The Last of the Mohicans (Original title)
Date: 1992 (Copyright)Country: USADirector: Michael Mann
Production company billing: ©Morgan Creek International, Inc Morgan Creek International presents a film by Michael Mann Dolby In Colour 2.35:1 [Panavision]
Synopsis: Set in 1757. Sisters Alice and Cora are escorted through hostile American country to join their colonel father who is the British commander of a fort under French siege. An ambush leaves the two girls unprotected and Hawkeye - an orphaned colonial child raised by Indians - comes to their rescue.
Genre: Drama
Subjects: Colonial Wars, 18th century
Releases
Date: 1992Country: USARelease type: unknownFormat: 35mm Film - Colour - DeLuxe - Sound - DolbyRuntime: 122 mins Length: 10980 FeetLanguage: English
Title: 201 Greatest movies of all timeArticle type: ArticleLanguage: English
Description: A listing of the top two hundred and one films as chosen by the reader's of Empire magazine. With comments by actors and filmmaker's.
In: Music from the Movies n30 Feb/Mar 2001 Page: 47
Title: Film music review: the latest releases reviewed and ratedAuthor: McLEAN, Paul Andrew Article type: Soundtrack ReviewLanguage: English
In: Radio Times v298 n3888 15 Aug 1998 Page: 39
Title: Film of the weekArticle type: ReviewLanguage: English
In: Sight and Sound v3 n8 August 1993 Pages: 26-29
Title: First and Last MohicansAuthor: BARKER, Martin Article type: ArticleLanguage: English
Description: About changes in the narrative and presentation of the original novel in comic books, television series and films. Includes a summary of the original story.
In: Film and History v23 n1-4 1993 Pages: 103-116
Title: Deconstructing an American Myth: Hollywood and The Last ofAuthor: WALKER, Jeffrey Article type: ArticleLanguage: English
Description: Article on the image of native Indians in The LAST OF THE MOHICANS within the context of a special issue devoted to the relationship between Hollywood and native Indians
In: Sight and Sound v3 n6 June 1993 Page: 66
Title: [Sight and Sound - v3 n6 June 1993: no known title]Article type: NoteLanguage: English
Description: Video note
In: Premiere v6 n5 January 1993 Page: 10
Title: [Premiere - v6 n5 January 1993: no known title]Article type: LetterLanguage: English
Description: Letter from one of the costume crew about the difficulties of working with Michael Mann on LAST OF THE MOHICANS.
In: Sight and Sound v3 n11 November 1993 Page: 61
Title: [Sight and Sound - v3 n11 November 1993: no known title]Article type: NoteLanguage: English
Description: Video note
In: Premiere v6 n2 October 1992 Page: 102
Title: The 12 Greats of ChristmasAuthor: various Article type: NoteLanguage: English
Description: Note, in a preview of the most likely hits and Oscar contenders being released during the Autumn of 1992-1993
In: Sight and Sound v2 n7 November 1992 Page: 15
Title: White noiseAuthor: HARKNESS, John Article type: ArticleLanguage: English
Description: Article assessing the function of Hawkeye in the James Fenimore Cooper books, with reference to previous attempts at filming The LAST OF THE MOHICANS, and in particular Michael Mann's version.
In: Positif n380 October 1992 Pages: 58-59
Title: Actualité; Les FilmsAuthor: NIOGRET, Hubert Article type: CreditsLanguage: French
Description: Comparing the version made in 1920 with the 1992 version of LAST OF THE MOHICANS
In: Empire n37 July 1992 Page: 66
Title: The ultimate summer previewArticle type: NoteLanguage: English
In: Films in Review v43 n11/12 Nov/Dec 1992 Pages: 403-404
Title: [Films in Review - v43 n11/12 Nov/Dec 1992: no known title]Author: PAWELCZAK, Andy Article type: ReviewLanguage: English
Description: Brief review.
In: Interview v22 n10 October 1992 Page: 88
Title: Shots in the DarkAuthor: FULLER,Graham Article type: ArticleLanguage: English
Description: Article.
In: American Cinematographer v73 n12 December 1992 Pages: 30-34
Title: Last of the Mohicans: interpreting Cooper's classic.Author: COMER, Brooke Article type: ArticleLanguage: English
Description: Describes the work of cinematographer Dante Spinotti on THE LAST OF THE MOHICANS.
In: Premiere v6 n4 December 1992 Page: 130
Title: If you ask meAuthor: GELMAN-WAXNER, Libby Article type: ReviewLanguage: English
Description: Light-hearted review of the film and daniel Day-Lewis's performance in it
In: British Board of Film Classification - Monthly List of Cinema Films October 1992 Page: 1
Title: [British Board of Film Classification - Monthly List of Cinema Films - October 1992: no known title]Language: English
In: Sight and Sound v2 n7 November 1992 Pages: 10-12,14
Title: Michael Mann: Wars and PeaceAuthor: SMITH, Gavin Article type: InterviewLanguage: English
Description: Interview with Michael Mann about his career, especially The LAST OF THE MOHICANS.
