Artificial Intelligence A.I. (Original title)A.I. (Working title)Ai (Working title)A.I. Artificial Intelligence (Help search title)
Date: 2001 (Copyright)Country: USADirector: Steven Spielberg
Production company billing: ©2001 Warner Bros. & DreamWorks LLC Warner Bros. Pictures and DreamWorks Pictures present an Amblin/Stanley Kubrick production a Steven Spielberg film Dolby Digital Surround EX/DTS/SDDS Colour by Technicolor MPAA: 38348 Based on the short story Supertoys Last All Summer Long 35mm [1:1.85]
Synopsis: Based on the short story `Super-toys last all summer long' by Brian Aldiss. A sci-fi story following the adventures of an android boy in a future of enforced single child families and global warming.Synopsis: An artificial boy, named David, is placed in the home of a couple whose son Martin has been cryogenically frozen until a cure is developed for the disease he has. David becomes part of the family but tensions arise when Martin returns and eventually, David is abandoned. He takes up with another robot, Gigolo Joe, who has been designed as a pleasure machine for his owners. Joe and David are subsequently rounded up and taken to the sinister 'Flesh Fair'.
Genre: Science Fiction
Subjects: Robots, Artificial intelligence, Parents
Releases
Date: 2001not specifiedRelease type: unknownFormat: not specified - Colour - Technicolor - Sound - Dolby Digital / DTS (sound) / SDDSRuntime: 145 mins Length: 13124 FeetDialogue (original): English
Date: March 2019Country: United KingdomRelease type: InternetFormat: not specified - Colour - SoundRuntime: 146 mins Dialogue (original): EnglishDistributor: BFIPlayer
Title: Kubrick, A.I., and the problem of Pinocchio: reassessing the evidence of A.I.: Artificial IntelligenceAuthor: ALLEN, Graham Article type: ArticleLanguage: English
Description: Draws on material in the Stanley Kubrick Archive to explore Kubrick's work on adapting Brian Aldiss’s short-story ‘Supertoys Last All Summer Long’ for the screen, a project ultimately realised as the film 'A.I. Artificial Intelligence' (2001) directed by Steven Spielberg. Looks in particular at the treatments produced by Kubrick and two of his collaborators, Sarah Maitland and Ian Watson. Argues that the contradictions within the finished film result not from differences between the styles of Kubrick and Spielberg, as is often suggested, but rather from the tension between science and myth in Kubrick's vision of the story.
In: Adaptation v8 n3 2015 Pages: 372-382
Title: Adaptation as exploration: Stanley Kubrick, literature, and A.I. Artificial IntelligenceAuthor: KRÄMER, Peter Article type: ArticleLanguage: English
Description: Discusses Stanley Kubrick's work on a planned screen adaptation of the Brian Aldiss short story 'Supertoys Last All Summer Long', a project eventually filmed by Steven Spielberg after Kubrick's death as 'A.I. Artificial Intelligence' (2001). Draws on archival sources to examine the process by which Kubrick developed a range of different treatments from the source text. Part of a special issue on Stanley Kubrick and adaptation.
In: New review of film and television studies v7 n1 March 2009 Pages: 51-65
Title: Research article: Spielberg, iconophobia, and the mimetic...Author: STERRITT, David Article type: ArticleLanguage: English
Description: "...uncanny". With reference to ARTIFICIAL INTELLIGENCE A.I offers a theoretical and philosophical discourse on the film's (and Spielberg's) supposed hostility towards the 'mechas' and thereby a "terror of the doppelgänger".
In: New review of film and television studies v7 n1 March 2009 Pages: 79-92
Title: Steven Spielberg's 'feelgood' endings and sentimentalityAuthor: BURNETTS, Charles Article type: ArticleLanguage: English
Description: With reference to SAVING PRIVATE RYAN, SCHINDLER'S LIST and ARTIFICIAL INTELLIGENCE A.I., discusses the problems critics have with the endings of Spielberg's films and argues that the tag of 'sentimentality' misses the realism and melodrama
In: Empire n224 February 2008 Pages: 140-141
Title: Movie trial: A.I.: Artificial IntelligenceAuthor: INGRAM, Simon Article type: ArticleLanguage: English
Description: Debate on the merits of ARTIFICIAL INTELLIGENCE A.I.
In: Empire n231 September 2008 Pages: 97-101
Title: Science? Fiction!Author: THOMAS, William Article type: ArticleLanguage: English
Description: Humourous article comparing the bad science of Hollywood science-fiction films with the actual laws of physics.
In: Science Fiction Film and Television v1 n1 Spring 2008 Pages: 1-13
Title: Love machines: boy toys, toy boys and the oxymorons of:Author: SOBCHACK, Vivian Article type: ArticleLanguage: English
Description: "...A.I.: Artificial Intelligence". Theoretical critique of the contradictory masculine visions of David and Gigolo Joe in ARTIFICIAL INTELLIGENCE A.I., with reference to the contradictions of Stanley Kubrick and Steven Spielberg.
In: Screen v47 n3 Autumn 2006 Pages: 347-365
Title: Virtualizing the Real: sequelization and secondary memory...Author: JESS-COOKE, Carolyn Article type: ArticleLanguage: English
Description: "...in Steven Spielberg's Artificial Intelligence: A.I.". Th eoretical discussion of the 'Real' in ARTIFICIAL INTELLIGENC E: A.I and the construction and representation of a virtual subconscious. Refers to Freudian and Lacanian theories.
In: StarBurst n338 July 2006 Pages: 52-53
Title: Top 10 Weird KidsArticle type: ArticleLanguage: English
Description: Brief descriptions of children in films: Pinocchio, Sadako, Midwich Cuckoos, Edward Scissorhands, Regan MacNeil, robot boy from A.I., Bart Simpson, Peter Pan, Wednesday and Pugsley Addams and Damien Thorne.
In: CineAction! n66 2005 Pages: 2-11
Title: A.I. or, The Agony of Steven SpielbergAuthor: BEARD, William Article type: ArticleLanguage: English
Description: Suggests that A.I. is one of Spielberg's "children's films", and also that it is one of his darkest films.
In: Film Quarterly v56 n2 Winter 2002/03 Pages: 32-39
Title: [Film Quarterly - v56 n2 Winter 2002/03: no known title]Author: KREIDER, Tim Article type: CreditsLanguage: English
In: Positif n502 December 2002 Pages: 100-101
Title: Deux ou trois choses qui me restent d'elle. Un bref état...Author: LAULIAC, Christian Article type: ArticleLanguage: French
Description: A reflection on the quality of music used in American cinema with particular reference to REQUIEM FOR A DREAM, The CELL, SUR MES LEVRES, UNBREAKABLE, and A.I.
