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And When Did You Last See Your Father? (Original title)
Dates: 2007 (Copyright), 05 October 2007 (Release)

Countries: United Kingdom, Ireland

Directed by: Anand Tucker

Synopsis: Based on the memoir by Blake Morrison; charting the relationship between Blake and his father Arthur from childhood until his father's death in the 1990's.

Genre:
Biopic

Subjects:
Fathers, Death, Bereavement
Releases
Date: 05 October 2007Country: United KingdomRelease type: unknownFormat: Super-35 - Colour - Technicolor - Sound - Dolby DigitalRuntime: 92 mins Length: 8291 FeetDialogue (original): English

Credits (132)
©/Presents: UK Film Council, Film4, ©/Presents/Financed by: EM Media, ©: Father Features Ltd, Production Company: Number 9 Films, In association with: Audley Films LLP, Made with the support of: The National Lottery through UK Film Council Premiere Fund, Part funded by: European Regional Development Fund, Presents/Developed with the support of: Intandem, In association with: Compton Investments, Developed with the assistance of: Tiger Aspect Pictures, Developed by: Bord Scannán na hÉireann, Made with the support of: UK Film Council Premiere Fund, Production Services Provided by: Future Production Services Limited, Executive Producer: Tessa Ross, Executive Producer: Lizzie Francke, Executive Producer: Kate Wilson, Executive Producer: Paul White, Executive Producer: Gary Smith, Co-executive Producers: Compton Investments, Produced by: Elizabeth Karlsen, Stephen Woolley, Co-producer: Laurie Borg, For Number 9 (Script Development Exec): Annabel Kennedy, Kate Lawrence, For FPS (Managing Director): Andrew Hildebrand, For FPS (Business Development Manager): Carola Ash, For FPS (Head of Post-production): Vikki Mickel, For Intandem (Sales/Marketing Director): Billy Hurman, Andrew Brown, For Intandem (Production Manager): Sasha Dein Fugazzola, Denise Bridgeman, For UKFC (Head of Premiere Fund): Sally Caplan, For UKFC (Production Executive): JJ Lousberg, For UKFC (Head of Business Affairs): Will Evans, For UKFC (Head of Production Finance): Vince Holden, For UKFC (Head of Production): Fiona Morham, For EM Media (Head of Communications): Emily Lappin, For EM Media (Communications Executive): Sally Hodgson, For EM Media (Locations Executive): Dan Hodgett, Nic Smith, For Film4 (Head of Production): Tracey Josephs, For Film4 (Production Manager): Gerardine O'Flynn, For Film4 (Head of Business Affairs): Paul Grindey, For Film4 (Head of Development): Katherine Butler, Production Co-ordinator: Deryn Stafford, Production Accountant: Sarah Lucraft, Location Manager: Tony Clarkson, Post-production Supervisor: Polly Duval, Assistant Director (1st): Ben Howarth, Assistant Director (2nd): Samantha Smith, Assistant Director (2nd 2nd): Jamie Chasey, Script Supervisor: Kim Armitage, Casting (Director): Priscilla John, Casting (Associate): Faith Allbeson, Screenplay by: David Nicholls, Based on the book by: Blake Morrison, Director of Photography: Howard Atherton, Director of Photography (B Camera): Trevor Brooker, Camera Operator: Chris Plevin, Camera Focus Puller: Alex Howe, Camera Loader: Barny Crocker, Gaffer: Mike Chambers, Key Grip: Stuart Godfrey, Stills Photographer: Giles Keyte, Visual Effects by: One of Us, One of Us (Visual Effects Producer): Rachael Penfold, One of Us (Visual Effects Supervisor): Tom Debenham, Dominic Parker, Animator: Ian Mackinnon, Visual Effects Co-ordinator: Chaya Feiner, For MPC (Executive Producer): Lucy Ainsworth-Taylor, For MPC (Visual Effects Co-ordinator): Rob Willis, Special Effects Supervisor: Ian Rowley, Graphics: Fabrice Spelta, Editor: Trevor Waite, Assistant Editor: Nina Bradley, Production Designer: Alice Normington, Art Director: Lynne Huitson, Assistant Art Director: Andy Tomlinson, Stand-by Art Director: Ben Munro, Set Decorator: Barabara Herman-skelding, [Production] Buyer: Annie Gilhooly, Props Master: Terry Wood, Construction Manager (Studio): Stuart Watson, Rob Brown, Construction Manager (Locations): Dominic Pike, Costume Designer: Caroline Harris, Costume Supervisor: Marco Scotti, Costumes Supplied by: BBC Costume + Wigs, Make-up/Hair Designer: Christine Blundell, Make-up/Hair Artist: Lesa Warrener, Prosthetics: Matthew Smith, Titles by: VooDooDog, Digital Intermediate by: Technicolor Creative Services UK, Camera Equipment: Arriflex Arri, Camera Equipment (Arri Media): Russell Allen, Lighting Equipment UK: AFM Lighting, Lighting Equipment UK (AFM): Eddie Dias, Negative Stock: Kodak Motion Picture Film, Music Composed/Conducted by: Barrington Pheloung, Music Performed by: The London Metropolitan Orchestra, Soloist (Soprano): Janis Kelly, Soloist (Piano): Sally Heath, Soloist (Violin): David Juritz, Soloist (Cello): Caroline Dale, Music Supervisor (for Hothouse Music): Karen Elliott, Score Supervisor (for DNA Music Ltd): Amanda Street, Orchestral Contractor: Andy Brown, Music Produced by: Barrington Pheloung, Music Recorded at: Abbey Road Studios, Music Engineered/Mixed by: Stephen McLaughlin, Sound Mixer: Jim Greenhorn, Boom Operator: Jeremy Lishman, Re-recording Mixer: Nigel Heath, James Feltham, Re-recorded at: Hackenbacker Sound & Video, Supervising Sound Editor: Dan Morgan, Sound Effects Editor: Michael Fentum, ADR Mixer: Nicholas Foley, Foley Artist: Lucy Barnes, Foley Artist: Paula Boram, Foley Artist: Ruth Sullivan, Foley (Re-recording Mixer): Ted Swanscott, Foley Editor: Blair Slater, Stunt Co-ordinator: Jim Dowdall, [Stunt] Doubles: Kiran Shah, Dialogue Coach: Jan Haydn Rowles, Unit Publicity: Freud Communications, On Set Publicist: Stacy Mann, Filmed at: Twickenham Film Studios
Cast (22)
Jim Broadbent (Arthur), Colin Firth (Blake), Juliet Stevenson (Kim), Gina McKee (Kathy), Sarah Lancashire (Beaty), Elaine Cassidy (Sandra), Claire Skinner (Gillian), Matthew Beard (Blake (teen)), Bradley Johnson (Blake (child)), Alannah Barlow (Gillian (child)), Christopher Middleton (racing steward), Elliott Avery (Peter), Rhiannon Howden (Sophie), Tom Butcher (Dr Taggart), Naomi Allisstone (Josie), Tara Berwin (Gillian (teen)), Richard Standing (publican), Olivia Lindsay (Josie (child)), Tilly Curtis (Josie (teen)), Justin McDonald (Steve), Carey Mulligan (Rachel), Graham Turner (undertaker)
Articles held in BFI Reuben Library (8)
In: Screen International vSuppl nBAFTA Special Jan 08  Pages: 9-12
Title: Best of BritishAuthor: HUNTER, Allan Article type: ArticleLanguage: English
Description: Previews and discusses the chances of BAFTA Award success in 2008 for a number of British films.