In: Sight and Sound v2 n7 November 1992 Pages: 45-46
Title: [Sight and Sound - v2 n7 November 1992: no known title]Author: SHEEHAN, Henry Article type: CreditsLanguage: English
In: Premiere v6 n2 October 1992 Pages: 60-63,65,68,70
Title: Mann OverboardAuthor: SCHRUERS, Fred Article type: InterviewLanguage: English
Description: Location report on The LAST OF THE MOHICANS, including comments from Michael Mann.
In: Variety 31 Aug 1992 Page: 60
Title: [Variety - 31 Aug 1992: no known title]Article type: CreditsLanguage: English
In: Empire n42 December 1992 Pages: 24-25
Title: New filmsArticle type: ReviewLanguage: English
In: Empire n42 December 1992 Pages: 80-88
Title: Dances with DanielAuthor: SEARS, Rufus Article type: ArticleLanguage: English
Description: Report from the set of The LAST OF THE MOHICANS.
In: Empire n42 December 1992 Page: 89
Title: Into the woodsAuthor: MUELLER, Matt Article type: Short ArticleLanguage: English
Description: Article about the task of building a replica of Fort William Henry for The LAST OF THE MOHICANS in the Blue Ridge Mountains, North Carolina.
In: Screen International n814 5 Jul 1991 Page: 26
Title: [Screen International - n814 5 Jul 1991: no known title]Article type: CreditsLanguage: English
In: The Hollywood Reporter v317 n39 4 Jun 1991 Page: 21
Title: [The Hollywood Reporter - v317 n39 4 Jun 1991: no known title]Article type: CreditsLanguage: English
In: Screen International n794 15 Feb 1991 Page: 42
Title: [Screen International - n794 15 Feb 1991: no known title]Article type: Prod. DetailsLanguage: English
In: Screen International n813 28 Jun 1991 Page: 16
Title: [Screen International - n813 28 Jun 1991: no known title]Article type: Prod. DetailsLanguage: English
Author: MERA, Miguel Pages: xxiii, 633 pages
Title: Now a major motion picture: film adaptations of literature and drama
Author: GERAGHTY, Christine Pages: viii, 221 p.
Description: Donated by author, June 2008
Title: cinema of Michael Mann
Author: RYBIN, Steven Pages: 233 p.
Title: Blood in the moonlight: Michael Mann and information age cinema
Author: WILDERMUTH, Mark E. Pages: xi, 211 p.
Title: Literature and film: a guide to the theory and practice of film adaptation
Author: STAM, Robert Pages: xiv, 359 p.
Title: Secrets of screenplay structure: how to recognize and emulate the structural frameworks of great films
Author: COWGILL, Linda J. Pages: v-xv, 318p.
Title: Hollywood's Indian: the portrayal of the native American in film
Author: ROLLINS, Peter C Pages: viii-xiv, 226p.
Title: Projections 1: a forum for film-makers
Author: BOORMAN, John Pages: 283p.
Description: John BOORMAN pp. 5-120 Emeric PRESSBURGER pp. 133-157 Jonathan DEMME pp. 158-197 Nestor ALMENDROS pp. 198-211 Gus VAN SANT pp. 212-222 SURVIVING DESIRE pp. 225-259 Michael MANN pp. 262-272 LAST OF THE MOHICANS pp. 262-279 Jonathan DEMME pp. 262-279 Hal HARTLEY pp. 223-259 Michael MANN pp. 262-279 River PHOENIX pp. 212-222 Emeric PRESSBURGER pp. 133-157 Gus VAN SANT pp. 212-222 SURVIVING DESIRE pp. 223-259
Film, Video or Digital materials held in BFI National Archive(3)
Accessible materials to view(1)
Description: 35mm Colour PositiveBase: CTASound: CombinedLength: 10073 FeetStock date: 1992BFI identifier: C-939266
Status: Viewing - Viewing experience and projection may be compromised by condition of film print (servicing required)
Film materials(3)
Description: 35mm Colour PositiveBase: SafetySound: CombinedBFI identifier: C-727469
Status: Status pending - Material requires inspection to determine preservation or access status
Description: 35mm Colour PositiveBase: SafetySound: CombinedBFI identifier: C-741328
Status: Status pending - Material requires inspection to determine preservation or access status
Description: 35mm Colour PositiveBase: CTASound: CombinedLength: 10073 FeetStock date: 1992BFI identifier: C-939266
Status: Viewing - Viewing experience and projection may be compromised by condition of film print (servicing required)
Date: 1992 (Copyright)Country: USADirector: Michael Mann
Production company billing: ©Morgan Creek International, Inc Morgan Creek International presents a film by Michael Mann Dolby In Colour 2.35:1 [Panavision]
Synopsis: Set in 1757. Sisters Alice and Cora are escorted through hostile American country to join their colonel father who is the British commander of a fort under French siege. An ambush leaves the two girls unprotected and Hawkeye - an orphaned colonial child raised by Indians - comes to their rescue.