In: Literature/Film Quarterly v29 n4 2001 Pages: 256-263
Title: Robots redux: A.I. Artificial Intelligence (2001)Author: TIBBETS, John C. Article type: BibliographyLanguage: English
Description: Includes a short article on the relationship between Stanley Kubrick and the science fiction writer, Brian Aldiss, whose work 'Supertoys Last All Summer Long' formed the basis for the film A.I. Artificial Intelligence.
In: Signis Media n4 2002 Pages: 135-16[in French and English]
Title: Children on the ScreenAuthor: MALONE, Peter Article type: ArticleLanguage: French
Description: Personal opinion on the way children are portrayed in films, such as A.I. ARTIFICIAL INTELLIGENCE in particular.
In: Radio Times v312 n4071 16 Mar 2002 Page: 75
Title: Video.Author: NORMAN, Emma Article type: ReviewLanguage: English
Description: Short review.
In: Sight and Sound v12 n5 May 2002 Page: 58
Title: Home movies: reviewsAuthor: MACNAB, Geoffrey Article type: DVD ReviewLanguage: English
In: StarBurst n285 May 2002 Page: 66
Title: A.I.: ARTIFICIAL INTELLIGENCEAuthor: ATKINS, Ian Article type: DVD ReviewLanguage: English
In: Metro n134 2002 Page: 301
Title: AI - ARTIFICIAL INTELLIGENCEAuthor: AOUN, Steven Article type: DVD ReviewLanguage: English
Description: Review of Steven Spielberg's AI.
In: Film Score Monthly v7 n1 January 2002 Page: 24
Title: The best and the worst of 2001: FSM's annual compendium...Author: BOND, Jeff Article type: Soundtrack ReviewLanguage: English
Description: "...of film scores on screen and CD: my two cents: worst movie in human history."
In: Sight and Sound v12 n4 April 2002 Page: 69
Title: Interview: star sailorAuthor: MACNAB, Geoffrey Article type: InterviewLanguage: English
Description: Interview with Arthur C. Clarke who talks about A.I., television and table tennis.
In: Premiere v14 n10 June 2001 Pages: 46-50
Title: Jude Law is an android.Author: SCHNELLER, Johanna Article type: InterviewLanguage: English
Description: Interview with actor Jude Law on his career and new Spiel- berg film A.I. where he plays an android.
In: StarBurst n279 November 2001 Page: 50
Title: It's only a movie!Author: BROSNAN, John Article type: ArticleLanguage: English
Description: Ponders over the failings of Spielberg and Kubrick's A.I. ARTIFICIAL INTELLIGENCE.
In: StarBurst vSpec. n48 June 2001 Pages: 6-14
Title: Sci-fi blockbuster film previewArticle type: PreviewLanguage: English
Description: Preview of summer 2001 sci-fi blockbusters.
In: American Cinematographer v82 n8 August 2001 Pages: 60-63,66-67
Title: Views of the future: Industrial Light & Magic artists...Author: MAGID, Ron Article type: ArticleLanguage: English
Description: On the visual-effects for A.I. where the ILM team created a previsualisation system that allowed Spielberg to move a virtual camera through rough mock-ups of sets and make ad- justments to the potential architecture.
In: American Cinematographer v82 n8 August 2001 Page: 64
Title: Mr.RobotoAuthor: MAGID, Ron Article type: ArticleLanguage: English
Description: On the Stan Winston-designed robots for Spielberg's A.I..
In: Screen International n1315 6 Jul 2001 Page: 1,6
Title: Spielberg's A.I. makes it big in Japan.Author: SCHILLING, Mark Article type: ArticleLanguage: English
Description: Steven Spielberg's new film A.I. is living up to the market- ing hype in Japan with $12m in the first two days.
In: Empire n148 October 2001 Page: 106
Title: [Empire - n148 October 2001: no known title]Author: Nathan, IanArticle type: CreditsLanguage: English
In: Legend n36 2001 Pages: 23-24
Title: CD ReviewsAuthor: WICKENDEN, Dirk Article type: Soundtrack ReviewLanguage: English
In: StarBurst vSpec. n48 June 2001 Pages: 52-55
Title: A.I.: Kubrick's last visionAuthor: BROWN, Anthony Article type: ArticleLanguage: English
Description: Background to the project A.I.
In: Cinema Scope n8 September 2001 Pages: 63-65
Title: Feature: Where the rainbow ends: Kubrick, Spielberg and a...Author: HILL, Lee Article type: ReviewLanguage: English
Description: "...Dream Called A.I.".
In: American Cinematographer v82 n7 July 2001 Pages: 32-36,38-43
Title: Boy wonder: Steven Spielberg taps key collaborator Janusz..Author: HOLBEN, Jay Article type: ArticleLanguage: English
Description: On the cinematographic work of Janusz Kaminski on Spielbergs A.I. ARTIFICIAL INTELLIGENCE, his fifth collaboration with Spielberg.
In: Film Ireland n83 Oct/Nov 2001 Pages: 36-37
Title: Movie reviews: AI: ARTIFICIAL INTELLIGENCEAuthor: DUFFY, Noel Article type: ReviewLanguage: English
In: Cinefantastique v33 n5 Oct/Nov 2001 Pages: 54-55
Title: Three decades of A.I.Author: FORDHAM, Joe Article type: ArticleLanguage: English
Description: Details and background on the conception and production of Steven Spielberg's A.I.
In: StarBurst n276 August 2001 Pages: 30-35
Title: Nothing more than feelingsAuthor: SLOANE, Judy Article type: ArticleLanguage: English
Description: Haley Joel Osment talks about working on A.I.
In: Cinefex n87 October 2001 Pages: [62-63],64-93
Title: mecha odysseyAuthor: FORDHAN, Joe Article type: ArticleLanguage: English
Description: On the making of A.I. ARTIFICIAL INTELLIGENCE, initiated by Stanley Kubrick and completed by Steven Spielberg. Discusses the visual effects, robots, make-up used to create such fig- ures as Gigolo Joe, The Specialists, and also Rouge City. /
In: Variety 25 Jun 2001 Page: 19, 26
Title: Film ReviewsAuthor: MCCARTHY, Todd Article type: CreditsLanguage: English
In: Cinefantastique v33 n5 Oct/Nov 2001 Pages: 58-59
Title: ReviewsAuthor: KLEINMAN, Dennis Article type: ReviewLanguage: English
In: StarBurst n278 October 2001 Page: 52
Title: A.I.: ARTIFICIAL INTELLIGENCEAuthor: JONES, Alan Article type: CreditsLanguage: English
In: StarBurst n278 October 2001 Page: 73
Title: SoundtracksAuthor: WHITE, Dave Article type: Soundtrack ReviewLanguage: English
In: Screen International n1313 22 Jun 2001 Page: 1,6
Title: Spielberg's AI turns on media machine.Author: GOODRIDGE, Mike Article type: ArticleLanguage: English
Description: On the promotion of Stephen Spielberg's new film A.I. ART- IFICIAL INTELLIGENCE and the glowing advance reviews.
