (Booker, MPC), Pauline Little (Lanson, SSL), Alan Fawcett (Commander Daniels, hurricane hunter), Howard Bilerman (rookie scientist, hurricane hunter), John Maclaren (veteran scientist, hurricane hunter), Frank Schorpion (DC fireman), Rachelle Glait (Pinehurst Academy teacher), Pierre Leblanc (international reporter, New Delhi), Richard Zeman (flight director), Frank Fontaine (Caddy "Cooper"), Mimi Kuzyk (Secretary of State), Al Vandecruys (scholastic decathlon referee), Vitali Makarov (Yuri, Russian astronaut), Russell Yuen (Hideki, Japanese astronaut), Tim Bagley (Tommy), Pierre Lenoir (J.D.'s doorman), Don Kirk (Victor, J.D.'s driver), Lisa Canning (L.A. anchorwoman), Terry Rhoads (L.A. anchorman), Nicolas Feller (shop owner grandson), J.P. Manoux (L.A. cameraman), Chuck Shamata (General Pierce), Phillip Jarrett (Campbell), Tetchena Bellange (Jama), Tony Calabretta (cabbie), Vivian Winther (Noel, frozen woman), Tom Rooney (Jeremy), Amy Sloan (Elsa), David Schaap (financial reporter), Marylou Bélugou (Binata), Nobuya Shimamoto (Japanese policeman), Bunrey Miyake (Japanese shop owner), Karen Glave (Maria), Jennifer Morehouse (French reporter), Christian Tessier (Aaron), Joe Cobden (Zack), Caroline Keenan-wiseman (Tina), Aaron Lustig (Bernie), Sam Woods (Mr Walden), Jesús 'Chuy' Pérez (Mexican NWS janitor), Jack Laufer (Jeff Baffin), Luke Létourneau (Peter), John Moore (New York reporter), William Francis Mcguire (Bart Chopper reporter), Michael McNally (Buckingham Palace reporter), Anne Day-Jones (Jeanette), Emanuel Hoss-Desmarais (Cecil), Lynne Debel (old frozen woman), Mikio Owaki (noodle chef), Terry Simpson (Cesar), Alvin Tam (Japanese reporter), Joey Elias (library security guard), Ron Darling (Hawaiian news anchor), José Ramón Rosario (cabbie 'crazy weather'), Kwasi Songui (Statue of Liberty guard), John C. Colton (Fox newscaster 1), Dilva Henry (Fox newscaster 2), Mark Thompson (news reporter), Wendy L. Walsh (Weather Channel newscaster 1), Mark Pfister (Weather Channel newscaster 2), Ana García (Headline reporter), Lauren Sanchez (international newscaster), Rob Fukuzaki (national newscaster), Ross King (British reporter), Robert Holguin (reporter 1), Suzanne Michaels (reporter 2), Leyna Nguyen (misc newscaster 1), Lina Patel (misc newscaster 2), Rosey Edeh (New York reporter), Lori Graham (grocery store reporter), Jesse Todd (scientist in hallway), Gordon Masten (New York bus driver), Matt Adler (truck radio announcer), Ray Légaré (construction man), Matt Holland (RAF 1), Greg Kramer (RAF 2), Joel McNichol (RAF 3), Bandit ('Buddha' the dog)
Articles held in BFI Reuben Library
(38)
In: Empire n231 September 2008 Pages: 97-101Title: Science? Fiction!Author: THOMAS, William Article type: ArticleLanguage: English
Description: Humourous article comparing the bad science of Hollywood science-fiction films with the actual laws of physics.
In: New review of film and television studies v5 n2 August 2007 Pages: 211-229
Title: The planet at the end of the world: 'event' cinema and...Author: BRANSTON, Gill Article type: ArticleLanguage: English
Description: "...the representation of climate change". Describes The DAY AFTER TOMORROW as one of the first "issue event blockbuster s" to tackle climate change, and how seeing the film as such helps our understanding of the film and its politics.
In: CineAction! n70 2006 Pages: 66-69
Title: "What you see is happening right now.": Thermageddon and a..Author: MILLER, Blair Article type: ArticleLanguage: English
Description: "...Search for Tomorrow". Looks at The DAY AFTER TOMORROW and global warming.