Genre: Drama
Subjects: Colonial Wars, 18th century
Releases
Date: 1992Country: USARelease type: unknownFormat: 35mm Film - Colour - DeLuxe - Sound - DolbyRuntime: 122 mins Length: 10980 FeetLanguage: English
Credits
(465)
Production Company: Twentieth Century Fox Film Corporation, Production Company: Morgan Creek Productions, Executive Producer: James G. Robinson, Producer: Michael Mann, Producer: Hunt Lowry, Production Associate: Bonnie Arnold, Unit Production Manager: Ned Dowd, Unit Production Manager: Ellen Rauch, Production Manager (2nd Unit): Whitney Green, Supervising Producer: Ned Dowd, Production Co-ordinator: Sondra Dee Boyachek, Production Co-ordinator: Judi Rosner, Assistant Production Co-ordinator: Karen Turner, Lee Nesbitt, Production Co-ordinator (2nd Unit): Mary Lou Devlin, Production Accountant: Jennifer Freed, Assistant Production Accountant: Mark J. Levenstein, 2nd Assistant Production Accountant: Caroline Korney, Accounting Assistant: Richard Katanich, Accounting Assistant: Patrick Sheedy, Accounting Assistant: Brent Wyatt, Emily Zolten, Post Production Accountant: Doris Hellmann, Location Manager: George C. Bosley, Location Manager (North Carolina): Michael Bigham, Location Assistant: Mark A. Dixon, Location Assistant: Ruth Fletcher, Location Assistant: Dannie Hogan, Location Assistant: Craig McCraw, Karen Snow, Location Intern: Michele S. Atkins, Megan Hunter, Camp Mohican Co-ordinator: Carole T. Crews, Post-production Supervisor: Judith Blume, Key Set Production Assistant: Edward Fickett, Production Secretary: Catherine Brown, Assistant to Mr Mann (LA): Gillian Zali, Lisa Goncalves, Assistant to Mr Mann (NC): Wendy Murray, Kathleen M. Shea, Assistant to Mr Lowry: Kathryn J. Mcdermott, Production Assistant (NC): Keith T. Barber, Production Assistant (NC): Ingred Behrens, Production Assistant (NC): Carlo Bernard, Production Assistant (NC): Paul Bernard, Production Assistant (NC): Kathleen 'Bo' Bobak, Production Assistant (NC): Tracy Burns, Production Assistant (NC): Jason Free, Production Assistant (NC): Anne Gentling, Production Assistant (NC): John Kerr, Production Assistant (NC): Sheila Myers, Production Assistant (NC): Jon Scheide, Alison Gene Tierney, Production Assistant (LA): Kevin Beard, Production Assistant (LA): Jeff Berger, Production Assistant (LA): Titus D. Glover Jr, Production Assistant (LA): Michael Klee, Production Assistant (LA): Sean Simpson, Errin Zingale, 2nd Unit Director: Mickey Gilbert, Gusmano Cesaretti, Assistant Director (1st): Michael Waxman, Assistant Director (2nd): Daniel Stillman, Assistant Director (2nd 2nd): Carl Goldstein, Susan Fiore, Assistant Director (2nd Unit 2nd): Cyndie Williams, Script Supervisor: Alan Greedy, Casting: Bonnie Timmermann, Extras/Location Casting: Shirley Fulton Crumley, Casting - London: Susie Figgis, Casting Assistant: Bernadette C. Echohawk, Casting Assistant: Gloria Hancock, Casting Assistant: Shari Hangar, Casting Assistant: Darlene Ka-Mook Grant, Casting Assistant: Theresa Phillips, Nancy Segler, Casting Assistant (NY): Jeff Block, Casting Assistant (NY): Bridget Pickering, Moe Bardach, Casting Secretary: Anna L. Wyatt, Screenplay: Michael Mann, Screenplay: Christopher Crowe, Adaptation: John L. Balderston, Adaptation: Paul Perez, Adaptation: Daniel Moore, Based on the screenplay by: Philip Dunne, Based on the novel by: James Fenimore Cooper, Director of Photography: Dante Spinotti, Additional Photography: Doug Milsome, 2nd Unit Director of Photography: Jerry G. Callaway, Camera Operator: Don Reddy, Camera Operator: Michael McGowan, Steadicam Operator: Kyle Rudolph, Steadicam Operator: Bob Ulland, Assistant Camera (1st): Gary Jay, Assistant Camera (1st): Fred Mclane, David Sanderson, Assistant Camera (2nd): David Galbraith, Assistant Camera (2nd): David Brink, Chris M. Fisher, Additional Assistant Camera: David Lang, Additional Assistant Camera: Duane Manwiller, Tim Sheffer, Camera Intern: Porter Berry, Gaffer: Daniel Eccleston, Best Boy Electric: Steve P. Spallone, Lamp Operator: Thomas C. Cook, Lamp Operator: Sean Daniel