In: Venice Film Festival Catalogue v58th August 2001 Pages: 116-117
Title: [Venice Film Festival Catalogue - v58th August 2001: no known title]Article type: CreditsLanguage: Italian
Description: Includes director's comment
In: Empire n140 February 2001 Page: 66
Title: 21 for 2001Author: [IF] Article type: PreviewLanguage: English
In: Sight and Sound v11 n10 October 2001 Pages: 38-39
Title: ReviewsAuthor: STRICK, Philip Article type: CreditsLanguage: English
In: Classic Images n317 November 2001 Page: 40
Title: Music in filmsAuthor: LONG, Harry H. Article type: Soundtrack ReviewLanguage: English
In: Sight and Sound v11 n9 September 2001 Pages: 16-18
Title: The sci-fi issue: the dreamlife of androidsAuthor: HOBERMAN, J. Article type: ArticleLanguage: English
Description: A review of Spielberg's A.I. which suggests it is the director's first art film.
In: Film Comment v37 n4 Jul/Aug 2001 Pages: 22-25
Title: Primal screen.Author: ARTHUR, Paul Article type: ArticleLanguage: English
Description: Analysis of Spielberg's A.I. and whether the wedding with cold Kubrick works in this sci-fi fairy tale.
In: Screen International n1314 29 Jun 2001 Page: 22
Title: Captivating media event provides food for thought.Author: LEVY, Emanuel Article type: CreditsLanguage: English
In: Creative Screenwriting v8 n3 May/Jun 2001 Pages: 49-53
Title: Steven Spielberg as writerAuthor: ARGENT, Daniel Article type: ArticleLanguage: English
Description: Looks at Steven Spielberg as writer and at his work with writers.
In: StarBurst vSpec. n50 Yearbook 2001 Pages: 12-15
Title: Jack AngelAuthor: JANKIEWICZ, Pat Article type: ArticleLanguage: English
Description: Jack Angel talks about doing the voice of Teddy, David's robot bear in A.I. ARTIFICIAL INTELLIGENCE.
In: Music from the Movies n31/32 Winter 2001 Page: 83
Title: Film music review: the latest releases reviewed and ratedAuthor: KEECH, Andrew Article type: Soundtrack ReviewLanguage: English
In: Empire n146 August 2001 Page: 47
Title: Sneek peek.Article type: Short ArticleLanguage: English
Description: First look at Spielberg's A.I.
In: Film Score Monthly v6 n6 July 2001 Page: 29,43
Title: A.I.: artistic integrityAuthor: ADAMS, Doug Article type: ArticleLanguage: English
Description: On the John Williams' score for A.I.
In: Film Score Monthly v6 n6 July 2001 Page: 43
Title: A.I.: Artificial IntelligenceAuthor: BOND, Jeff Article type: Soundtrack ReviewLanguage: English
In: StarBurst vSpec n46 Yearbook 2000 Pages: 100-109
Title: 2001: an SF odysseyAuthor: ALEXANDER, Brian Article type: ArticleLanguage: English
Description: A look ahead to the forthcoming sci-fi films of 2001.
In: The Hollywood Reporter v364 n32 5 Sep 2000 Page: 37
Title: IN PRODUCTIONAuthor: FUSON, Brian Article type: CreditsLanguage: English
Author: Carroll, Nathan Pages: xi, 201 pages
Title: Darkness in the bliss-out: a reconsideration of the films of Steven Spielberg
Author: KENDRICK, James Pages: xviii, 225 pages
Title: last laugh: strange humors of cinema
Author: POMERANCE, Murray Pages: xi, 244 pages
Title: Empire of dreams: the science fiction and fantasy films of Steven Spielberg
Author: GORDON, Andrew M. Pages: x, 291 p.
Title: cinema of Steven Spielberg: empire of light
Author: Morris, Nigel Pages: vii, 434p.
Title: Solaris effect: art and artifice in contemporary American film
Author: DILLON, Steven Pages: xiii, 265 p.
Title: Building sci-fi moviescapes: the science behind the fiction
Author: Hanson, Matt Pages: 176 p.
Title: Catching light: looking for God in the movies
Author: ANKER, Roy M. Pages: x, 402 p.
Title: Philosophy through film
Author: LITCH, Mary M. Pages: vii, 242 p.
Title: The Winston effect: the art and history of Stan Winston Studio
Author: DUNCAN, Jody Pages: 336 p.
Film, Video or Digital materials held in BFI National Archive(3)
Film materials(3)
Description: Digital Theater SystemsBFI identifier: C-1354992
Status: Status pending - Material requires inspection to determine preservation or access status
Description: 35mm Colour PositiveBase: SafetySound: CombinedBFI identifier: C-1354990
Status: Status pending - Material requires inspection to determine preservation or access status
Description: 35mm Colour PositiveBase: SafetySound: CombinedBFI identifier: C-1354991
Status: Status pending - Material requires inspection to determine preservation or access status
Date: 2001 (Copyright)Country: USADirector: Steven Spielberg
Production company billing: ©2001 Warner Bros. & DreamWorks LLC Warner Bros. Pictures and DreamWorks Pictures present an Amblin/Stanley Kubrick production a Steven Spielberg film Dolby Digital Surround EX/DTS/SDDS Colour by Technicolor MPAA: 38348 Based on the short story Supertoys Last All Summer Long 35mm [1:1.85]
Synopsis: Based on the short story `Super-toys last all summer long' by Brian Aldiss. A sci-fi story following the adventures of an android boy in a future of enforced single child families and global warming.Synopsis: An artificial boy, named David, is placed in the home of a couple whose son Martin has been cryogenically frozen until a cure is developed for the disease he has. David becomes part of the family but tensions arise when Martin returns and eventually, David is abandoned. He takes up with another robot, Gigolo Joe, who has been designed as a pleasure machine for his owners. Joe and David are subsequently rounded up and taken to the sinister 'Flesh Fair'.
