¡Nae pasarán! (Original title)Nae pasarán (Help search title)
Dates: 2018 (Release), 02 November 2018 (Release)Countries: United Kingdom, ChileDirector: Felipe Bustos Sierra
Synopsis: A documentary about Scottish factory workers at Rolls-Royce who took a stand against the Pinochet coup by refusing to repair fighter jet engines used by his regime. 40 years later they discover their true impact against Chile's fascist dictatorship.
Genre: Documentary
Subjects: Solidarity, Direct action, Augusto Pinochet Ugarte (1915-2006), Arms sales, Chilean Coup (1973)
Releases
Date: 02 November 2018Country: United KingdomRelease type: TheatricalFormat: Digital Cinema Package (DCP) - Colour - SoundAspect ratio: 1.78:1Runtime: 96 mins 26 secs - Dialogue (original): English / Dialogue (original): Spanish / Subtitles: EnglishDistributor: Cosmic Cat Film
Dates: 2018 (Release), 02 November 2018 (Release)Countries: United Kingdom, ChileDirector: Felipe Bustos Sierra
Synopsis: A documentary about Scottish factory workers at Rolls-Royce who took a stand against the Pinochet coup by refusing to repair fighter jet engines used by his regime. 40 years later they discover their true impact against Chile's fascist dictatorship.
Genre: Documentary
Subjects: Solidarity, Direct action, Augusto Pinochet Ugarte (1915-2006), Arms sales, Chilean Coup (1973)
Releases
Date: 02 November 2018Country: United KingdomRelease type: TheatricalFormat: Digital Cinema Package (DCP) - Colour - SoundAspect ratio: 1.78:1Runtime: 96 mins 26 secs - Dialogue (original): English / Dialogue (original): Spanish / Subtitles: EnglishDistributor: Cosmic Cat Film
Credits
(83)
©: Debasers Filums Ltd, in association with: Consejo Nacional de la Cultura y las Artes Fondo Audiovisual 2017, A Debasers Filums production: Debasers Filums, in association with: Creative Scotland, BBC Scotland, this film was developed with the support of the: EURODOC training programme, with the support of: Nacional Consejo de la Cultura y las Artes Fondo Audiovisual 2017, supported by the: National Lottery through Creative Scotland, in association with: Scottish Documentary Institute, La Ventana Cine, Executive Producer: Ewan Angus, Executive Producer: Sonja Henrici, Executive Producer: Noé Mendelle, Executive Producer: Rafael Valdeavellano, Executive Producer: Leslie Finlay, Produced by: Felipe Bustos Sierra, Co-producer: Herta Mladinic, Associate Producer: Patrick Doyle, Associate Producer: Cheryl Michaelides, Associate Producer: Leslie Doyle, Associate Producer: Barbara Mackenzie, Associate Producer: Chris Clarkson, Associate Producer: Rebecca Day, Business Affairs: Mark Wilson, Jane Gilmartin, Audiovisual Fund Supervisor: Pamela Fontecilla Pino, Director of Screen: Natalie Usher, Senior Screen Executive: Robbie Allen, Production Manager: Rebecca Day, Production Manager: Cameron Hall, Production Manager: Sian Bevan, Production Accountant: Whitelaw Wells, Production Bookkeeper: Catherine Hitchmough, Researcher: Vanessa Tagle Ortega, Researcher: Cristian Arroyo, Researcher: Felipe Bustos Sierra, Director of Photography: Peter Keith, Photography: Chris Scott, Cinematography: Peter Keith, Sebastian 'Benito' Caro, Additional Camera: Felipe Bustos Sierra, Additional Camera: Alejandro Ubilla, Additional Camera: Francisco Avila, Additional Camera: Raúl Cuevas, Additional Camera: Kirstin McMahon, Additional Camera: Ian Dodds, Additional Camera: Pascal Krumm, Additional Camera: Julie Bills, Additional Camera: Minttu Mantynen, Aerial Photography: Peter Keith, Camera Assistant: Les Hinks, Visual Effects Producer: Lucy Teire, Visual Effects Co-ordinator: Eloise Coveny, Visual Effects Supervisor: Tom Bryant, VFX: Interference Pattern, Editor/Edited by: Colin Monie, On-line Editor: David Leishman, Poster and Title Design: Fergus Dunnet, Colourist: Ben Mullen, Music/Music by/Composer: Patrick Neil Doyle, Orchestra: The Hungarian Studio Orchestra, Flute: Karen Jones, Solo Cello: Krisztian Kurucz, Solo Violin: Robert Lakatos, Guitar: John Paricelli, Conductor: Péter Illényi, Orchestration: Patrick Neil Doyle, Score Co-ordinator: Chantelle Woodnutt, Record and Mix Engineer: Nick Taylor, Orchestra Recording Engineer: Tamas Kurina, Additional Recording at: Air-Edel Recording Studios, Strings Recorded at: Tom-Tom Studio, Mixing at: Air-Edel Recording Studios, Sound Design: Jack Coghill, Sound Design: William Aikman, Location Sound: Ariane Jackson-Marini, Location Sound: Pete Smith, Location Sound: William Aikman, Location Sound: Francisco Escobar, Jack Coghill, Dubbing Mixer: William Aikman, Dubbing Mixer: Jack Coghill