Eccleston, Lamp Operator: Kai Morbey, Lamp Operator: Paul Olsen, Lamp Operator: Greg Patterson, Lamp Operator: Al Picklesimer, Lamp Operator: Charles Register, Lamp Operator: Christopher Robbins, Lamp Operator: Robert W. Rothe, Frederick Valentine, Key Grip: Chunky Huse, Best Boy Grip: Monte E. Bass, Dolly Grip: Gerrit Garretsen, Grip.: Eric Bartsch, Grip.: Ryan Bartsch, Grip.: Logan Berkshire, Grip.: Michael Bonsignore, Grip.: Rufus Granger Jr, Grip.: Randy Halpern, Grip.: Dwayne Hatchell, Grip.: Danny Haizlip, Grip.: Robert Hoelen, Grip.: Robert Parrish, Grip.: David Robinson, Thomas C. Smaling, Grip Labor: Rickie Mills, Todd Charmont, Greensman: Dennis Benda, Greensman: Darrell Huntsman, Greensman: Rene Vandenberghe, Stephanie Waldron, Greens Labor: Michael Jackson, Key Grip (2nd Unit): Tom May, Stills Photography: Frank Connor, Special Effects Co-ordinator: Tom Fisher, Trix Unlimited, Special Effects Administrator: Paula Fisher, Special Effects: Scott Fisher, Special Effects: Roger Hansen, Special Effects: Jay King, Special Effects: Terry King, Special Effects: Bruce Minkus, Special Effects: Howard 'Peppy' Richardson, Special Effects: Richard Scioli, Special Effects Co-ordinator (2nd Unit): Henry Millar, Editor: Dov Hoenig, Editor: Arthur Schmidt, Additional Editor: Jere Huggins, Wayne Wahrman, 1st Assistant Editor: Ron South, Carin-Anne Strohmaier, Assistant Editor: Matthew Booth, Assistant Editor: Stephen Meek, Assistant Editor: Caroline Ross, Gordon Antell, Apprentice Editor: Jeremiah O'Driscoll, Apprentice Editor: Mark L. Levine, Apprentice Editor: David Fletcher, Apprentice Editor: Cynthia Kimoto, Apprentice Editor: Terrie Berlin, Eric Schusterman, Production Designer: Wolf Kroeger, Visual Consultant: Gusmano Cesaretti, Lee Teter, Art Director: Richard Holland, Art Director: Robert Guerra, Assistant Art Director: Patricia Woodbridge, Assistant Art Director: Erik Olson, Assistant Art Director: Dennis Bradford, Set Designer: Karl Martin, Set Designer: Masako Masuda, Set Decorator: Jim Erickson, Set Decorator: James V. Kent, Assistant Set Decorator: Amy Wells, On Set Dresser: Peter Gelfman, Set Dressing Foreman: J. Luther Jones III, Set Dresser: John T. Bromell, Set Dresser: William F. Craine, Set Dresser: Jennifer C. Debell, Set Dresser: Mark Ricker, Swing Gang: Parker Webb, Swing Gang: Claudine Odell, Swing Gang: Larry B. Sauls, Patricia A. Gura, Draper: Mary Kate Edmondstone, Lead Person: Victor Zolfo, Storyboards: Jeff Balsmeyer, Tim Braniff, Property Master: Ron Downing, Mickey Pugh, Property Assistant: James S. Morgan, Property Assistant: Jerry Blohm, Property Assistant: Raymond E. Giron, John Pankow, Trader Guns/Leather Work: Mark Hughes, Property Labor: Laura Jenkins, Stacy Karzen, Fort William Henry built by: Pryority Group Ltd., Prior Gibson, Construction Co-ordinator: Anthony Lattanzio, Construction Adviser: John Lattanzio, Construction Foreman: Chan Mentzer, Standby Painter: Richard D. Whitney Jr, Construction Co-ordinator: Lowery Construction, Costume Designer: Elsa Zamparelli, Costume Supervisor: Jennifer Butler, Set Costumer: Julie Glick, Richard Schoen, Costume Maker: Dianne Fennell, Brigitte Fiedler, Costume Department Supervisor: Michael Butler, Military Costume Adviser: Richard E. La Motte, Military Wardrobe: J. Craig Nannos, Designer Assistant: Linda L. Taylor, Cutter/Fitter: Linda Ketchmark, Wardrobe Assistant: Tina Hightower, Key Make-up Artist: Peter Robb-King, Make-up Artist: John R. Bayless, Make-up Artist: Jeff Goodwin, Make-up Artist: Rita Parillo, Make-up Artist: Joan Rieger, Jane Royle, Additional Make-up: Connie Boyer, Additional Make-up: Eva M. Carlyon, Additional Make-up: Mitzi Gunter, Additional Make-up: Sandra Orsolyak, Ronnie Watkins, Prosthetic Make-up Artist: Evan Campbell, Prosthetic Make-up Artist: Nicholas Dudman, Prosthetic Make-up Artist: Vincent Guastini, Prosthetic Make-up Artist: Christopher Johnson, Prosthetic Make-up Artist: Neal B. Kelly, Joe Macchia, Tattoo Artist: Russell J. Dodson, Tattoo Artist: John D. Evers, Tattoo Artist: Jason Fruchter, Tattoo