Genre: Science Fiction
Subjects: Robots, Artificial intelligence, Parents
Releases
Date: 2001not specifiedRelease type: unknownFormat: not specified - Colour - Technicolor - Sound - Dolby Digital / DTS (sound) / SDDSRuntime: 145 mins Length: 13124 FeetDialogue (original): English
Date: March 2019Country: United KingdomRelease type: InternetFormat: not specified - Colour - SoundRuntime: 146 mins Dialogue (original): EnglishDistributor: BFIPlayer
Credits
(296)
©/Presented by: Warner Bros., DreamWorks Pictures, Production Company: Amblin Entertainment, Executive Producer: Jan Harlan, Executive Producer: Walter F. Parkes, Producer: Kathleen Kennedy, Producer: Steven Spielberg, Producer: Bonnie Curtis, Production Associate: Mark Russell, Production Associate: Peter 'Toby' Tobyansen, Unit Production Manager: Patricia Churchill, Production Co-ordinator: Lisbeth Wynn-owen, Location Manager: Gregory Alpert, Post-production (Executive): Martin Cohen, Post-production (Supervisor): Erica Frauman, Post-production (Co-ordinator): Sven E.M. Fahlgren, Assistant Director (1st): Sergio Mimica-Gezzan, Assistant Director (2nd): David H. Venghaus Jr, Assistant Director (Additional 2nd): Paul Prenderville, Assistant Director (2nd 2nd): Lisa Brookes, Script Supervisor: Ana Maria Quintana, Casting: Avy Kaufman, Casting (Additional Voice): Khris Brown & Associates, Casting (ADR Voice): L.A. MadDogs, Screenplay: Steven Spielberg, Based on a screen story by: Ian Watson, Based on the short story by: Brian Aldiss, Photographed by: Janusz Kaminski, Underwater Photography: Peter Romano, Camera Operator: Mitch Dubin, Camera Operator: Chris Haarhoff, Steadicam Operator: Chris Haarhoff, Blue Screen Unit Director of Photography: David Drzewiecki, Visual Effects Supervisor: Dennis Muren, Scott Farrar, Robot Character Design/Animatronics: Stan Winston, Special Visual Effects/Animation: Industrial Light & Magic, ILM Visual Effects Producer: Ginger Theisen, Animation Supervisor: Hal Hickel, Teddy/Robotic Characters Design/Creation: Stan Winston Studio, SWS (Effects Supervisor): Lindsay Macgowan, J. Alan Scott, SWS (Key Concept Artist): Mark 'Crash' Mccreery, SWS (Key Concept Artist): Aaron Sims, SWS (Key Concept Artist): John Eaves, Christopher Swift, SWS (Art Department Co-ordinator): Scott Stoddard, SWS (Art Department Key Artist): David 'Ave' Grasso, SWS (Art Department Key Artist): Mark Maitre, SWS (Art Department Key Artist): Richard Alonzo, SWS (Art Department Key Artist): Paul Mejias, SWS (Art Department Key Artist): Jeff Buccacio, SWS (Art Department Key Artist): Hiroshi Katagiri, Michelle Millay, SWS (Teddy Animatronic Design): Matt Heimlich, SWS (Teddy Animatronic Design): Richard Landon, SWS (Teddy Animatronic Design): Bob Mano, Bud Mcgrew, SWS (Teddy Hair Supervisor): Kathy Kane-macgowan, Michael Ornelaz, SWS (Teddy Hair/Fabrication Department): Sylvia Nava, SWS (Teddy Hair/Fabrication Department): Connie Cadwell, SWS (Teddy Hair/Fabrication Department): Chris Vaughan, SWS (Teddy Hair/Fabrication Department): Theresa Burkett, SWS (Teddy Hair/Fabrication Department): Robert Maverick, Maria Smith, SWS (Teddy/'Mecha' Electronic Control): Glenn Derry, SWS (Key 'Mecha' Animatronic Designer): Eric Fiedler, SWS (Key 'Mecha' Animatronic Designer): David Kindlon, SWS (Key 'Mecha' Animatronic Designer): Mike Elizalde, SWS (Key 'Mecha' Animatronic Designer): Christian Ristow, Rick Galinson, SWS ('Mecha' Animatronic Department): Rob Capwell, SWS ('Mecha' Animatronic Department): Brian Roe, SWS ('Mecha' Animatronic Department): Josh Gray, SWS ('Mecha' Animatronic Department): Valek Sykes, SWS ('Mecha' Animatronic Department): Scott Millenbaugh, SWS ('Mecha' Animatronic Department): Brian Poor, SWS ('Mecha' Animatronic Department): Sebastien Caillabet, SWS ('Mecha' Animatronic Department): Christian Beckman, SWS ('Mecha' Animatronic Department): Rich Haugen, SWS ('Mecha' Animatronic Department): Brian Namanny, SWS ('Mecha' Animatronic Department): Rob Derry, SWS ('Mecha' Animatronic Department): Jeff Edwards, SWS ('Mecha' Animatronic Department): George Bernota, SWS ('Mecha' Animatronic Department): Gil Correa, SWS ('Mecha' Animatronic Department): Hiroshi 'Kan' Ikeuchi, SWS ('Mecha' Animatronic Department): James Hirahara, SWS ('Mecha' Animatronic Department): Mark Goldberg, John Hamilton, SWS ('Mecha' Electronic Control): Gary Martinez, SWS ('Mecha' Electronic Control): Brian Cox, SWS ('Mecha' Electronic Control): Emery Brown, SWS ('Mecha' Electronic Control): Kurt Herbel, SWS ('Mecha' Electronic Control): Rodrick Khachatoorian, Evan Schiff, SWS ('Mecha' Model Department Supervisr): David Merritt, SWS ('Mecha' Model Department): Niels Nielsen, SWS ('Mecha' Model Department): Ted Van Doorn, SWS ('Mecha' Model Department): Eric Hayden, SWS ('Mecha' Model Department): Brent Heyning, SWS ('Mecha' Model Department): Ed Lawton, SWS ('Mecha' Model Department): Randall Cooper, SWS ('Mecha' Model Department): Andrew Meyers, SWS ('Mecha' Model Department): Clark James, SWS ('Mecha' Model Department): Amanda Rounsaville, SWS ('Mecha' Model Department): Jeff Pyle, SWS ('Mecha' Model Department): Tony Moffett, Laura Grijalva, SWS (Mold Department Supervisor): Tony McCray, SWS (Key Technician): Grady Holder, SWS (Key Technician): Darin Bouyssou, SWS (Key Technician): Christopher Bergschneider, SWS (Key Technician): David Beneke, SWS (Key Technician): Justin Raleigh, SWS (Key Technician): Steve Newburn, SWS (Key Technician): Mark Viniello, SWS (Key Technician): Ken Culver, SWS (Key Technician): Shane Mahan, SWS (Key Technician): Dawn Dininger, SWS (Key Technician): Kevin Mohlman, SWS (Key Technician): Keith Marbory, SWS (Key Technician): A.J. Venuto, SWS (Key Technician): Chris Baer, SWS (Key Technician): Greg Burgan, SWS (Key Technician): John Cherevka, SWS (Key Technician): Chris Grossnickle, SWS (Key Technician): Russell Lukich, SWS (Key Technician): Dave