In: Berlin Film Festival Catalogue v55th 2005 Pages: 88-89
Title: [Berlin Film Festival Catalogue - v55th 2005: no known title]Article type: CreditsLanguage: German
Description: Credits include production/sales contact details.
In: Sight and Sound v15 n1 January 2005 Page: 75
Title: The Day after TomorrowAuthor: ML Article type: DVD ReviewLanguage: English
In: Premiere v17 n9 June 2004 Page: 22
Title: PreviewsArticle type: PreviewLanguage: English
In: Sight and Sound v14 n7 July 2004 Page: 46,48
Title: ReviewsAuthor: NEWMAN, Kim Article type: CreditsLanguage: English
In: Premiere n328 June 2004 Page: 38
Title: Cahier critiqueAuthor: DELORME, Gérard Article type: CreditsLanguage: French
In: Film-Echo/Filmwoche n12 20 Mar 2004 Page: 10
Title: Es gibt leider Grund, sich zu fürchtenAuthor: VÖLKER, Reinhard Article type: InterviewLanguage: German
Description: Interview with producer Mark Gordon who discusses the production of The DAY AFTER TOMORROW.
In: Film-Echo/Filmwoche n12 20 Mar 2004 Page: 10+11
Title: Es gibt leider Grund[...]/Ich habe diesmal mehr zu sagenAuthor: VÖLKER, Reinhard Article type: InterviewLanguage: German
Description: Interviews with director Roland Emmerich and producer Mark Gordon who discuss the production of The DAY AFTER TOMORROW.
In: American Cinematographer v85 n6 June 2004 Pages: 44-46,49-53
Title: Masters of DisasterAuthor: MAGID, Ron Article type: ArticleLanguage: English
Description: Cinematographer Ueli Steiger discusses his work on the film The DAY AFTER TOMORROW, including many of the technical challenges involved.
In: American Cinematographer v85 n6 June 2004 Pages: 48-49
Title: Whipping Up Bad WeatherAuthor: MAGID, Ron Article type: ArticleLanguage: English
Description: On how CGI was used to create the various extreme weather effects used in The DAY AFTER TOMORROW.
In: Film-Echo/Filmwoche n19 8 May 2004 Page: 35
Title: Markt: filmkritikenAuthor: DOCKHORN, Katharina Article type: CreditsLanguage: German
In: TV Guide v52 n21 23 May 2004 Pages: 46-47
Title: Sela Ward keeps her coolAuthor: HENSLEY, Dennis Article type: Short ArticleLanguage: English
Description: Short article about Sela Ward and her appearance in THE DAY AFTER TOMORROW.
In: Screen International n1455 4 Jun 2004 Pages: 10-13
Title: Production: analysis: editing: in the cutAuthor: KAY, Jeremy Article type: ArticleLanguage: English
Description: A report on changes in technology and increasing commercial pressures on editors. Includes comments by David Brenner, editor on The DAY AFTER TOMORROW.
In: Film Review n645 Summer 2004 Pages: 48-49
Title: Jake Gyllenhaal: it's the end of the world as we know itAuthor: MILLAR, John Article type: InterviewLanguage: English
Description: Interview with Jake Gyllenhaal who discusses why he was happy to star in an action movie, The DAY AFTER TOMORROW.
In: StarBurst n316 November 2004 Page: 100
Title: DVD ReviewsAuthor: RICHARDSON, David Article type: DVD ReviewLanguage: English
In: Screen International n1454 28 May 2004 Page: 29
Title: ReviewsAuthor: GOODRIDGE, Mike Article type: CreditsLanguage: English
In: Playback 30 Aug 2004 Page: 1,6
Title: Service shoots rock the boxAuthor: DAVIDSON, Sean Article type: ArticleLanguage: English
Description: Analysis of the major summer releases in Canada, some of them had a significant footage shot or post-production done in the country, including The DAY AFTER TOMORROW.
