- BFI identifier183150
- TitleGive My Regards to Broad Street (Original)
Broad Street (Working)
Paul McCartney'S Give My Regards to Broad Street (Alternative)
Give My Regards to Broadstreet (Help search)
Credits
Directed by: Peter Webb
©/Production Company: MPL Communications
Presented by: Twentieth Century-Fox Film Corporation
Produced by: Andros Epaminondas
Associate Producer: Peter Manley
Production Manager: Charles Salmon
Location Manager: Kevan Barker, Ron Jones
Location Manager (2nd unit): John Watson, Crispin Reece
Production Assistant: Jean Walter, Karla Ehrlich
Assistant Director: Selwyn Roberts, John Dodds, Bill Rudguard
Continuity: Brenda Loader
Casting: Simone Reynolds
Screenplay by: Paul McCartney
Director of Photography: Ian McMillan
Camera Operator: Colin Corby
Camera Operator (2nd Unit): Ginger Gemmell, Ken Withers
Steadicam Operator: Garrett Brown
Focus: Mike Brewster
Clapper/Loader: Mark Smythe, Martin Foley
Gaffer: Larry Smith
Grip: David Cadwallader
Video Tape Operator: Mark La Femina, Pinaki Dutt-Roy
Stills Photographer: David Dagley, Richard Blanshard
Front Projection Supervisor (2nd Unit): Paul Witz
Special Effects: Ian Wingrove
Special Effects Technician: Terry Glass, Bert Hamilton-Smith, John Markwell
Models by: Bill Philby
Glowing Tape Box Made by: Dave Highgate
Editor: Peter Beston
Production Designer: Anthony Pratt
Art Director: Adrian Smtih
Art Director (2nd Unit): Celia Barnet, Phil Roberson
Set Dresser: Stephenie McMillan
Draughtsman: Martin Atkinson, Reg Bream, Don Dossett, John Hoesli
Scenic Artist: A.G.M. Evans, Graham Barclay, Frank Graves
Sign Writer: Robert Walker
Storyboard Artist: John Rose
Production Buyer: Kate Kilroy
Property Master: Barry Wilkinson, Barry Wilkinson, Peter Grant
Custom Car Designed/Built by: Geoff Cousins
Construction Manager: Bill Waldron
Costume Designer: Milena Canonero
Wardrobe Master: Philippe Pickford
Make-up: Susie Adams
Make-up (2nd Unit): Sue Black
Special Make-up: Barbara Daly
Hair: Simon Thompson
Extra Hair/Make-up: Maureen Stephenson, Sarah Monzani, Paolo Mantini, Sara Raeburn, Christine Whitney, Joan Hills
Titles/Opticals: Peerless Camera Company
PCC (Optical Camera Operator): Kent Houston, Ron West, Paul Whitbread
Lenses/Panaflex Camera by: Panavision
Cameras/Special Lenses by: Joe Dunton Cameras
Film Processed by: The Rank Laboratories
Music Written by: Paul McCartney
Music Directed by: George Martin
Music Arranger: Paul McCartney
Music Produced by: George Martin
Music Editor: Michael Clifford
[Music] Recording Engineer: Geoff Emerick, Jon Kelly, Nigel Walker
Music Recorded at: AIR Studios (London), Abbey Road Studios, CTS Studios (Wembley)
Choreographer: David Toguri
Sound Mixer: Bruce White
Boom Operator: Steve O'Brien
Soundtrack Re-recorded at: Thorn-EMI Elstree Studios Ltd.
Supervising Re-recording Mixer: Bill Rowe
Assistant Re-recording Mixer: Ray Merrin
Sound Editor: Martin Evans, Peter Bond
Stunt/Fight Arranger: Roy Scammell
Stunt Double: Finn Walgardi, Steen Walgardi
Stunt Double (Weir): Sue Crossland, Malcolm Weaver, Sadie Eden
Stand-in: Jack Ross, Glenda Allen, John Clifford, Fran Hunter
Filmed at: Thorn-EMI Elstree Studios Ltd.