Monzingo, SWS (Key Technician): Thomas Ovenshire, SWS (Key Technician): Joey Orosco, Jason Matthews, SWS (Production Photographer): Chuck Zlotnick, SWS (Puppet Master): Jordan Weisman, SWS (Puppet Master): Elan Lee, SWS (Puppet Master): Sean Stewart, Pete Fenlon, Digital Visual Effects/Animation: PDI, Staging Supv/Co-ordr ('Flesh Fair' Crew): Mo Morrison, FFC (Set Lighting Consultant): Marc Brickman, FFC (LED Video Supervisor): Danny O'Bryen, FFC (Video Camera Operator): Michael Miller, FFC (Video Camera Operator): Mark Johnson, Peter Hutchison, FFC (Video Engineer): Jon Huntington, FFC (LED Engineer): Mike Lane, FFC (Motor Control Operator): Ryan Sigimoto, FFC (Tech/Rigger): Nick Passaglia, FFC (Audio Engineer/House Sound): Kevin Wapner, FFC (LED Graphics Crew Chief): Ben Whittam-Smith, FFC (Automated System Lighting Engineer): Martin Wickman, FFC (LED Screens/Video Playback): BCC Video, Special Effects (Supervisor): Michael Lantieri, Special Effects (Shop Supervisor): Tom Pahk, Special Effects (Set Foreman): Scott Fisher, Special Effects (Shop Foreman): Corwyn Faucher, William Shourt, Special Effects (Technician): Steven Scott Wheatley, Special Effects (Technician): Ralph Peterson, Special Effects (Technician): Greg Bryant, Special Effects (Technician): Richard Cory, Special Effects (Technician): Kim Derry, Special Effects (Technician): Chris Eubank, Special Effects (Technician): John Fleming, Special Effects (Technician): Keith Haynes, Special Effects (Technician): Robert Johnston, Special Effects (Technician): Jay B. King, Special Effects (Technician): Jeffrey Knott, Special Effects (Technician): Jimmy Mena, Special Effects (Technician): Joel Mitchell, Special Effects (Technician): James Rollins, Special Effects (Technician): Thomas Rush, Special Effects (Technician): Larry Zelenay, Special Effects (Technician): Thomas Brown, Agustín Toral, Senior Modeller: Ronald Bouma, Key Model Maker: Greg Aronowitz, Model Sculptor: Dana Yuricich, Graphic Designer: Martin T. Charles, Kim Lincoln, On-screen Computer Graphics: Black Box Digital, Editor: Michael Kahn, 1st Assistant Editor: Richard J.P. Byard, Production Designer: Rick Carter, Art Director: Richard Johnson, Art Director: Jim Teegarden, Art Director: Thomas Valentine, Set Designer: Pamela Klamer, Set Designer: Dawn Brown Manser, Set Designer: Masako Masuda, Set Designer: Richard Mays, Set Designer: Thomas Minton, Set Designer: Steven Schwartz, Set Designer: Easton Smith, Set Designer: Patte Strong-Lord, Set Designer: Darrell L. Wight, Set Decorator: Nancy Haigh, Conceptual Artist: Chris Baker, Glass Artwork: Dale Chihuly, Illustrator: John Bell, Illustrator: Jim Carson, Illustrator: Warren Manser, Illustrator: James Martin, Illustrator: Chris Ross, Oliver Scholl, Illustrator (Product Design): James Clyne, Illustrator (Vehicle Design): Tim Flattery, Illustrator (Digital): Tim Wilcox, Storyboard Artist: Peter Ramsey, Storyboard Artist: Phil Keller, Chief Sculptor: Fred Arbegast, Costume Designer: Bob Ringwood, Costume Supervisor: David Rawley, Costume Foreman: Bill Tiegs, [Costume] Production Illustrator: Mariano Diaz, Susan Zarate, Speciality Costume Manufacturer: Harry Rotz, Speciality Costume: Jill Thraves, Letticia Sandoval, Select Wardrobe: Paco Rabanne, Thierry Mugler, Key Make-up Artist: Ve Neill, Make-up Artist: Joel Harlow, Make-up (Flesh Fair/Rouge City): Bill Corso, Make-up (Flesh Fair/Rouge City): Richard Snell, Make-up (Flesh Fair/Rouge City): Greg Nelson, Make-up (Flesh Fair/Rouge City): Kenny Meyers, Make-up (Flesh Fair/Rouge City): Sandy Rowden, Make-up (Flesh Fair/Rouge City): Joni Powell, Make-up (Flesh Fair/Rouge City): June Westmore, Make-up (Flesh Fair/Rouge City): Mark Garbarino, Make-up (Flesh Fair/Rouge City): Jene Fielder, Make-up (Flesh Fair/Rouge City): Margaret Prentice, Douglas Noe, Make-up (Flesh Fair): Kevin Haney, Make-up (Flesh Fair): William Huff, Richie Alonzo, Dental Special Effects: Craig A. Israel, Key Hairstylist: Candace Neal, Hairstylist: Karen Asano-myers, Hairstylist: Terry Baliel, Patty Miller, Main Title Design: Jimmy Zelinger, End Titles/Opticals: Pacific Title, Music: John Williams, Chorus Master: Paul Salamunovich, Orchestrations: John Neufeld, Music Contractor: Sandy Decrescent, Music Preparation: Jo Ann Kane Music Service, Music Editor: Ken Wannberg, Music Scoring Mixer: Shawn Murphy, Choreography: Francesca Jaynes, Sound Design: Gary Rydstrom, Sound Mixer: Ronald Judkins, Sound Technician: Peggy Names, Re-recording Mixer: Gary Rydstrom, Andy Nelson, Re-recording Mixer (Additional): Gary Summers, Mix Technician: Jürgen Scharpf, Re-recordist: Brian Magerkurth, Travis Crenshaw, Supervising Sound Editor: Richard Hymns, Supervising Sound Editor: Gary Rydstrom, Dialogue Editor: Rich Quinn, Dialogue Editor: Ewa Stzompke-oatfield, Sound Effects Recordist: Martin Lopez, Al Nelson, Sound Effects Editor: Kyrsten Comoglio, Sound Effects Editor: Terry Eckton, Sound Effects Editor: Chris Scarabosio, ADR Supervisor: Larry Singer, ADR Supervisor: Gwendolyn Yates Whittle, ADR Recordist: John Merton, ADR Mixer: Dean Drabin, Foley Artist: Dennie Thorpe, Foley Artist: Jana Vance, Foley Recordist: Pepe Merel, Foley Mixer: Tony Eckert, Foley Editor: Jonathan Null, Foley Editor: Linda Kay Brown, Stunt Co-ordinator: Doug Coleman, Stunts: Richard L. Blackwell, Stunts: Joey Box, Stunts: Carl Ciarfalio, Stunts: Whitney Coleman, Stunts: Frederick D. George Iii, Stunts: Gene Hartline, Stunts: William S. Judkins, Stunts: Chris Palmero, Stunts: Jim Palmer, Stunts: Monte Perlin, Stunts: Nathan Rillo, Stunts: Jamie Ryan, Stunts: Michelle Sebek, Stunts: Brett Smrz
Cast
(79)