In: Variety 27 Aug 2007  Page: 108
Title: Film ReviewsAuthor: ELLEY, Derek Article type: CreditsLanguage: English

In: Screen International n1608 24 Aug 2007  Page: 27
Title: Review: And When Did You Last See Your FatherAuthor: HUNTER, Allan Article type: ReviewLanguage: English

In: Screen International n1606 10 Aug 2007  Pages: 16-17
Title: Best of British: The Michael Powell AwardArticle type: AdvertisementLanguage: English
Description: Promotional preview of the films that have been shortlisted for the Michael Powell Award at the 2007 Edinburgh Internati onal Film Festival.

In: Empire n221 November 2007  Page: 64
Title: In cinemas: And When Did You Last See Your Father?Author: SMITH, Anna Article type: ReviewLanguage: English

In: Screen International n1582 2 Feb 2007  Page: 16
Title: Who's the daddy?Author: MITCHELL, Wendy Article type: InterviewLanguage: English
Description: Profile of Anand Tucker and the production of AND WHEN DID Y OU LAST SEE YOUR FATHER?.

In: Sight and Sound v17 n11 November 2007  Page: 49
Title: Reviews: And When Did You Last See Your Father?Author: KEMP, Philip Article type: CreditsLanguage: English

In: Screen Finance v19 n20 1 Nov 2006  Page: 3,6
Title: Production remains buoyant throughout OctoberAuthor: ADLER, Tim Article type: ArticleLanguage: English
Description: Details of UK-produced films that started shooting in Septem ber and October 2006: The BOURNE ULTIMATUM, DEFINITELY MAYBE FRED CLAUS, DANGEROUS PARKING, AND WHEN DID YOU LAST SEE YOU R FATHER?, THESE TIMES, HOW ABOUT YOU, The OTHER BOLEYN GI


Film, Video or Digital materials held in BFI National Archive(3)
Accessible materials to view(1)
Description: DVDBFI identifier: C-1464021
Status: Viewing - Videotape can be requested for access



Video materials(2)
Description: DVDBFI identifier: C-1464021
Status: Viewing - Videotape can be requested for access


Description: HD Cam SRBFI identifier: C-1489621
Status: Master - Restricted access to preserved videotape



Film materials(1)
Description: 35mm Colour PositiveBase: PolyesterSound: CombinedBFI identifier: C-1464018
Status: Master - Restricted access to preserved film