- BFI identifier745343
- TitleFifty Dead Men Walking (Original)
Man on the Run (Working)
50 Dead Men Walking (Help search)
Credits
Directed by: Kari Skogland
©: Running Man Limited, Running Man Productions (Canada) Inc.
Production Company: Future Films, Brightlight Pictures
Produced in association with: Future Films Production Services, Altitude Entertainment, SBK Pictures Limited
Produced with the participation of: Téléfilm Canada, Northern Ireland Screen, Grove Media Finance Limited, The Horizon Media Fund
Presents: HandMade Films International
With the participation of: Province of British Columbia Production Services, Canadian Film or Video Production Tax Credit Program
Produced and Developed by: Skogland Films
Worldwide Sales Excluding Canada: HandMade Films International
Production Services: Future Films Production Services
Produced by: Peter La Terriere, Kari Skogland, Steve Hegyes, Shawn Williamson
On Behalf of NIS (Chief Executive): Richard Williams
On Behalf of NIS (Head of Production): Andrew Reid
On Behalf of NIS (Head of Finance): Linda Martin
On Behalf of NIS (Head of Marketing): Moyra Lock
On Behalf of NIS (Legal Services): Damian McParland, Millar McCall Wylie
On Behalf of NIS (Funding Prog's Co-ord): Susie Wright
On Behalf of NIS (Production Co-ord'r): Anne Quinn
On Behalf of BP (Dir of Dev't/Bus Aff's): Ki Wight
On Behalf of BP (Dir'r of Operations): Jessie Mcallan
On Behalf of BP (Creative Executives): Kirsten Hansen, Bannister Bergen
On Behalf of BP (Corporate Accounting): Samantha Diep, Sarah Crawford
On Behalf of FFPS (Senior Executive): Elisa Alvares
On Behalf of FFPS (Prod'n Co-ordinator): Elena Margolis, Caterina Leone
On Behalf of FFPS (Finance Director): Vikki Mickel
On Behalf of FFPS (Legal Services): Guy Sheppard, Wiggin LLP
On Behalf of HFI (Sales Executive): Carl Clifton, Fred Hedman, Eva Sklar
On Behalf of HFI (Business Affairs): Marcus Tustin, John Spirit
Unit Manager: Dicky Glenholmes
Production Manager: Karen Richards
Production Co-ordinator: Alex Monro
Production Accountant: Pat Isherwood
Location Manager: Matt Steinmann, Colm Nolan
Post-production Supervisor: Jonathan Shore, Emanuel Pereira
Post-production Co-ordinator: Kate Kroll, Koah Kruse
2nd Unit Director: Paul Jennings, Max Keene
Assistant Director (1st): Max Keene
Assistant Director (2nd): Scott Bunce
Assistant Director (2nd 2nd): Paul Bennett
Script Supervisor: Renée Foley Burke
Script Supervisor (2nd Unit): Lynda Marshall
Group ADR/Voice Casting: The Background
Written by: Kari Skogland
Inspired by the book by: Martin Mcgartland, Nicholas Davies
Director of Photography: Jonathan Freeman
B Camera Director of Photography: Peter Wignall
Camera Operator: Christopher Plevin
Camera Operator (B): Peter Wignall, Ciarán Barry
Camera Operator (C): John Webb
Focus Puller: Sean Connor
Focus Puller (B Camera): Conor Hammond, Ivan Meagher
Clapper Loader: Andy Gardner
Loader (B Camera): Dean Morrish, Chris Shaw, Ron Coe, Stuart Anderson, Luke Coulter
Gaffer: Brian Livingstone
Video Assist Operator: Jeremy Brookner
Stills Photographer: Colm Hogan, Jonathan Hession
Visual Effects: Technicolor Creative Services - Vancouver Lab
TCS (Visual Effects Supervisor): Doug Oddy
TCS (Visual Effects Producer): Christopher Elke
TCS (Visual Effects Co-ordinator): Ryan Kuba
TCS (Visual Effects Executive Producer): Persis Reynolds
Special Effects Supervisor: Graham Longhurst
Special Effects Technician: Chriss Longhurst, Benn Longhurst
Graphic Designer: Amy Merry
Editor: Jim Munro
Assistant Editor: Helen Sheridan
Production Designer: Eve Stewart
Supervising Art Director: David Hindle
Art Director: Leon McCarthy
Art Department Co-ordinator: Julia Castle
Standby Art Director: Sara Hayward
Storyboard Artist: William Simpson
Prop Buyer: Bryony Birkbeck
Props Master: Paul Stewart
Construction Manager: Alan Chesters
Construction Supervisor: Cole Doherty
Costume Designer: Stephanie Collie
Assistant Costume Designer: Vidya Krishnamurthy
Costume Supervisor: Joanna Campbell
Hair/Make-up Designer: Kirstin Chalmers
Hair/Make-up Supervisor: Laura Schiavo
Hair/Make-up Artist: Clare Ramsey
Prosthetic Maker: Waldo Mason
Digital Intermediate: Technicolor Creative Services - Vancouver Lab
Camera Equipment Supplied by: The Production Depot, Arri Media, Axis Films
Film Stock Supplied by: Kodak Canada Inc
Music Composed by: Ben Mink
Music Supervisor: Ian Neil
Sound Designer: Kris Fenske
Sound Supervisor: Anke Bakker
Sound Mixer: Mervyn Moore
Sound Mixer (B Camera): Derek Thompson
Boom Maintenance: Adam Ridge
Audio Post-production: Sharpe Sound
Re-recording Mixer: Paul Sharpe, Iain Pattison, Graeme Hughes
Dialogue Editor: Brian Campbell
Sound Effects Editor: Matt Wilson
Backgrounds Editor: Jay Cheetham
ADR (Sound Track F/T Recordist): Richard Crescenti
ADR (Sonic Magic Mixer): Andrew Morgado, Judah Getz
ADR (DeLane Lea Mixer): Nick Kray
ADR (The Sound House Mixer): Hugh Matier, Simon McCormick
ADR (Screen Scene Mixer): Mark Fitzpatrick, Garret Farrell
ADR (Sound Track F/T Mixer): Douglas Murray
ADR: Sonic Magic Studios, De Lane Lea, Sound House, Screen Scene, Sound Track F/T
Foley Artist: Shane Shemko, Cam Wagner
Foley Mixer: Glen Noseworthy
Foley Editor: Jason Mauza
Stunt Co-ordinator: Sy Hollands, Paul Jennings
Dolby Sound Consultant: Matt Kunau
Dialogue Coach: Brendan Gunn
Armourer (at G&H Film and Television): Robert Gyle
Armourer (at Perdix Firearms Services): Robert Partridge
Unit Publicist (at McAinsh Consulting): Ian Thomson
Behind the Scenes Director: Mike Lennox