Barbara Bonney (Music Score Solo Vocal Performance), Haley Joel Osment (David), Los Angeles Master Chorale (Choir), Frances O'Connor (Monica Swinton), Sam Robards (Henry Swinton), Jake Thomas (Martin Swinton), Jude Law (Gigolo Joe), William Hurt (Professor Hobby, the Visionary), Ken Leung (Syatyoo-Sama), Clark Gregg (supernerd 1), Kevin Sussman (supernerd 2), Tom Gallop (supernerd 3), Eugene Osment (supernerd 4), April Grace (female colleague), Matt Winston (executive), Sabrina Grdevich (secretary), Theo Greenly (Todd), Jeremy James Kissner, Dillon Mcewin, Andy Morrow, Curt Youngberg (kid), Ashley Scott (Gigolo Jane), John Prosky (Mr Williamson the bellman), Enrico Colantoni (the murderer), Paula Malcolmson (Patricia in the mirrored room), Brendan Gleeson (Lord Johnson-Johnson), Michael Berresse (stage manager), Haley King (Amanda), Kathryn Morris (teenage honey), Daveigh Chase (child singer), Brian Turk (backstage bull), Justina Machado (assistant), Tim Rigby (yeoman), Lily Knight (voice in the crowd), Vito Carenzo (big man), Rena Owen (ticket taker), J. Alan Scott (worker), Adam Alexi-Malle (crowd member), Laurence Mason (tech director), Brent Sexton (Russell), Ken Palmer (percussionist 1), Jason Sutter (percussionist 2), Michael Shamus Wiles (cop), Kelly McCool (Kate the holographic girl), Clara Bellar (FemMecha nanny), Keith Campbell (roadworker), Tim Edward Rhoze (laboratory technician), Jim Jansen (chef), Eliza Coleman (General Circuita), R. David Smith (welder), Wayne Wilderson (comedian), Bobby Harwell (TV face), Billy Scudder (mechanic), Jack Angel (voice of Teddy), Robin Williams (voice of Doctor Know), Ben Kingsley (voice of specialist), Meryl Streep (voice of blue Mecha), (voice of comedian), Erik Bauersfeld (voice of gardener), Michael Mantell (Doctor Frazier at Cryogenic Institute), Miguel Perez, Matt Malloy (robot repairman), Adrian Grenier (teen 1 in van), Mark Staubach (teen 2 in van), Michael Fishman (teen 3 in van), Jeanine Salla (sentient machine therapist), Laia Salla (Mr Chan's assistant), Diane Fletcher (sentient machine security), Kate Nei (toe bell ringing), Claude Gilbert (Cybertronics - room 93056), Red King (covert information retrieval), Al Jourgensen, Paul Barker, Max Brody, Duane Buford, Adam Grossman, Ty Coon (The Flesh Fair band), Adam Scott ([originally cast]), Emmanuelle Chriqui ([role deleted])
Articles held in BFI Reuben Library
(55)
In: Adaptation v14 n3 December 2021 Pages: 367-383Title: Kubrick, A.I., and the problem of Pinocchio: reassessing the evidence of A.I.: Artificial IntelligenceAuthor: ALLEN, Graham Article type: ArticleLanguage: English
Description: Draws on material in the Stanley Kubrick Archive to explore Kubrick's work on adapting Brian Aldiss’s short-story ‘Supertoys Last All Summer Long’ for the screen, a project ultimately realised as the film 'A.I. Artificial Intelligence' (2001) directed by Steven Spielberg. Looks in particular at the treatments produced by Kubrick and two of his collaborators, Sarah Maitland and Ian Watson. Argues that the contradictions within the finished film result not from differences between the styles of Kubrick and Spielberg, as is often suggested, but rather from the tension between science and myth in Kubrick's vision of the story.
In: Adaptation v8 n3 2015 Pages: 372-382
Title: Adaptation as exploration: Stanley Kubrick, literature, and A.I. Artificial IntelligenceAuthor: KRÄMER, Peter Article type: ArticleLanguage: English
Description: Discusses Stanley Kubrick's work on a planned screen adaptation of the Brian Aldiss short story 'Supertoys Last All Summer Long', a project eventually filmed by Steven Spielberg after Kubrick's death as 'A.I. Artificial Intelligence' (2001). Draws on archival sources to examine the process by which Kubrick developed a range of different treatments from the source text. Part of a special issue on Stanley Kubrick and adaptation.
In: New review of film and television studies v7 n1 March 2009 Pages: 51-65
Title: Research article: Spielberg, iconophobia, and the mimetic...Author: STERRITT, David Article type: ArticleLanguage: English
Description: "...uncanny". With reference to ARTIFICIAL INTELLIGENCE A.I offers a theoretical and philosophical discourse on the film's (and Spielberg's) supposed hostility towards the 'mechas' and thereby a "terror of the doppelgänger".
In: New review of film and television studies v7 n1 March 2009 Pages: 79-92
Title: Steven Spielberg's 'feelgood' endings and sentimentalityAuthor: BURNETTS, Charles Article type: ArticleLanguage: English
Description: With reference to SAVING PRIVATE RYAN, SCHINDLER'S LIST and ARTIFICIAL INTELLIGENCE A.I., discusses the problems critics have with the endings of Spielberg's films and argues that the tag of 'sentimentality' misses the realism and melodrama
In: Empire n224 February 2008 Pages: 140-141
Title: Movie trial: A.I.: Artificial IntelligenceAuthor: INGRAM, Simon Article type: ArticleLanguage: English
Description: Debate on the merits of ARTIFICIAL INTELLIGENCE A.I.
In: Empire n231 September 2008 Pages: 97-101
Title: Science? Fiction!Author: THOMAS, William Article type: ArticleLanguage: English
Description: Humourous article comparing the bad science of Hollywood science-fiction films with the actual laws of physics.
In: Science Fiction Film and Television v1 n1 Spring 2008 Pages: 1-13
Title: Love machines: boy toys, toy boys and the oxymorons of:Author: SOBCHACK, Vivian Article type: ArticleLanguage: English
Description: "...A.I.: Artificial Intelligence". Theoretical critique of the contradictory masculine visions of David and Gigolo Joe in ARTIFICIAL INTELLIGENCE A.I., with reference to the contradictions of Stanley Kubrick and Steven Spielberg.
In: Screen v47 n3 Autumn 2006 Pages: 347-365
Title: Virtualizing the Real: sequelization and secondary memory...Author: JESS-COOKE, Carolyn Article type: ArticleLanguage: English
Description: "...in Steven Spielberg's Artificial Intelligence: A.I.". Th eoretical discussion of the 'Real' in ARTIFICIAL INTELLIGENC E: A.I and the construction and representation of a virtual subconscious. Refers to Freudian and Lacanian theories.