Artist: Pierre L. Griffen, Tattoo Artist: Angela Hajianis, Tattoo Artist: Christine Howard, Tattoo Artist: Matthew Johnson, Tattoo Artist: Jason M. Machinga, Tattoo Artist: Richard S. Martinko, Dwaine Trimble, Hairdresser/Wigmaker: Vera Mitchell, Roy C. Bryson Jr, Hairstylist: Verne Caruso, Hairstylist: Caroline Clements, Hairstylist: Pamela Priest, Baker 'Buzz' Smith Jr, Background Hairstylist: Melissa Yonkey, Wig Dresser: Deborah R. Ball, Wig Dresser: Judy Bickerton, Wig Dresser: Gail Hensley, Betty Lou Skinner, Hair Assistant: Linda Biondo, Hair Assistant: Drew Lynn Gardner, Hair Assistant: Harold E. Hensley, Hair Assistant: Richard Hensley, Hair Assistant: Kenneth Grindstaff, Hair Assistant: John Panther, Hair Assistant: P.J. Williams, Hair Assistant: Barbara Willis, Hair Assistant: Scott Willis, Mary Young, Main Title Design: Douy Swofford, Titles/Opticals: Pacific Title, Colour Timer: Phil Hetos, Special Optical Effects: Boss Film Studios, Music: Trevor Jones, Music: Randy Edelman, Additional Music: Daniel Lanois, Music Conductor: Dan Carlin, Randy Edelman, Orchestrations: Guy Dagul, Orchestrations: Brad Dechter, Orchestrations: Greig Mcritchie, Orchestrations: Jack Smalley, Additional Orchestrator: Bobby Muzingo, Music Co-ordinator: Dan Carlin, Music Preparation: Jo Ann Kane Music Service, Music Editor: Jim Weidman, Music Editor: Michael T. Ryan, Music Editor: Kathy Durning, Assistant Music Editor: David Olson, Scoring Mixer: Elton Ahi, Scoring Mixer: John Richards, Scoring Mixer: Dennis Sands, Scoring Mixer: Mark Smith, John Whynot, Music Consultant: Fred Lyle, Music Consultant: Roz Larman, Music Consultant: Howard Larman, Synclavier Consultant: Bruce Nazarian, Music Contractor: Sandy Decrescent, Sound Design/Supervision: Lon E. Bender, Sound Mixer: Simon Kaye, Additional Audio: Kim Waugh, Additional Audio: Rudy Pi, Wylie Stateman, Boom Operator: Jack Dalton, Boom Operator: Scott Warren, Boom Operator: Albert Aquino, Cable Person: Dan Vaccaro, Video Assist: Kevin P. Boyd, Re-recording Mixer: Paul Massey, Re-recording Mixer: Doug Hemphill, Re-recording Mixer: Mark Smith, Chris Jenkins, Rerecorded at: Todd-AO/Glen Glenn Studios, Sound Editor: David Baldwin, Sound Editor: Glenn T. Morgan, Sound Editor: Per Hallberg, Sound Editor: Willy Allen, Sound Editor: Ascher Yates, Sound Editor: Scott Martin Gershin, Sound Editor: Dan Hegeman, Assistant Sound Editor: Karen M. Baker, Assistant Sound Editor: Lisa Miller, Assistant Sound Editor: John Rice, Judson Leach, Negative Cutter: Gary Burritt, Sound Editing: SounDelux, Digital Dialogue Editor: Chris Hogan, Digital Dialogue Editor: Randy Kelley, Dan Rich, Sound Effects Supervisor: Larry Kemp, Special Weapons [Sound Effects]: Jay Richardson, Special Weapons [Sound Effects]: Victor Iorillo, Special Weapons [Sound Effects]: Richard Dwan Jr, Frank Smathers, ADR Supervisor: Gregg Baxter, ADR Editor: Mary Andrews, ADR Editor: Laura Graham, ADR Editor: Bill Voightlander, ADR Editor: Linda Whittlesey, Foley Artist: Dan O'Connell, Foley Artist: Alicia Stevenson, Foley Artist: Kevin Bartnof, Foley Artist: Hilda Hodges, Foley Recordist: Nerses Gezalyan, Foley Recordist: Marilyn Graf, Foley Mixer: Greg Orloff, Foley Mixer: Mary Jo Lang, Foley: Skywalker Sound, Foley: Taj Soundworks, Stunt Co-ordinator: Mickey Gilbert, Stunts: Timothy Barnett, Stunts: Stan Barrett, Stunts: Paul Beahm, Stunts: Virgil Ben, Stunts: Simone Boisseree, Stunts: Bruce Bradley, Stunts: Mark S. Brien, Stunts: Joseph G. Brown Thunder Jr, Stunts: Brian Burrows, Stunts: Mark Chadwick, Stunts: R.J. Chambers, Stunts: Cary Mitchell Chavis, Stunts: John M. Copeman, Stunts: Richard Duran, Stunts: Mitch Factor, Stunts: David Christian Fletcher, Stunts: Billy Joe Fredericks, Stunts: Brian P. Frejo, Stunts: Lance Gilbert, Stunts: Tim Gilbert, Stunts: Troy Gilbert, Stunts: Leon Good Striker, Stunts: Sherry R. Ham, Stunts: Robert O. Hardridge, Stunts: James Hawzipta, Stunts: Charles Hosack, Stunts: Howard S. Jackson, Stunts: C.J. Johnson, Stunts: Jamie A. Keyser, Stunts: Larry King, Stunts: Jim Lewis, Stunts: Clint 'Burkey' Lilley, Stunts: Judson Kieth Linn, Stunts: Ray E. Logan, Stunts: David Lowry, Stunts: Billy D. Lucas, Stunts: Alvin William Lunak, Stunts: Danny Mabry, Stunts: Gene Matt, Stunts: Mike Mcgaughy, Stunts: Jamie Jo Medearis, Stunts: Dean Mumford, Stunts: Guy M. Musgrove, Stunts: Ron Norris, Stunts: Cisco R. Oliveira, Stunts: Bernie Pock, Stunts: Volley 'Punk' Reed, Stunts: Wayne Richards, Stunts: Mario Roberts, Stunts: Debby Lynn Ross, Stunts: Don Ruffin, Stunts: Robert Russell, Stunts: Lonnie R. Smith Jr, Stunts: Joseph D. Tillman, Stunts: Adam C. Trammell, Stunts: Tim Trella, Stunts: James A. Twoguns, Stunts: Melvin Wachacha, Stunts: Kenneth L. Walker, Stunts: Jim Waters, Stunts: Ric Waugh, Stunts: Scott Waugh, Stunts: David Webster, Stunts: Beasley Willis Sr, Stunts: Thomas Wyatt, Stunts: Harry C. Ynguanzo, Military Technical Adviser: Captain Dale Dye, Technical Adviser/Trainer: David Webster, Reenactor Co-ordinator: Dale E. Fetzer Jr, Native American Co-ordinator: Alvin Dutch Lunak, Hawkeye Physical Trainer: Richard Smedley, 18th Century Frontier Consultant: Lee Teter, 18th Century Military Consultant: Philip Haythornthwaite, Delaware Language Instructor: Glen Jacobs, Dale Dione, Researcher: Julia Kobrinsky, Mountaineer: Whitney Heuermann, Engineering Location Consultant: Kenneth O. Pankow, Medical Co-ordinator: Cindi Simmons, Assistant First Aid: Steve D. Campbell, Security Chief: J.D. Williams, Meteorologist: Odell S. Sluder, Wagon Master: Les Pendleton, Transportation Co-ordinator: Jerry Jackson, Transportation Captain: Richard A. Davis, Transportation Co-captain: Brian 'Bird' Kay, Robert E. Gravel, Dispatch Co-ordinator: Vicki Lybrand, Driver: Douglas 'Tiny' Burchfield, Driver: James S. Burns, Driver: Kellie Frost, Driver: Kelley Jackson, Driver: Sam Katanich, Driver: Todd Lewis, Driver: Barney McCoy, Driver: Jackson Stafford, Driver: John Lybrand, Rebil Yendor, Production Catering: Gala Catering, J. Mitchell Harris, Transportation Co-ordinator (2nd Unit): Bernard Szymanski, Dialect Coach: Cindia Huppeler, Andrew Jack, Acting Coach: Sondra Lee, Armourer: Rings Studio Gun Rental, Armourer: Vern Crofoot, 'Killdeer' Gun Made by: Wayne Watson, Additional Guns: Brian Lamaster, Custom Knives: Randall King, Wrangler: Jay K. Fishburn, Unit Publicist: Peter W. Haas, Publicity Consultant: Rogers & Cowan
Cast
(45)
Daniel Day-Lewis (Hawkeye), Madeleine Stowe (Cora Munro), Russell Means (Chingachgook), Eric Schweig (Uncas), Jodhi May (Alice Munro), Steven Waddington (Major Duncan Heyward), Wes Studi (Magua), Maurice Roëves (Colonel Edmund Munro), Patrice Chéreau (General Montcalm), Edward Blatchford (Jack Winthrop), Terry Kinney (John Cameron), Tracey Ellis (Alexandra Cameron), Justin M. Rice (James Cameron), Dennis J. Banks (Ongewasgone), Pete Postlethwaite (Captain Beams), Colm Meaney (Major Ambrose), Mac Andrews (General Webb), Malcolm Storry (Phelps), David Schofield (sergeant major), Eric D. Sandgren (Coureur de Bois), Mike Phillips (Sachem), Mark A. Baker (colonial man), Dylan Baker (Bougainville), Tim Hopper (Ian), Gregory Zaragoza (Abenaki chief), Scott Means (Abenaki warrior), William J. Bozic Jr (French artillery officer), Patrick Fitzgerald (Webb's adjutant), Mark Joy (Henri), Steve Keator (colonial representative), Don Tilley (colonial 1), Thomas E. Cummings (colonial 2), David Mark Farrow (guard), Ethan James Fugate (French sappeur), F. Curtis Gaston (soldier 1), Eric A. Hurley (soldier 2), Jared Harris (British lieutenant), Michael McConnell (sentry), Thomas John Mcgowan (rich merchant), Alice Papineau (Huron woman), Mark J. Maracle (Sharitarish), Clark Heathcliffe (regimental sergeant major), Sebastian Roché (Martin), Joe Finnegan (redcoat 2), Sheila Adams Barnhill (humming woman)
Articles held in BFI Reuben Library
(28)
In: Empire n201 March 2006 Pages: 77-88,90-101Title: 201 Greatest movies of all timeArticle type: ArticleLanguage: English
Description: A listing of the top two hundred and one films as chosen by the reader's of Empire magazine. With comments by actors and filmmaker's.