In: Film Review n645 Summer 2004 Pages: 96-97
Title: New moviesAuthor: MILLAR, John Article type: CreditsLanguage: English
In: Premiere v17 n6 March 2004 Page: 36,38
Title: First lookAuthor: HAUSER, Brooke Article type: Prod. ReportLanguage: English
In: Playback 2 Aug 2004 Page: 19
Title: Post quarterly: Canucks help post summer blockbustersAuthor: DILLON, Mark Article type: CreditsLanguage: English
In: Creation July 2004 Pages: 24-25
Title: Weather gone wild.Article type: ArticleLanguage: English
Description: Article in which members of the special effects team from Dreamscape talk about the creation of effects for the film THE DAY AFTER TOMORROW.
In: Empire n176 February 2004 Pages: 73-82
Title: The ten biggest films of 2004Author: HEWITT, Chris Article type: PreviewLanguage: English
Description: Previews of ten movies due out in 2004 including Roland Emmerich's The DAY AFTER TOMORROW.
In: StarBurst n312 July 2004 Pages: 34-35
Title: Whipping up a stormAuthor: GERARD, Simon J. Article type: InterviewLanguage: English
Description: Jeffrey Nachmanoff talks about writing The DAY AFTER TOMORROW.
In: StarBurst n312 July 2004 Pages: 64-65
Title: New moviesAuthor: JONES, Alan Article type: ReviewLanguage: English
In: Music from the Movies n43 2004 Pages: 16-20
Title: Harald Kloser and Roland Emmerich: Visions of a Future...Author: KOPPL, Rudy Article type: InterviewLanguage: English
Description: "...Lost: The Day After Tomorrow". Interviews with composer Harald Kloser and director, Roland Emmerich about their work together on The DAY AFTER TOMORROW.
In: Music from the Movies n43 2004 Page: 18
Title: Thomas WankerArticle type: Short ArticleLanguage: English
Description: Composer Thomas Wanker discusses his work on The DAY AFTER TOMORROW.
In: Music from the Movies n43 2004 Pages: 55-56
Title: Film Music Review: New FilmsAuthor: CHAMPION, Daniel Article type: Soundtrack ReviewLanguage: English
Description: Soundtrack review for The DAY AFTER TOMORROW.
In: Empire n178 April 2004 Pages: 14-15
Title: Coming soon: tomorrow's movies todayArticle type: PreviewLanguage: English
In: Empire n181 July 2004 Pages: 20-21
Title: Now showingAuthor: KENNEDY, Colin Article type: CreditsLanguage: English
In: Cinefex n98 July 2004 Pages: 70-93,126
Title: Freeze framesAuthor: DUNCAN, Jody Article type: ArticleLanguage: English
Description: Details of the almost complete reliance on digital effects for The DAY AFTER TOMORROW, particularly looking at the creation of ice and snow, tornadoes, water, wolves. Comments by Roland Emmerich, Karen Goulekas, Colin Strause and others
In: Le Film Francais n3036 19 Mar 2004 Page: 8
Title: UFD en attente de lendemains qui chantentAuthor: LECLERC, Fabrice Article type: ArticleLanguage: French
Description: Details of the marketing campaign in France for Roland Emmerich's The DAY AFTER TOMORROW.
In: Cinefantastique v36 n4 Aug/Sep 2004 Page: 58
Title: In review: film in briefAuthor: GOTTWALD, Mark Article type: ReviewLanguage: English
In: Film Review vSpec. n52 Spiderman Page: 103
Title: ReviewsAuthor: MILLAR, John Article type: CreditsLanguage: English
In: Premiere v17 n8 May 2004 Page: 55
Title: The ultimate summer movie previewAuthor: BORGESON, Kelly [et al...] Article type: PreviewLanguage: English
In: Premiere v17 n8 May 2004 Pages: 64-65
Title: Emmy RossumAuthor: HAUSER, Brooke Article type: ArticleLanguage: English
Description: A profile of actress Emmy Rossum, referring to her role as Laura Chapman in The DAY AFTER TOMORROW (2004).
In: Empire n180 June 2004 Pages: 87-92
Title: Storm warningAuthor: Nathan, IanArticle type: ArticleLanguage: English
Description: Feature on Roland Emmerich's The DAY AFTER TOMORROW including comments on the making of the film by Emmerich, Mark Gordon, Dennis Quaid and Jake Gyllenhaal.
Books held in BFI Reuben Library
(1)
Title: Dying for a laugh: disaster movies and the camp imaginationAuthor: FEIL, Ken Pages: xxix, 233 p.