In: StarBurst n338 July 2006 Pages: 52-53
Title: Top 10 Weird KidsArticle type: ArticleLanguage: English
Description: Brief descriptions of children in films: Pinocchio, Sadako, Midwich Cuckoos, Edward Scissorhands, Regan MacNeil, robot boy from A.I., Bart Simpson, Peter Pan, Wednesday and Pugsley Addams and Damien Thorne.
In: CineAction! n66 2005 Pages: 2-11
Title: A.I. or, The Agony of Steven SpielbergAuthor: BEARD, William Article type: ArticleLanguage: English
Description: Suggests that A.I. is one of Spielberg's "children's films", and also that it is one of his darkest films.
In: Film Quarterly v56 n2 Winter 2002/03 Pages: 32-39
Title: [Film Quarterly - v56 n2 Winter 2002/03: no known title]Author: KREIDER, Tim Article type: CreditsLanguage: English
In: Positif n502 December 2002 Pages: 100-101
Title: Deux ou trois choses qui me restent d'elle. Un bref état...Author: LAULIAC, Christian Article type: ArticleLanguage: French
Description: A reflection on the quality of music used in American cinema with particular reference to REQUIEM FOR A DREAM, The CELL, SUR MES LEVRES, UNBREAKABLE, and A.I.
In: Literature/Film Quarterly v29 n4 2001 Pages: 256-263
Title: Robots redux: A.I. Artificial Intelligence (2001)Author: TIBBETS, John C. Article type: BibliographyLanguage: English
Description: Includes a short article on the relationship between Stanley Kubrick and the science fiction writer, Brian Aldiss, whose work 'Supertoys Last All Summer Long' formed the basis for the film A.I. Artificial Intelligence.
In: Signis Media n4 2002 Pages: 135-16[in French and English]
Title: Children on the ScreenAuthor: MALONE, Peter Article type: ArticleLanguage: French
Description: Personal opinion on the way children are portrayed in films, such as A.I. ARTIFICIAL INTELLIGENCE in particular.
In: Radio Times v312 n4071 16 Mar 2002 Page: 75
Title: Video.Author: NORMAN, Emma Article type: ReviewLanguage: English
Description: Short review.
In: Sight and Sound v12 n5 May 2002 Page: 58
Title: Home movies: reviewsAuthor: MACNAB, Geoffrey Article type: DVD ReviewLanguage: English
In: StarBurst n285 May 2002 Page: 66
Title: A.I.: ARTIFICIAL INTELLIGENCEAuthor: ATKINS, Ian Article type: DVD ReviewLanguage: English
In: Metro n134 2002 Page: 301
Title: AI - ARTIFICIAL INTELLIGENCEAuthor: AOUN, Steven Article type: DVD ReviewLanguage: English
Description: Review of Steven Spielberg's AI.
In: Film Score Monthly v7 n1 January 2002 Page: 24
Title: The best and the worst of 2001: FSM's annual compendium...Author: BOND, Jeff Article type: Soundtrack ReviewLanguage: English
Description: "...of film scores on screen and CD: my two cents: worst movie in human history."
In: Sight and Sound v12 n4 April 2002 Page: 69
Title: Interview: star sailorAuthor: MACNAB, Geoffrey Article type: InterviewLanguage: English
Description: Interview with Arthur C. Clarke who talks about A.I., television and table tennis.
In: Premiere v14 n10 June 2001 Pages: 46-50
Title: Jude Law is an android.Author: SCHNELLER, Johanna Article type: InterviewLanguage: English
Description: Interview with actor Jude Law on his career and new Spiel- berg film A.I. where he plays an android.
In: StarBurst n279 November 2001 Page: 50
Title: It's only a movie!Author: BROSNAN, John Article type: ArticleLanguage: English
Description: Ponders over the failings of Spielberg and Kubrick's A.I. ARTIFICIAL INTELLIGENCE.
In: StarBurst vSpec. n48 June 2001 Pages: 6-14
Title: Sci-fi blockbuster film previewArticle type: PreviewLanguage: English
Description: Preview of summer 2001 sci-fi blockbusters.
In: American Cinematographer v82 n8 August 2001 Pages: 60-63,66-67
Title: Views of the future: Industrial Light & Magic artists...Author: MAGID, Ron Article type: ArticleLanguage: English
Description: On the visual-effects for A.I. where the ILM team created a previsualisation system that allowed Spielberg to move a virtual camera through rough mock-ups of sets and make ad- justments to the potential architecture.
In: American Cinematographer v82 n8 August 2001 Page: 64
Title: Mr.RobotoAuthor: MAGID, Ron Article type: ArticleLanguage: English
Description: On the Stan Winston-designed robots for Spielberg's A.I..
In: Screen International n1315 6 Jul 2001 Page: 1,6
Title: Spielberg's A.I. makes it big in Japan.Author: SCHILLING, Mark Article type: ArticleLanguage: English
Description: Steven Spielberg's new film A.I. is living up to the market- ing hype in Japan with $12m in the first two days.
In: Empire n148 October 2001 Page: 106
Title: [Empire - n148 October 2001: no known title]Author: Nathan, IanArticle type: CreditsLanguage: English
In: Legend n36 2001 Pages: 23-24
Title: CD ReviewsAuthor: WICKENDEN, Dirk Article type: Soundtrack ReviewLanguage: English
In: StarBurst vSpec. n48 June 2001 Pages: 52-55
Title: A.I.: Kubrick's last visionAuthor: BROWN, Anthony Article type: ArticleLanguage: English
Description: Background to the project A.I.
In: Cinema Scope n8 September 2001 Pages: 63-65
Title: Feature: Where the rainbow ends: Kubrick, Spielberg and a...Author: HILL, Lee Article type: ReviewLanguage: English
Description: "...Dream Called A.I.".
In: American Cinematographer v82 n7 July 2001 Pages: 32-36,38-43
Title: Boy wonder: Steven Spielberg taps key collaborator Janusz..Author: HOLBEN, Jay Article type: ArticleLanguage: English
Description: On the cinematographic work of Janusz Kaminski on Spielbergs A.I. ARTIFICIAL INTELLIGENCE, his fifth collaboration with Spielberg.
In: Film Ireland n83 Oct/Nov 2001 Pages: 36-37
Title: Movie reviews: AI: ARTIFICIAL INTELLIGENCEAuthor: DUFFY, Noel Article type: ReviewLanguage: English
In: Cinefantastique v33 n5 Oct/Nov 2001 Pages: 54-55
Title: Three decades of A.I.Author: FORDHAM, Joe Article type: ArticleLanguage: English
Description: Details and background on the conception and production of Steven Spielberg's A.I.