In: Music from the Movies n30 Feb/Mar 2001 Page: 47
Title: Film music review: the latest releases reviewed and ratedAuthor: McLEAN, Paul Andrew Article type: Soundtrack ReviewLanguage: English
In: Radio Times v298 n3888 15 Aug 1998 Page: 39
Title: Film of the weekArticle type: ReviewLanguage: English
In: Sight and Sound v3 n8 August 1993 Pages: 26-29
Title: First and Last MohicansAuthor: BARKER, Martin Article type: ArticleLanguage: English
Description: About changes in the narrative and presentation of the original novel in comic books, television series and films. Includes a summary of the original story.
In: Film and History v23 n1-4 1993 Pages: 103-116
Title: Deconstructing an American Myth: Hollywood and The Last ofAuthor: WALKER, Jeffrey Article type: ArticleLanguage: English
Description: Article on the image of native Indians in The LAST OF THE MOHICANS within the context of a special issue devoted to the relationship between Hollywood and native Indians
In: Sight and Sound v3 n6 June 1993 Page: 66
Title: [Sight and Sound - v3 n6 June 1993: no known title]Article type: NoteLanguage: English
Description: Video note
In: Premiere v6 n5 January 1993 Page: 10
Title: [Premiere - v6 n5 January 1993: no known title]Article type: LetterLanguage: English
Description: Letter from one of the costume crew about the difficulties of working with Michael Mann on LAST OF THE MOHICANS.
In: Sight and Sound v3 n11 November 1993 Page: 61
Title: [Sight and Sound - v3 n11 November 1993: no known title]Article type: NoteLanguage: English
Description: Video note
In: Premiere v6 n2 October 1992 Page: 102
Title: The 12 Greats of ChristmasAuthor: various Article type: NoteLanguage: English
Description: Note, in a preview of the most likely hits and Oscar contenders being released during the Autumn of 1992-1993
In: Sight and Sound v2 n7 November 1992 Page: 15
Title: White noiseAuthor: HARKNESS, John Article type: ArticleLanguage: English
Description: Article assessing the function of Hawkeye in the James Fenimore Cooper books, with reference to previous attempts at filming The LAST OF THE MOHICANS, and in particular Michael Mann's version.
In: Positif n380 October 1992 Pages: 58-59
Title: Actualité; Les FilmsAuthor: NIOGRET, Hubert Article type: CreditsLanguage: French
Description: Comparing the version made in 1920 with the 1992 version of LAST OF THE MOHICANS
In: Empire n37 July 1992 Page: 66
Title: The ultimate summer previewArticle type: NoteLanguage: English
In: Films in Review v43 n11/12 Nov/Dec 1992 Pages: 403-404
Title: [Films in Review - v43 n11/12 Nov/Dec 1992: no known title]Author: PAWELCZAK, Andy Article type: ReviewLanguage: English
Description: Brief review.
In: Interview v22 n10 October 1992 Page: 88
Title: Shots in the DarkAuthor: FULLER,Graham Article type: ArticleLanguage: English
Description: Article.
In: American Cinematographer v73 n12 December 1992 Pages: 30-34
Title: Last of the Mohicans: interpreting Cooper's classic.Author: COMER, Brooke Article type: ArticleLanguage: English
Description: Describes the work of cinematographer Dante Spinotti on THE LAST OF THE MOHICANS.
