Being AP (Original title)Being A.P. (Help search title)

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Dates: 2015 (Copyright), 23 November 2015 (Release)

Countries: United Kingdom, Ireland

Director: Anthony Wonke

Synopsis: Documentary in which the jump jockey AP McCoy reflects on his life and career.

Genre: Documentary

Subjects: Jockeys, Horse racing

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Releases
Date: 23 November 2015Country: United KingdomRelease type: TheatricalFormat: not specified - Colour - SoundRuntime: 102 mins 39 secs - Dialogue (original): EnglishDistributor: E1 Films

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©: Moneyglass Films Limited, Production Company: Moneyglass Films, In association with: Roads Entertainment, Partizan Films, Produced in association with: Kreo Films, Victory Productions, Made with the partial assistance of: Northern Ireland Screen, Presents: BBC Films, [Presented] in association with: Northern Ireland Screen, Bord Scannán na hÉireann/the Irish Film Board, Executive Producer: Christine Langan, Executive Producer: Joe Oppenheimer, Executive Producer: Madeleine Sanderson, Executive Producer: Georges Bermann, Executive Producer: Keith Potter, Executive Producer: Simon Ford, Produced by: Nick Ryle, Produced by: John Woollcombe, Produced by: Alan Maher, Assistant Producer: Niamh Kennedy, Co-producer: Richard A. Moore, Senior Business Manager: Michael Wood, Head of Legal and Business Affairs: Zoe Brown, Legal and Business Affairs Manager: Livy Sandler, Marketing Executive: Jacqui Barr, Chief Executive Officer: Richard Williams, Head of Production: Andrew Reid, Director of Finance and Corporate Services: Linda Martin, Head of Marketing and Exhibition: Moyra Lock, Funding Manager: Suzanne Harrison, Funding Executive: Marian Clark de Monreal, Executive Producer: Danielle Ryan, Executive Producer: Richard Bourke, Executive Producer: Phil xHunt, Executive Producer: Compton Ross, John Wallace, Production Co-ordinator: Roisin Geraghty, Production Accountant - Ireland: Evelyn McLoughlin, Production Accountant - UK: Barry Peake, Head of Post-production: Tim Morris, Post-production Producer: Maura Murphy, Production Assistant: Edward Callander, Production Assistant: Cory Marsh, Production Assistant: Perle Rolland, Production Assistant: Joe Snelling, 2nd Unit Director: Niamh Kennedy, Director of Photography: Thomas Elliott, Director of Photography: Neil Harvey, Director of Photography: Andrew Thompson, Additional Camera: Carl Burke, Additional Camera: Johan Perry, Additional Camera: Mike Eley, Additional Camera: Simon Niblett, Additional Camera: Chris Openshaw, Additional Camera: Mike Simpson, Additional Camera: Richard Ranken, Additional Camera: Kate McCullough, Underwater Cinematographer: Gail Jenkinson, Assistant Camera: Ariel Grandoli, Assistant Camera: Daniel Ali, Assistant Camera: Marit De Bruijne, Assistant Camera: Dylan Knapp, Assistant Camera: Kane Malcuit, Assistant Camera: Donald Ng, Gosia Zur, Production Stills Photographer: Ariel Grandoli, Charlie Hyams, Specialist Racing Cinematography: Equine Productions, Film Editor: Paul Carlin, Film Editor: Kevin Konak, On-line Editor: Robbie O'Farrell, Editorial Technical Support: Culme-Seymour, Post-production Facilities: Windmill Lane Pictures, Titles Design: Cian McKenna, Colourist: Dave Hughes, Music: Andrew Phillips, Sound Designer: Fiadhnait McCann, Sound Producer: Deborah Doherty, Sound Recordist: Timothy Watts, Sound Recordist: Andrew Yarme, Production Sound Mixer: Robert Flanagan, Additional Sound: Simon Willis, Additional Sound: Sean Millar, Paul Nathan, Re-recording Mixer: Mark Henry, Dialogue Editor: Liam Yelen, Racing Consultant: Luke Harvey, Digital Intermediate Conform: Matt Branton, Digital Cinema Mastering: Erik Goodbody

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AP McCoy ()

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