In: StarBurst n276 August 2001 Pages: 30-35
Title: Nothing more than feelingsAuthor: SLOANE, Judy Article type: ArticleLanguage: English
Description: Haley Joel Osment talks about working on A.I.
In: Cinefex n87 October 2001 Pages: [62-63],64-93
Title: mecha odysseyAuthor: FORDHAN, Joe Article type: ArticleLanguage: English
Description: On the making of A.I. ARTIFICIAL INTELLIGENCE, initiated by Stanley Kubrick and completed by Steven Spielberg. Discusses the visual effects, robots, make-up used to create such fig- ures as Gigolo Joe, The Specialists, and also Rouge City. /
In: Variety 25 Jun 2001 Page: 19, 26
Title: Film ReviewsAuthor: MCCARTHY, Todd Article type: CreditsLanguage: English
In: Cinefantastique v33 n5 Oct/Nov 2001 Pages: 58-59
Title: ReviewsAuthor: KLEINMAN, Dennis Article type: ReviewLanguage: English
In: StarBurst n278 October 2001 Page: 52
Title: A.I.: ARTIFICIAL INTELLIGENCEAuthor: JONES, Alan Article type: CreditsLanguage: English
In: StarBurst n278 October 2001 Page: 73
Title: SoundtracksAuthor: WHITE, Dave Article type: Soundtrack ReviewLanguage: English
In: Screen International n1313 22 Jun 2001 Page: 1,6
Title: Spielberg's AI turns on media machine.Author: GOODRIDGE, Mike Article type: ArticleLanguage: English
Description: On the promotion of Stephen Spielberg's new film A.I. ART- IFICIAL INTELLIGENCE and the glowing advance reviews.
In: Venice Film Festival Catalogue v58th August 2001 Pages: 116-117
Title: [Venice Film Festival Catalogue - v58th August 2001: no known title]Article type: CreditsLanguage: Italian
Description: Includes director's comment
In: Empire n140 February 2001 Page: 66
Title: 21 for 2001Author: [IF] Article type: PreviewLanguage: English
In: Sight and Sound v11 n10 October 2001 Pages: 38-39
Title: ReviewsAuthor: STRICK, Philip Article type: CreditsLanguage: English
In: Classic Images n317 November 2001 Page: 40
Title: Music in filmsAuthor: LONG, Harry H. Article type: Soundtrack ReviewLanguage: English
In: Sight and Sound v11 n9 September 2001 Pages: 16-18
Title: The sci-fi issue: the dreamlife of androidsAuthor: HOBERMAN, J. Article type: ArticleLanguage: English
Description: A review of Spielberg's A.I. which suggests it is the director's first art film.
In: Film Comment v37 n4 Jul/Aug 2001 Pages: 22-25
Title: Primal screen.Author: ARTHUR, Paul Article type: ArticleLanguage: English
Description: Analysis of Spielberg's A.I. and whether the wedding with cold Kubrick works in this sci-fi fairy tale.
In: Screen International n1314 29 Jun 2001 Page: 22
Title: Captivating media event provides food for thought.Author: LEVY, Emanuel Article type: CreditsLanguage: English
In: Creative Screenwriting v8 n3 May/Jun 2001 Pages: 49-53
Title: Steven Spielberg as writerAuthor: ARGENT, Daniel Article type: ArticleLanguage: English
Description: Looks at Steven Spielberg as writer and at his work with writers.
In: StarBurst vSpec. n50 Yearbook 2001 Pages: 12-15
Title: Jack AngelAuthor: JANKIEWICZ, Pat Article type: ArticleLanguage: English
Description: Jack Angel talks about doing the voice of Teddy, David's robot bear in A.I. ARTIFICIAL INTELLIGENCE.
In: Music from the Movies n31/32 Winter 2001 Page: 83
Title: Film music review: the latest releases reviewed and ratedAuthor: KEECH, Andrew Article type: Soundtrack ReviewLanguage: English
In: Empire n146 August 2001 Page: 47
Title: Sneek peek.Article type: Short ArticleLanguage: English
Description: First look at Spielberg's A.I.
In: Film Score Monthly v6 n6 July 2001 Page: 29,43
Title: A.I.: artistic integrityAuthor: ADAMS, Doug Article type: ArticleLanguage: English
Description: On the John Williams' score for A.I.
In: Film Score Monthly v6 n6 July 2001 Page: 43
Title: A.I.: Artificial IntelligenceAuthor: BOND, Jeff Article type: Soundtrack ReviewLanguage: English
In: StarBurst vSpec n46 Yearbook 2000 Pages: 100-109
Title: 2001: an SF odysseyAuthor: ALEXANDER, Brian Article type: ArticleLanguage: English
Description: A look ahead to the forthcoming sci-fi films of 2001.
In: The Hollywood Reporter v364 n32 5 Sep 2000 Page: 37
Title: IN PRODUCTIONAuthor: FUSON, Brian Article type: CreditsLanguage: English
Books held in BFI Reuben Library
(10)
Title: cinematic sublime: negative pleasures, structuring absencesAuthor: Carroll, Nathan Pages: xi, 201 pages
Title: Darkness in the bliss-out: a reconsideration of the films of Steven Spielberg
Author: KENDRICK, James Pages: xviii, 225 pages
Title: last laugh: strange humors of cinema
Author: POMERANCE, Murray Pages: xi, 244 pages
Title: Empire of dreams: the science fiction and fantasy films of Steven Spielberg
Author: GORDON, Andrew M. Pages: x, 291 p.
Title: cinema of Steven Spielberg: empire of light
Author: Morris, Nigel Pages: vii, 434p.
Title: Solaris effect: art and artifice in contemporary American film
Author: DILLON, Steven Pages: xiii, 265 p.
Title: Building sci-fi moviescapes: the science behind the fiction
Author: Hanson, Matt Pages: 176 p.
Title: Catching light: looking for God in the movies
Author: ANKER, Roy M. Pages: x, 402 p.
Title: Philosophy through film
Author: LITCH, Mary M. Pages: vii, 242 p.
Title: The Winston effect: the art and history of Stan Winston Studio
Author: DUNCAN, Jody Pages: 336 p.
Film, Video or Digital materials held in BFI National Archive(3)
Film materials(3)
Description: Digital Theater SystemsBFI identifier: C-1354992
Status: Status pending - Material requires inspection to determine preservation or access status
Description: 35mm Colour PositiveBase: SafetySound: CombinedBFI identifier: C-1354990
Status: Status pending - Material requires inspection to determine preservation or access status
Description: 35mm Colour PositiveBase: SafetySound: CombinedBFI identifier: C-1354991
Status: Status pending - Material requires inspection to determine preservation or access status