In: Premiere v6 n4 December 1992 Page: 130
Title: If you ask meAuthor: GELMAN-WAXNER, Libby Article type: ReviewLanguage: English
Description: Light-hearted review of the film and daniel Day-Lewis's performance in it
In: British Board of Film Classification - Monthly List of Cinema Films October 1992 Page: 1
Title: [British Board of Film Classification - Monthly List of Cinema Films - October 1992: no known title]Language: English
In: Sight and Sound v2 n7 November 1992 Pages: 10-12,14
Title: Michael Mann: Wars and PeaceAuthor: SMITH, Gavin Article type: InterviewLanguage: English
Description: Interview with Michael Mann about his career, especially The LAST OF THE MOHICANS.
In: Sight and Sound v2 n7 November 1992 Pages: 45-46
Title: [Sight and Sound - v2 n7 November 1992: no known title]Author: SHEEHAN, Henry Article type: CreditsLanguage: English
In: Premiere v6 n2 October 1992 Pages: 60-63,65,68,70
Title: Mann OverboardAuthor: SCHRUERS, Fred Article type: InterviewLanguage: English
Description: Location report on The LAST OF THE MOHICANS, including comments from Michael Mann.
In: Variety 31 Aug 1992 Page: 60
Title: [Variety - 31 Aug 1992: no known title]Article type: CreditsLanguage: English
In: Empire n42 December 1992 Pages: 24-25
Title: New filmsArticle type: ReviewLanguage: English
In: Empire n42 December 1992 Pages: 80-88
Title: Dances with DanielAuthor: SEARS, Rufus Article type: ArticleLanguage: English
Description: Report from the set of The LAST OF THE MOHICANS.
In: Empire n42 December 1992 Page: 89
Title: Into the woodsAuthor: MUELLER, Matt Article type: Short ArticleLanguage: English
Description: Article about the task of building a replica of Fort William Henry for The LAST OF THE MOHICANS in the Blue Ridge Mountains, North Carolina.
In: Screen International n814 5 Jul 1991 Page: 26
Title: [Screen International - n814 5 Jul 1991: no known title]Article type: CreditsLanguage: English
In: The Hollywood Reporter v317 n39 4 Jun 1991 Page: 21
Title: [The Hollywood Reporter - v317 n39 4 Jun 1991: no known title]Article type: CreditsLanguage: English
In: Screen International n794 15 Feb 1991 Page: 42
Title: [Screen International - n794 15 Feb 1991: no known title]Article type: Prod. DetailsLanguage: English
In: Screen International n813 28 Jun 1991 Page: 16
Title: [Screen International - n813 28 Jun 1991: no known title]Article type: Prod. DetailsLanguage: English
Books held in BFI Reuben Library
(8)
Title: Routledge companion to screen music and soundAuthor: MERA, Miguel Pages: xxiii, 633 pages
Title: Now a major motion picture: film adaptations of literature and drama
Author: GERAGHTY, Christine Pages: viii, 221 p.
Description: Donated by author, June 2008
Title: cinema of Michael Mann
Author: RYBIN, Steven Pages: 233 p.
Title: Blood in the moonlight: Michael Mann and information age cinema
Author: WILDERMUTH, Mark E. Pages: xi, 211 p.
Title: Literature and film: a guide to the theory and practice of film adaptation
Author: STAM, Robert Pages: xiv, 359 p.
Title: Secrets of screenplay structure: how to recognize and emulate the structural frameworks of great films
Author: COWGILL, Linda J. Pages: v-xv, 318p.
Title: Hollywood's Indian: the portrayal of the native American in film
Author: ROLLINS, Peter C Pages: viii-xiv, 226p.
Title: Projections 1: a forum for film-makers
Author: BOORMAN, John Pages: 283p.
Description: John BOORMAN pp. 5-120 Emeric PRESSBURGER pp. 133-157 Jonathan DEMME pp. 158-197 Nestor ALMENDROS pp. 198-211 Gus VAN SANT pp. 212-222 SURVIVING DESIRE pp. 225-259 Michael MANN pp. 262-272 LAST OF THE MOHICANS pp. 262-279 Jonathan DEMME pp. 262-279 Hal HARTLEY pp. 223-259 Michael MANN pp. 262-279 River PHOENIX pp. 212-222 Emeric PRESSBURGER pp. 133-157 Gus VAN SANT pp. 212-222 SURVIVING DESIRE pp. 223-259
Film, Video or Digital materials held in BFI National Archive(3)
Accessible materials to view(1)
Description: 35mm Colour PositiveBase: CTASound: CombinedLength: 10073 FeetStock date: 1992BFI identifier: C-939266
Status: Viewing - Viewing experience and projection may be compromised by condition of film print (servicing required)
Film materials(3)
Description: 35mm Colour PositiveBase: SafetySound: CombinedBFI identifier: C-727469
Status: Status pending - Material requires inspection to determine preservation or access status
Description: 35mm Colour PositiveBase: SafetySound: CombinedBFI identifier: C-741328
Status: Status pending - Material requires inspection to determine preservation or access status
Description: 35mm Colour PositiveBase: CTASound: CombinedLength: 10073 FeetStock date: 1992BFI identifier: C-939266
Status: Viewing - Viewing experience and projection may be compromised by condition of film print (servicing required)